All stories by Miriam Gillinson on BroadwayStars

Monday, May 13, 2019

Die! Die! Die! Old People Die! review – darkly funny descent into old age by Miriam Gillinson

Battersea Arts Centre, LondonA couple confront impending death with bawdy humour and burgeoning sadness in Ridiculusmus’s unsettling two-hander Let’s call this endurance clowning. Like a…

SOURCE: The Guardian at 06:33AM
Friday, May 10, 2019

What to see this week in the UK by Andrew Pulver, Michael Cragg, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From High Life to Joy for Ever, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 08:36AM

Human Jam review – Londoners dig back at HS2 by Miriam Gillinson

Camden People’s theatre, London The community railroaded by Britain’s high-speed transport project turn their ire into a sparky protest show Sixty-three thousand. That’s how many bodie…

SOURCE: The Guardian at 08:36AM
Friday, May 3, 2019

What to see this week in the UK by Andrew Pulver, Phil Harrison, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From Vox Lux to Stanley Kubrick, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 11:36AM
Thursday, May 2, 2019

Out of Water review – Zoe Cooper's coastal drama is captivating by Miriam Gillinson

Orange Tree, RichmondThe nature of identity is explored with compassion in Cooper’s play which features brilliant performances Whatever it is that distinguishes rare writing talent, Zoe Co…

SOURCE: The Guardian at 10:18PM
Tuesday, April 30, 2019

The Amber Trap review – stolen kisses and cruel threats in the cornershop by Miriam Gillinson

Theatre 503, LondonThe peaceful behind-the-counter romance of two young women is disturbed by the arrival of an outsider The shelves are crammed with wine bottles, colourful tins, cereal box…

SOURCE: The Guardian at 09:48PM
Friday, April 26, 2019

What to see this week in the UK by Andrew Pulver,phil Harrison, John Fordham, Andrew Clements, Jonathan Jones,miriam Gillinson and Lyndsey Winship

From Avengers: Endgame to Mary Quant, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 04:00AM
Friday, April 19, 2019

What to see this week in the UK by Andrew Pulver, Phil Harrison, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From Loro to Stealing Sheep, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 04:00AM
Friday, April 12, 2019

What to see this week in the UK by Damon Wise, Phil Harrison, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From Mid90s to Dave, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 04:00AM
Tuesday, April 9, 2019

Going Through review – migrant's words flow freely across borders by Miriam Gillinson

Bush theatre, LondonThis gently uplifting play about child migration – performed in English and beautifully signed – delights in language Child migration might sound like a difficult sub…

SOURCE: The Guardian at 11:42AM
Thursday, April 4, 2019

Wilderness review – separated parents frame family's destruction by Miriam Gillinson

Hampstead Downstairs, LondonThe crumbling set mirrors the failed relationship of a couple in Kellie Smith’s heavy-going drama Dilapidated walls fill the stage, with great big holes punctu…

SOURCE: The Guardian at 03:00PM
Wednesday, April 3, 2019

The Crucible review – gender twist gets you thinking but not feeling by Miriam Gillinson

The Yard, LondonJay Miller’s reworking of Arthur Miller’s classic delivers tender chemistry, clever characters and a female John Proctor, but its quest for novelty loses focus Arthur Mil…

SOURCE: The Guardian at 01:12PM
Friday, March 22, 2019

Hypnotic odysseys and beatboxing monsters at BAC's talent pageant by Miriam Gillinson

Four Women and Frankenstein are among the mindblowing highlights of Homegrown festival’s four-week creative carnival There’s always a festival vibe at BAC; a sense that young talent is n…

SOURCE: The Guardian at 04:00PM
Thursday, March 21, 2019

Falling review – teen daughter's postcards from the edge by Miriam Gillinson

Old Fire Station, OxfordNear catastrophe in a back garden sparks up this heartfelt if over-signposted play strongly influenced by children’s theatre A black hole is engulfing Claire and he…

SOURCE: The Guardian at 04:00PM
Friday, March 15, 2019

Double trouble: death, drugs and dancing daggers in two new Macbeths by Miriam Gillinson

With their coke-fuelled visions and weaponised guitars, these productions put a new spin on Shakespeare’s tragedy Two new versions of Macbeth march to a very different beat but music pulse…

SOURCE: The Guardian at 12:29PM
Friday, March 8, 2019

What to see this week in the UK by Andrew Pulver, Michael Cragg, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From Captain Marvel to Henry Moore, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 04:00AM
Tuesday, February 19, 2019

All in a Row review – autistic child puppet drama has warmth and truth by Miriam Gillinson

Southwark Playhouse, LondonGood puppetry lends rich humanity to the central character of this subtle if controversial production about a boy set to leave home for a residential schoolPlenty …

SOURCE: The Guardian at 09:24AM
Friday, February 15, 2019

What to see this week in the UK by Andrew Pulver, Michael Cragg, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From Notting Hill to Fatboy Slim, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 03:04PM

Princess & the Hustler review – vibrant family drama has heart and purpose by Miriam Gillinson

Bristol Old Vic As the British civil rights movement gathers momentum, racial tensions threaten a family in 1960s Bristol in this locally-gestated new playAn angry mob surges forward, banner…

SOURCE: The Guardian at 11:42AM
Thursday, February 7, 2019

Farewell to Michael Ross, a writer whose words are a gift to actors by Miriam Gillinson

Ross, who has died aged 40, left two new plays – The Shy Manifesto and The Good Landlord – which are full of compassion and dark comedyThe news last month that the playwright Michael Ros…

SOURCE: The Guardian at 01:06PM
Tuesday, January 15, 2019

Stop and Search review – stories collide on the road to nowhere by Miriam Gillinson

Arcola, LondonGabriel Gbadamosi’s oblique new play follows three encounters, but too many layers of intrigue throw it off courseThe title is misleading: this isn’t really a play about po…

SOURCE: The Guardian at 10:32AM
Monday, January 14, 2019

Hippity Hop review – rap show about a runaway pram gets kids freestyling by Miriam Gillinson

Oxford PlayhouseSparky performances and multisensory skits make Oily Cart’s singing, dancing and rhyming show feel cheekyOily Cart barely miss a beat in Hippity Hop, a sensory theatrical p…

SOURCE: The Guardian at 12:32PM
Monday, December 17, 2018

The Cat in the Hat review – Dr Seuss's rascal reborn as a madcap circus star by Miriam Gillinson

Curve, LeicesterStorytelling is secondary to spectacle in this chaotic retelling that features cakes, wigs and a fraught balancing actBefore Dr Seuss’s infamous Cat has made his entrance, …

SOURCE: The Guardian at 08:18AM

Goldilocks and the Three Bears review – warm, wondrous festive treat by Miriam Gillinson

Derby theatreThe classic tale plays out on a lusciously crafted eco-friendly set by a company gently pushing the boundaries of kids’ theatreWe’re deep in the woods and inside the three b…

SOURCE: The Guardian at 07:12AM
Monday, December 10, 2018

Return to Elm House review – kids let loose on BAC's magical history tour by Miriam Gillinson

Battersea Arts Centre, LondonChildren are given access all areas to explore the old town hall building in this story about Britain’s first female civil servant‘Why does it say ‘caution…

SOURCE: The Guardian at 05:18PM

Doctor Faustus review – devilishly smart show is a hell of a lot of fun by Miriam Gillinson

Sam Wanamaker Playhouse, LondonJocelyn Jee Esien and Pauline McLynn are on glorious form and bring out the glee in Marlowe’s macabre classicWhen asked why she decided to make Doctor Faustu…

SOURCE: The Guardian at 08:32AM
Monday, November 26, 2018

Torch review – so real it makes you want to reach out and help by Miriam Gillinson

Various locations, St Helen’sThis site-specific immersive theatre piece about local women’s lives across the decades inspires kindness and debateANU Productions have been talking and lis…

SOURCE: The Guardian at 02:48AM
Monday, November 19, 2018

Super Duper Close Up review – turning a lens on anxiety in the internet age by Miriam Gillinson

The Yard, LondonThe latest from theatre company Made in China is an arresting monologue about an actor prone to panic attacks and phone addictionA woman in a frilly green dress stands centre…

SOURCE: The Guardian at 01:36AM
Friday, November 16, 2018

Macbeth review – real-life husband and wife make a dynamic duo by Miriam Gillinson

Sam Wanamaker Playhouse, LondonPaul Ready and Michelle Terry work brilliantly to create a central relationship that feels intimate and believableCasting roles based on real-life relationship…

SOURCE: The Guardian at 01:18AM
Monday, November 12, 2018

Vessel review – let go and get lost in Sue MacLaine's meditative show by Miriam Gillinson

Battersea Arts Centre, LondonThe feelings that words create, rather than their meaning, come to the fore in this quietly revealing pieceFour peaceful-looking women sit on chairs in a cramped…

SOURCE: The Guardian at 12:36PM
Sunday, November 11, 2018

Lands review – romance is a jigsaw puzzle of bouncing trampolines by Miriam Gillinson

Bush Theatre, LondonThis initially charming and thoughtful take on a couple in trouble casts hobby-obsession as the villain of the piece Leah loves jigsaw puzzles. She loves them so much tha…

SOURCE: The Guardian at 09:18AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic