All stories by Michael Billington on BroadwayStars

Tuesday, January 16, 2018

​Twilight: Los Angeles, 1992 review – voices ring out from Rodney King riots by Michael Billington

Gate, LondonNina Bowers delivers a nimble account of testimonies gathered in the wake of the unrest sparked by King’s televised beatingI recently suggested that, while one-person shows cou…

SOURCE: The Guardian at 09:54AM
Sunday, January 14, 2018

The Here and This and Now review – drug reps find humour is best medicine by Michael Billington

Southwark Playhouse, London A pharmaceuticals team juggle views on the global health threat posed by antibiotic resistance with pep, though Glenn Waldron’s prognosis is gloomyWhat poses th…

SOURCE: The Guardian at 06:19AM
Friday, January 12, 2018

Lone dangers: the delights and dilemmas of the one-person play by Michael Billington

The fashion for solo shows is easily explained – they’re cheap, infinitely adaptable and highlight great acting – but does truly profound drama need multiple voices?In the space of a w…

SOURCE: The Guardian at 04:49AM
Thursday, January 11, 2018

Rita, Sue and Bob Too review – a study of lives blighted by harsh reality by Michael Billington

Royal Court theatre, LondonAndrea Dunbar’s unflinching portrait of a world of limited horizons still seems chillingly resonantThis production has had an eventful history. It was yanked out…

SOURCE: The Guardian at 07:08PM
Wednesday, January 10, 2018

My Mum's a Twat review – breathtaking tale of a mother claimed by a cult by Michael Billington

Royal Court, LondonPatsy Ferran is a puckish delight as an emotionally abandoned daughter in Anoushka Warden’s candid account of teenage wounded furyEyebrows might be raised at the Royal C…

SOURCE: The Guardian at 06:59PM
Tuesday, January 9, 2018

Imaginationship review – love, murder and disco dreams in Great Yarmouth by Michael Billington

Finborough theatre, LondonSet in the seaside town that registered one of the highest Brexit votes in the UK, Sue Healy’s ebullient play has some lively performancesThe English seaside town…

SOURCE: The Guardian at 09:26AM
Monday, January 8, 2018

Hanna review – gripping solo show captures glee and guilt of motherhood by Michael Billington

Arcola theatre, LondonSam Potter’s sharp play, about a woman who finds out her daughter is not hers, raises big questions and is performed superbly by Sophie Khan LevyThere is a long histo…

SOURCE: The Guardian at 01:00AM
Friday, January 5, 2018

Into the Numbers review – stark tale of author haunted by Nanking massacre by Michael Billington

Finborough, LondonChristopher Chen’s sombre piece explores how the writing of her bestseller The Rape of Nanking, about a mass killing in 1937, affected Iris ChangIt is a critical cliche t…

SOURCE: The Guardian at 07:05AM
Thursday, January 4, 2018

Michelle Terry's plan for Shakespeare's Globe is democratic – but is it doable? by Michael Billington

Terry’s first season at the theatre promises to dismantle hierarchies but how easy is it to stage Hamlet without one director in charge?Michelle Terry’s first season as artistic director…

SOURCE: The Guardian at 11:40AM
Monday, January 1, 2018

All-star Pinter, a Suranne Jones thriller and Carey Mulligan goes solo: 2018's essential theatre by Michael Billington

Brace yourself for The Birthday Party, an EasyJet love story, Sting’s shipyard musical and Ben Whishaw as BrutusToby Jones, Zoë Wanamaker and Stephen Mangan star in a revival of a Pinter …

SOURCE: The Guardian at 05:05AM
Friday, December 29, 2017

Michael Billington on Macbeth: profile of greatest theatrical poem ever written by Michael Billington

The destructive nature of unchecked power-lust and political ambition in Shakespeare’s play speaks to us urgently still today“A drum! A drum! Macbeth doth come.” So say Shakespeare’s…

SOURCE: The Guardian at 09:54AM
Thursday, December 21, 2017

Hamilton review – revolutionary musical is thrilling salute to America's immigrants by Michael Billington

Victoria Palace, LondonLin-Manuel Miranda’s rollercoaster of a show boasts outstanding performances and charts the life of the US founding father with political passion and nimble witA Hol…

SOURCE: The Guardian at 06:12PM

Huppert and Irons are theatrical dynamite in Pinter's power games by Michael Billington

Honoured at a ceremony in Rome, the stars gave a supreme version of Ashes to Ashes – after a rather frosty reading of Albert Camus’s love letters to María CasaresThere was no lack of dr…

SOURCE: The Guardian at 03:04PM

A Christmas Carol review – dark, dreamlike Dickens at Windsor Castle by Michael Billington

Windsor CastleMarley’s ghost narrates a nightmarish account of Scrooge’s transformation in the castle’s sumptuous state apartmentsWindsor Castle’s state apartments, at first sight, m…

SOURCE: The Guardian at 08:18AM
Friday, December 15, 2017

Michael Billington's top 10 theatre of 2017 by Michael Billington

Imelda Staunton simmered, Sondheim’s showgirls sizzled, Bryan Cranston gave us a cathode-ray Lear, and Jez Butterworth found love in the time of hunger-strikes• More of the best culture …

SOURCE: The Guardian at 01:48PM

Belleville review – James Norton and Imogen Poots gleam amid Paris gloom by Michael Billington

Donmar Warehouse, LondonAmy Herzog’s tale of uprooted Americans sinks into melodrama but is elevated by a central pair who reveal all the nuances of a marriage in crisisAmericans in Paris …

SOURCE: The Guardian at 09:24AM
Thursday, December 14, 2017

Pinocchio review – the wooden wonder struts his stuff in a brilliant return to his roots by Michael Billington

Lyttelton, London The puppetry is ingenious and the songs are a joy as Dennis Kelly and John Tiffany carve a morality play out of Carlo Collodi’s original storyThe challenge in staging thi…

SOURCE: The Guardian at 08:12AM
Wednesday, December 13, 2017

The Twilight Zone review – a spooky ride into the supernatural by Michael Billington

Almeida, London Anne Washburn has adapted the TV show for an inventive production featuring tales of vanishing children, amnesiac teachers and alien interlopersAnne Washburn is clearly haunt…

SOURCE: The Guardian at 07:06AM
Tuesday, December 12, 2017

Misalliance review – Shaw's women talk the talk in an English country garden by Michael Billington

Orange Tree, Richmond Shaw’s 1909 play about class and feminism moves skilfully from disquisitory drama to anarchic comedy in this intellectually stimulating production This indispensable …

SOURCE: The Guardian at 10:18AM
Monday, December 11, 2017

Daisy Pulls It Off review – snobs, chums and scrummy tussles in schoolgirl tales spoof by Michael Billington

Park theatre, LondonPaulette Randall imaginatively revives Denise Deegan’s parody with a lively cast but this two-and-a-half-hour spoof is relentless in its gaietyDenise Deegan’s parody …

SOURCE: The Guardian at 12:24PM

The Box of Delights review – festive treat lifts the lid on a world of wonders by Michael Billington

Wilton’s Music Hall, London Matthew Kelly plays good and evil spirits in a magical, visually arresting adaptation of John Masefield’s classic children’s book Related: Long before Harry…

SOURCE: The Guardian at 11:18AM
Friday, December 8, 2017

Imperium review – Robert Harris's Cicero epic is a Roman triumph for the RSC by Michael Billington

The Swan, Stratford-upon-AvonMike Poulton’s two-part adaptation of Harris’s trilogy is an exhilarating and timely political drama about a democracy descending into tyrannyRome wasn’t b…

SOURCE: The Guardian at 07:33AM
Thursday, December 7, 2017

Cell Mates review – British spy's betrayal remains wrapped in Russian riddle by Michael Billington

Hampstead theatre, LondonThe uneasy relationship between convicted traitor George Blake and the anarchic Irishman who helped him escape Wormwood Scrubs is exposed yet still enigmatic in Simo…

SOURCE: The Guardian at 06:18PM

Pitcairn review – what happened after mutiny on the Bounty by Michael Billington

There are problems in paradise in Richard Bean's ingenious look at a failed attempt to create an island utopiaRichard Bean has hit upon a good subject: Fletcher Christian's attempt to create…

SOURCE: The Guardian at 09:24AM

A Christmas Carol review – Dickens's social ills touch the mind but not the heart by Michael Billington

Royal Shakespeare theatre, Stratford-upon-Avon David Edgar’s lively adaptation for the RSC foregrounds the tale’s reforming message and features Phil Davis as a grotesquely good ScroogeT…

SOURCE: The Guardian at 09:24AM
Tuesday, December 5, 2017

Musty or momentous? Three forgotten hits are back on stage in London by Michael Billington

Rare revivals of plays by Israel Zangwill, Jerome K Jerome and JM Barrie give lie to the idea that only a precious few classics deserve revisitingOne of the hoariest critical cliches is that…

SOURCE: The Guardian at 09:18AM
Friday, December 1, 2017

Goats review – livestock and smoking barrels in a shaggy tale from Syrian war by Michael Billington

Royal Court, LondonLiwaa Yazji’s play is named after the animals that Syrian villagers were given as an inadequate, absurd compensation for the loss of family membersThe last time we saw a…

SOURCE: The Guardian at 07:42PM
Thursday, November 30, 2017

The Open House review – sarcasm rules suburbia in comic portrait of a bilious dad by Michael Billington

Ustinov Studio, BathGreg Hicks plays an ailing father who cruelly mocks his wife, children and brother in Will Eno’s acid examination of family lifeJust when you thought the American famil…

SOURCE: The Guardian at 03:12AM
Wednesday, November 29, 2017

A Christmas Carol review – Rhys Ifans' shaggy skinflint serves up a festive feast by Michael Billington

Old Vic, London Jack Thorne’s superb retelling mines the ghosts of Scrooge’s past in a timely production brimming with love and affectionTwo months after Dickens’s story first appeared…

SOURCE: The Guardian at 06:33PM
Tuesday, November 28, 2017

Barnum – review by Michael Billington

Theatre in the Park, ChichesterChichester has acquired a 25-metre-high big top to stand in for the temporarily closed Festival theatre. It would seem appropriate that it opens with a revival…

SOURCE: The Guardian at 04:18AM
Thursday, November 23, 2017

The Secret Theatre review – spymaster and sex-crazed queen collude by candlelight by Michael Billington

Sam Wanamaker Playhouse, LondonAnders Lustgarten plays fast and loose with history in his tale of the espionage network surrounding Elizabeth I, but the result is vivid and pungentHistory pl…

SOURCE: The Guardian at 09:18AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre