All stories by Michael Billington on BroadwayStars

Wednesday, March 14, 2018

Frankenstein review – Manchester chiller is both terrifying and touching by Michael Billington

Royal Exchange, ManchesterBlending gothic horror and moral parable, this adaptation is skilfully stitched together by April De Angelis and Matthew XiaThere are said to be more than 55 theatr…

SOURCE: The Guardian at 08:01AM
Tuesday, March 13, 2018

Humble Boy review – serpents and supersymmetry collide in a Cotswold Eden by Michael Billington

Orange Tree, Richmond Astrophysics and simmering family tensions come to the boil in this superb revival of Charlotte Jones’s household dramaCharlotte Jones’s prizewinning play, to which…

SOURCE: The Guardian at 09:09AM
Monday, March 12, 2018

Ken Dodd: last of the music-hall maestros by Michael Billington

The veteran’s linguistic prowess, outlandish appearance and musical smarts could tickle any audience into a state of collective ecstasyThe death of Ken Dodd not only leaves the nation a sa…

SOURCE: The Guardian at 08:48AM
Sunday, March 11, 2018

The Dog Beneath the Skin review – ragbag revue too larky for its own good by Michael Billington

Jermyn Street theatre, LondonWH Auden and Christopher Isherwood’s satire on 1930s nationalism has a topical pungency but can’t match the gravity of the subjectThis political satire by WH…

SOURCE: The Guardian at 10:00AM
Friday, March 9, 2018

The Duchess of Malfi review – so bloody you need a blanket by Michael Billington

The Swan, Stratford-upon-Avon The front row are given protection for the second half of Maria Aberg’s RSC staging of Webster’s Jacobean tragedy – a brutal tale of female defianceThe RS…

SOURCE: The Guardian at 05:47AM
Thursday, March 8, 2018

Summer and Smoke review – gripping return for rare Tennessee Williams by Michael Billington

Almeida, LondonPatsy Ferran proves she is one of Britain’s most exciting actors in a major and wrongly neglected work by the great playwrightAs it is so rarely seen, this early play by Ten…

SOURCE: The Guardian at 05:51AM
Wednesday, March 7, 2018

Macbeth review – Rufus Norris's brutal take misses the poetry by Michael Billington

Olivier theatre, LondonRory Kinnear and Anne-Marie Duff star in a vigorous production that shows scant regard for the rhythms of the languageYou have to admire Rufus Norris’s chutzpah. For…

SOURCE: The Guardian at 06:00PM
Tuesday, March 6, 2018

The Best Man review – Gore Vidal's brutal political dogfight by Michael Billington

Playhouse, LondonMartin Shaw and Maureen Lipman star in an entertaining 1960 drama set during a Democratic party conventionIt has taken Gore Vidal’s highly entertaining drama about US pres…

SOURCE: The Guardian at 07:00AM
Monday, March 5, 2018

Returning to Haifa review – disturbing drama is a plea for peace by Michael Billington

Finborough, LondonA Palestinian couple return to their former home to be confronted by its new Israeli owner in this unsentimental, gently political family dramaCommissioned by New York’s …

SOURCE: The Guardian at 05:02AM
Thursday, March 1, 2018

Fanny and Alexander review – Bergman classic staged with superb performances by Michael Billington

Old Vic, LondonPenelope Wilton leads a top-notch cast in this gothic family drama that only fleetingly captures the brilliance of the filmYou can see the temptation to turn Ingmar Bergman’…

SOURCE: The Guardian at 07:00PM
Tuesday, February 27, 2018

Trust review – making a drama out of a capitalist crisis by Michael Billington

Gate, LondonThe exuberant pessimism of Falk Richter’s play might be hard to swallow, but Jude Christian’s production is an extraordinary mix of the political, the personal and the pantom…

SOURCE: The Guardian at 08:07AM
Friday, February 23, 2018

Picnic at Hanging Rock review – mesmerising mystery in the outback by Michael Billington

Barbican, LondonThe myth about a group of schoolgirls who go missing on Valentine’s Day is hauntingly realised by a versatile cast and impressive special effectsI initially assumed, like m…

SOURCE: The Guardian at 05:26AM
Thursday, February 22, 2018

Brighton Rock review – ingenious staging curtails Greene's Catholicism by Michael Billington

York Theatre RoyalBryony Lavery’s adaptation underplays the classic novel’s religious theme and focuses on the pleasure-seeking IdaBy a strange quirk of fate, Bryony Lavery’s adaptatio…

SOURCE: The Guardian at 08:02AM
Tuesday, February 20, 2018

Frozen review – Suranne Jones is riveting as mother facing child's killer by Michael Billington

Theatre Royal Haymarket, London The performances match the intensity of the writing in Bryony Lavery’s drama, which asks if some people are born evilFirst seen 20 years ago, Bryony Lavery�…

SOURCE: The Guardian at 07:00PM
Friday, February 16, 2018

The Shadow Factory review – Howard Brenton's bolshy drama declares war by Michael Billington

NST City, SouthamptonThe Luftwaffe’s destruction of a Spitfire factory sparks vivid tensions between local people and the state in this Southampton-set playAn expansive new arts complex in…

SOURCE: The Guardian at 07:35AM
Thursday, February 15, 2018

Girls and Boys review – gut-wrenching Carey Mulligan charts a marriage's end by Michael Billington

Royal Court, LondonMulligan is a joy to watch as she brings her expressive powers to bear in Dennis Kelly’s flawed but compelling one-handerCarey Mulligan has had quite a week. First she s…

SOURCE: The Guardian at 06:59PM
Wednesday, February 14, 2018

The York Realist review – town and country clash in Peter Gill's moving romance by Michael Billington

Donmar Warehouse, LondonRobert Hastie’s excellent revival of Gill’s 2001 play about class, sex and divided loyalties brings out its poetryThe intersection of class and sex has long fasci…

SOURCE: The Guardian at 05:49AM
Friday, February 9, 2018

Pluto review – Astro Boy epic is a technical marvel by Michael Billington

Barbican, LondonSidi Larbi Cherkaoui’s visually spectacular adaptation of Osamu Tezuka’s manga is philosophical about our relationships with robots, but lacks a human heartIn 1920, Karel…

SOURCE: The Guardian at 08:02AM
Thursday, February 8, 2018

The Captive Queen review – Rutter bows out with rhyming couplets and marital spats by Michael Billington

Sam Wanamaker Playhouse, LondonRelocating Dryden’s tale of love and dynasty in 17th-century India to an English mill, Rutter’s final show for Northern Broadsides is at its best when it d…

SOURCE: The Guardian at 06:31AM
Tuesday, February 6, 2018

Long Day’s Journey Into Night review – Irons and Manville leave you emotionally pulverised by Michael Billington

Wyndham’s, LondonRichard Eyre’s production arrives in the West End, bringing out the dizzying contradictions in Eugene O’Neill’s masterpieceTime works wonders. When Richard Eyre’s …

SOURCE: The Guardian at 06:59PM

How the Young Vic's David Lan dared to put the world centre-stage by Michael Billington

Lan, who ran the theatre for 18 years, reached out to bold, dynamic directors from across the globe – and they repaid him with spectacular showsI often recall a remark made by David Lan, w…

SOURCE: The Guardian at 07:03AM

Cyril’s Success / Booby’s Bay review – pint-sized pub theatre toasts 150 years by Michael Billington

Finborough, LondonHJ Byron’s 1868 play sparkles with wit, while Henry Darke delivers a timely message about Cornwall’s housing crisis The Finborough Arms in Earl’s Court is 150 years o…

SOURCE: The Guardian at 06:14AM
Friday, February 2, 2018

Dry Powder/Yous Two review – Atwell is a whiz and Christou's debut sparks by Michael Billington

★★★☆☆/★★★★☆Hampstead theatre, LondonHayley Atwell plays a ruthless capitalist while Georgia Christou shows promise with tale of a teenager and her feckless fatherHayley A…

SOURCE: The Guardian at 08:44AM
Wednesday, January 31, 2018

The Culture review – James Graham's shrewd spoof on Hull's big year by Michael Billington

The playwright juggles satire and farce in a knockabout celebration of Hull’s tenure as UK city of cultureSatire is one thing, farce another, and the two forms prove hard to reconcile in t…

SOURCE: The Guardian at 07:09AM
Tuesday, January 30, 2018

Julius Caesar review – Hytner delivers a visceral, politically urgent tragedy by Michael Billington

Bridge theatre, LondonBen Whishaw and David Morrissey star in Nicholas Hytner’s promenade production, which shows putative dictators can be populistsLike Shakespeare’s Mark Antony, Nicho…

SOURCE: The Guardian at 05:00PM
Monday, January 29, 2018

Sleepers in the Field review – witty wartime drama without the heroics by Michael Billington

The Questors, LondonA deliberately unromantic view of the second world war as experienced by one family provides an antidote to current idealised versions on screenThis play by the late, muc…

SOURCE: The Guardian at 06:23AM
Friday, January 26, 2018

Oranges and Elephants review – Victorian London's girl gangs sing out by Michael Billington

Hoxton Hall, London Lil Warren’s scattershot musical about a turf war between all-female tribes in the capital has echoes of Sarah Waters’ Tipping the VelvetThis handsomely restored venu…

SOURCE: The Guardian at 08:48AM
Thursday, January 25, 2018

John review – check into Annie Baker's gothic Gettysburg B&B by Michael Billington

Dorfman, LondonBaker’s play, set in a boarding house close to a battlefield, is a piece of American gothic that taps into universal emotionsAnnie Baker is one of the most singular talents …

SOURCE: The Guardian at 06:26AM
Thursday, January 18, 2018

The Birthday Party review – Pinter's cryptic classic turns 60 with a starry cast by Michael Billington

Harold Pinter theatre, LondonToby Jones, Zoë Wanamaker, Stephen Mangan and Pearl Mackie do rich justice to the playwright’s strange and captivating psychodrama“The first test of any wor…

SOURCE: The Guardian at 06:00PM

The Claim review – asylum seeker's fate becomes absurdist comedy by Michael Billington

Shoreditch Town Hall, LondonTim Cowbury’s play avoids the usual harrowing style associated with its subject and is swift, clear and well-actedThere is a growing body of theatre about the a…

SOURCE: The Guardian at 07:42AM
Tuesday, January 16, 2018

​Twilight: Los Angeles, 1992 review – voices ring out from Rodney King riots by Michael Billington

Gate, LondonNina Bowers delivers a nimble account of testimonies gathered in the wake of the unrest sparked by King’s televised beatingI recently suggested that, while one-person shows cou…

SOURCE: The Guardian at 09:54AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre