All stories by Michael Billington on BroadwayStars

Thursday, November 23, 2017

The Secret Theatre review – spymaster and sex-crazed queen collude by candlelight by Michael Billington

Sam Wanamaker Playhouse, LondonAnders Lustgarten plays fast and loose with history in his tale of the espionage network surrounding Elizabeth I, but the result is vivid and pungentHistory pl…

SOURCE: The Guardian at 09:18AM

Bad Roads review – love, sex and terror in violent vignettes from Ukraine by Michael Billington

Royal Court, LondonThere are echoes of Sarah Kane in Natal’ya Vorozhbit’s powerful play exploring the collateral damage suffered by women during Ukraine’s conflictTheatre can sometimes…

SOURCE: The Guardian at 01:42AM
Tuesday, November 21, 2017

This May Hurt a Bit review – Unapologetic pro-NHS agitprop by Michael Billington

Octagon, BoltonStella Feehily's passionate, urgently topical play captures the mix of care and chaos in wards up and down the countrySince the NHS is never out of the headlines and directly …

SOURCE: The Guardian at 07:12PM
Thursday, November 16, 2017

Miss Julie review – passion and pain of Strindberg's midsummer lovers by Michael Billington

Jermyn Street theatre, LondonHoward Brenton’s new adaptation of the Swedish master’s tragedy is given a classy staging that strikes the right note of intimate realismWe endlessly revive …

SOURCE: The Guardian at 08:04AM
Monday, November 13, 2017

Network review – Bryan Cranston is mad as hell in blazing staging of Oscar winner by Michael Billington

National Theatre, LondonThe Breaking Bad star is magnetic as a raging anchorman in writer Lee Hall and director Ivo van Hove’s extraordinary version of the prophetic satireI am normally wa…

SOURCE: The Guardian at 06:36PM
Sunday, November 12, 2017

Quiz review – Exploration of the thin line between courtroom and showbusiness by Michael Billington

Minerva, ChichesterIn resurrecting the case of a trio convicted of trying to defraud Who Wants To Be A Millionaire?, James Graham reminds us we live in a quiz-obsessed cultureTheatre has oft…

SOURCE: The Guardian at 10:06AM
Friday, November 10, 2017

Twelfth Night review – fun and fury from Ade Edmondson and Kara Tointon at the RSC by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonThis take on the classic comedy plays too heavily on its Victorian setting but delivers rapturous speeches, splendid sets and some clever ideasC…

SOURCE: The Guardian at 08:54AM
Thursday, November 9, 2017

Glengarry Glen Ross review – Christian Slater is top dog among cut-throat conmen by Michael Billington

Playhouse, London A tip-top cast play David Mamet’s desperate salesmen turned robbers in his scorching condemnation of the dangers of male ego-driven capitalismHow well does David Mamet’…

SOURCE: The Guardian at 07:48PM
Wednesday, November 8, 2017

Big Fish review – Kelsey Grammer can't save this musical from sinking by Michael Billington

The Other Palace, LondonGrammer’s turn as a dad with a penchant for tall tales is the best part of this middling paean to narcissistic fantasy, based on Tim Burton’s movieAnyone drawn to…

SOURCE: The Guardian at 07:48PM

Picasso review – awe and horror in portrait of the artist as a minotaur by Michael Billington

The Playground, London Terry d’Alfonso’s study of the painter and his serial infidelities is staged on a circular sandpit at a smart new London theatreGiven the economic climate, it is e…

SOURCE: The Guardian at 06:24AM
Tuesday, November 7, 2017

Poison review – intense look at divorce, death and how we grieve by Michael Billington

Orange Tree, RichmondLot Vekemans’ play about a separated couple forced to relive a traumatic past makes for uncomfortable but compelling viewingWatching this prize-winning play by the Dut…

SOURCE: The Guardian at 07:12AM
Monday, November 6, 2017

Theatre review: Complicit / Old Vic, London by Michael Billington

Old Vic, LondonKevin Spacey has lately enjoyed an excellent run of form at the Old Vic. It comes to an abrupt halt, however, with this ham-fisted American political thriller by Joe Sutton.Si…

SOURCE: The Guardian at 07:48AM

Trestle review – passion, rage and whist in village-hall romance by Michael Billington

Southwark Playhouse, LondonEnergetic Denise and stuck-in-his-ways Harry bond during a series of brief encounters in a community centre, in Stewart Pringle’s prize-winning play Oldsters are…

SOURCE: The Guardian at 07:48AM
Sunday, November 5, 2017

Is David Hare's 1993 trilogy still relevant? by Michael Billington

David Hare's trilogy was an incisive portrait of British society in 1993, but is it still relevant, asks Michael BillingtonIn 1993 David Hare's trilogy about contemporary Britain at the Nat…

SOURCE: The Guardian at 08:36AM
Saturday, November 4, 2017

Ken Dodd at 90: the rib-tickling genius is still crazy after all these years by Michael Billington

With a gag for every occasion, the tattyfilarious comic clocks up 50,000 miles a year performing his epic standup shows. He talks about stage fright, playing Yorick for ‘Sir Kenneth All-Br…

SOURCE: The Guardian at 05:24AM
Tuesday, October 31, 2017

Kevin Spacey at the Old Vic: glamour and an iron grip by Michael Billington

After 10 years, Spacey is stepping down from the London theatre he called home. There have been some resounding flops but he delivered the goods – and was a delight to watch on stageWhen i…

SOURCE: The Guardian at 03:36PM
Friday, October 27, 2017

Pinter would be chuffed that Tom Stoppard won the PEN prize by Michael Billington

Tom Stoppard's fierce, unrelenting opposition to the abuse of human rights makes him the ideal recipient of the Pinter/PEN prizeIn Antonia Fraser's book, Must You Go?, detailing her life wit…

SOURCE: The Guardian at 03:06PM
Thursday, October 26, 2017

Young Marx review – farce, family and finances but not quite the full Marx by Michael Billington

The Bridge, LondonLondon’s first commercial theatre for 80 years opens with a pugnacious comedy about the early days of the political visionary – and shameless sponger Given the abundanc…

SOURCE: The Guardian at 05:18PM
Tuesday, October 24, 2017

Ruined | Theatre review by Michael Billington

Almeida, LondonLynn Nottage's play arrives in London laden with American honours. And rightly so, since it offers a graphic portrait of women as perennial victims of war. More than that, it …

SOURCE: The Guardian at 01:48AM
Monday, October 23, 2017

Witness for the Prosecution review – Christie thriller makes judicious use of County Hall by Michael Billington

County Hall, LondonLucy Bailey’s production of Agatha Christie’s ingenious courtroom drama fits perfectly in this debating chamberWe seem to be going back in time. Oscar Wilde’s A Woma…

SOURCE: The Guardian at 06:12PM
Sunday, October 22, 2017

Anything That Flies review – promising debut tackles sins of the past by Michael Billington

Jermyn Street theatre, LondonThe quiet life of an elderly Jewish musician is disrupted by an aristocratic German woman in this exploration of guilt, reparation and rootlessnessWhat does it m…

SOURCE: The Guardian at 07:36AM
Thursday, October 19, 2017

The Lady from the Sea review – ingenious Ibsen at a rate of knots by Michael Billington

Donmar Warehouse, LondonNikki Amuka-Bird is superb in a production that transposes the story to the Caribbean in the 1950s and is directed with panache by Kwame Kwei-ArmahIbsen can benefit f…

SOURCE: The Guardian at 09:06AM
Wednesday, October 18, 2017

Albion review – Mike Bartlett captures nation’s neurotic divisions by Michael Billington

Almeida theatre, LondonVictoria Hamilton is on breathtaking form as a grieving mother in the Doctor Foster writer’s richly layered play inspired by Chekhov’s The Cherry OrchardGardens of…

SOURCE: The Guardian at 06:54AM

Top Girls – review by Michael Billington

Minerva, ChichesterIt would be nice to think that Caryl Churchill's 1982 play, written during the rise of Thatcherism, now looks dated. In fact, it seems terrifyingly topical in its portrait…

SOURCE: The Guardian at 12:18AM
Tuesday, October 17, 2017

A Woman of No Importance review – Eve Best takes a feminist grip on Wilde's melodrama by Michael Billington

Vaudeville, LondonBest brings fierce emotional intensity, Eleanor Bron is a velvet-voiced aristo and Anne Reid delivers Victorian ballads in Dominic Dromgoole’s fine revivalA West End Osca…

SOURCE: The Guardian at 08:06AM

From Olivier's dance of death to Picasso's Quixote: the National Theatre's poster power by Michael Billington

An exhibition of highlights from the NT’s archive triggers memories of striking productions and shows how the poster imprints a play on the public’s imaginationTheatre posters are by def…

SOURCE: The Guardian at 01:42AM
Friday, October 13, 2017

Beginning review – sozzled loners seek a connection in the tech age by Michael Billington

National Theatre, London David Eldridge’s new play is a poignant real-time examination of relationships with two damaged people reaching out at the end of a partyTwo lonely, damaged people…

SOURCE: The Guardian at 12:18PM
Thursday, October 12, 2017

Saint George and the Dragon review – national hero on a quest through time by Michael Billington

Olivier theatre, London Rory Mullarkey pits the knight of folklore against the tyrannies facing Britain in three eras of history – and finds today’s foe is the hardest to pin downThe Nat…

SOURCE: The Guardian at 08:12AM
Wednesday, October 11, 2017

Just Jim Dale review – Carry On star had me weeping with laughter by Michael Billington

Vaudeville, LondonThe unfairly talented actor recalls a career that has taken him from Olivier’s National to British film comedies and Broadway in this exuberant solo showCan it be true? T…

SOURCE: The Guardian at 09:04AM

One Man, Two Guvnors - review by Michael Billington

Lyttelton, LondonIn 1746, Carlo Goldoni wrote a classic comedy normally translated as The Servant of Two Masters. Richard Bean has used it for a riotous farce combining the original's struct…

SOURCE: The Guardian at 09:04AM

Young Frankenstein review – glorious gags as Mel Brooks bolts together a monster hit by Michael Billington

Garrick theatre, London The horror-movie spoof is gleefully reanimated for the stage with even more jokes, superb set-pieces and barnstorming parody songs that stick a pitchfork into good ta…

SOURCE: The Guardian at 06:36AM