All stories by Michael Billington on BroadwayStars

Wednesday, May 2, 2018

Romeo and Juliet review – RSC's gender-fluid tragedy of youth by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonThere are strong performances in Eric Whyman’s swift production but it doesn’t solve the problems of the playIn 1845, the American Charlotte…

SOURCE: The Guardian at 07:48AM
Tuesday, May 1, 2018

Nine Night review – joy and grief as generations collide at Jamaican wake by Michael Billington

Dorfman, LondonNatasha Gordon’s impressive debut about living between two cultures gains extra resonance in the light of the Windrush scandalThere’s a key moment in Natasha Gordon’s hi…

SOURCE: The Guardian at 09:48AM
Friday, April 27, 2018

Judi, Maggie, Joan and Eileen: all hail British theatre's great dames | Michael Billington by Michael Billington

Roger Michell’s film Nothing Like a Dame brings four legends together – and evokes decades of brilliant performancesSometimes the best ideas are the simplest. The wheeze of bringing toge…

SOURCE: The Guardian at 11:06AM

Present Laughter review – vulgar Coward revival is an orgy of exaggeration by Michael Billington

Chichester festival theatrePlayed as a broad farce, Sean Foley’s revival starring Rufus Hound ignores Noël Coward’s faultless verbal stylingsRufus Hound, whose recent roles include Mr T…

SOURCE: The Guardian at 08:54AM
Thursday, April 26, 2018

Absolute Hell review – postwar Soho gets a Weimar makeover by Michael Billington

Lyttelton, LondonJoe Hill-Gibbins gives Rodney Ackland’s drama the full expressionist works in a production full of visual bravuraAt the curtain call for this revival of Rodney Ackland’s…

SOURCE: The Guardian at 07:36AM
Wednesday, April 25, 2018

The Writer review – Romola Garai blazes into the battlefield of desire by Michael Billington

Almeida, LondonElla Hickson’s riveting play about a writer exploring the sexual revolution boasts a shining performance from Romola GaraiElla Hickson struck gold with her last play, Oil (2…

SOURCE: The Guardian at 07:36AM
Tuesday, April 24, 2018

Strictly Ballroom the Musical review – Baz Luhrmann's dancefloor disaster by Michael Billington

Piccadilly, LondonWill Young entertains in a sequined catsuit but this laborious version of the charming film is a step in the wrong directionI don’t know if it’s been spotted already, b…

SOURCE: The Guardian at 06:33PM

Aristocrats, National, London by Michael Billington

National, LondonThe easy word to describe Brian Friel's Aristocrats is "Chekhovian". The decay of a great Georgian house, the decline of a once-powerful Catholic family, the eventual expulsi…

SOURCE: The Guardian at 08:54AM
Friday, April 20, 2018

Little Eyolf review – exhilarating Ibsen from Norway's National Theatre by Michael Billington

Print Room at the Coronet, LondonThis shattering revival draws out the playwright’s sexual candour and grim humour – and deserves a far longer runIt is the fashion these days to strip Ib…

SOURCE: The Guardian at 09:54AM
Thursday, April 19, 2018

Much Ado About Nothing review – Mel Giedroyc blazes through Great Sicilian Bake Off by Michael Billington

Rose theatre, KingstonThe star plays Beatrice opposite John Hopkins as Benedick in a lively production set in a luxury Sicilian spa full of mafiosiThe Rose theatre marks its 10th anniversary…

SOURCE: The Guardian at 12:12PM
Tuesday, April 17, 2018

Tina review – whirlwind Turner tribute leaves you breathless by Michael Billington

Aldwych theatre, LondonPhyllida Lloyd’s musical is a heady celebration of triumph over adversity, with an astonishing turn by Adrienne WarrenThis terrific show is billed as the “untold�…

SOURCE: The Guardian at 06:06PM
Sunday, April 15, 2018

Instructions for Correct Assembly review – Bonnar and Horrocks star in clever sci-fi satire by Michael Billington

Royal Court, LondonBonnar and Horrocks are excellent as parents attempting to replace their dead son with another straight from the box in Thomas Eccleshare’s quirky dystopian dramaThomas …

SOURCE: The Guardian at 06:21AM
Thursday, April 12, 2018

The Moderate Soprano review – David Hare's Glyndebourne play hits the high notes by Michael Billington

Duke of Yorks, LondonThis is a rich, funny, touching play about the opera house and the extraordinary marriage of its co-founders, John Christie and Audrey MildmayIt has taken two and a half…

SOURCE: The Guardian at 06:00PM
Wednesday, April 11, 2018

Chicago review – Cuba Gooding Jr stars but hit has lost razzle-dazzle by Michael Billington

Phoenix theatre, LondonKander and Ebb’s show about crime and celebrity is faithfully recreated but is beginning to resemble an animated corpseIf this Kander and Ebb musical feels as if it …

SOURCE: The Guardian at 06:00PM
Tuesday, April 10, 2018

Pericles review – Shakespeare's epic checks into the emergency ward by Michael Billington

Barbican, London There are shades of Casualty as Cheek By Jowl’s briskly ingenious production confines the entire action to a hospitalHow do you give unity to Pericles? It has a rambling n…

SOURCE: The Guardian at 08:23AM
Sunday, April 8, 2018

Plastic review – anger becomes slaughter in Essex school drama by Michael Billington

Old Red Lion, LondonKenneth Emson’s fascinating play has its characters speaking in jagged rhyme, but it rests on some questionable assumptions about its settingThis curious 70-minute play…

SOURCE: The Guardian at 05:54AM
Friday, April 6, 2018

The Way of the World review – sparkling restoration of Congreve's comic gem by Michael Billington

Donmar Warehouse, LondonJames Macdonald’s revival offers clarity and hilarity, with Haydn Gwynne on brilliant form as an amorous widowThis is the kind of production one had almost given up…

SOURCE: The Guardian at 07:10AM

The Country Wife review – Wycherley’s rude classic gets a limp update by Michael Billington

Southwark Playhouse, LondonThere are good moments in Luke Fredericks’s revival – but relocating the action to the 1920s is an unnecessary, frustrating fiddleLuke Fredericks prefaces this…

SOURCE: The Guardian at 04:05AM
Wednesday, April 4, 2018

The Fantastic Follies of Mrs Rich review – high society here I come! by Michael Billington

The Swan, Stratford-upon-AvonMary Pix’s 1700 comedy about a rich widow’s wayward social ascent becomes theatrical gold in Jo Davies’s scintillating productionMary Pix is hardly a name …

SOURCE: The Guardian at 07:42AM
Monday, April 2, 2018

White Guy on the Bus review – fear and loathing in Philadelphia by Michael Billington

Finborough, London Two white couples lock horns over their prejudices in Bruce Graham’s powerful tale of racial dividesPlays about race often exude a liberal optimism. This pungent, abrasi…

SOURCE: The Guardian at 01:00AM
Thursday, March 29, 2018

Ruthless! review – showbiz schemers play dirty in ultra-camp musical by Michael Billington

Arts theatre, LondonAn over-the-top paean to stage ambition ends up in thrall to the world it tries to parodyCamp, says one of the gay men in Matthew Lopez’s new play, The Inheritance, is …

SOURCE: The Guardian at 11:00AM
Wednesday, March 28, 2018

The Inheritance review – Angels in America meets Howards End by Michael Billington

Young Vic, LondonStephen Daldry directs a stellar cast, including Vanessa Redgrave, in a rollercoaster epic about gay men in New YorkThis is quite something: a two-part, seven-hour play by M…

SOURCE: The Guardian at 07:01PM
Monday, March 26, 2018

Paradise Lost review – Clifford Odets captures America's shattered dreams by Michael Billington

Silk Street theatre, LondonGuildhall School of Music and Drama students deliver a stirring revival of Odets’ forgotten state-of-the-union storySpurned by the New York critics in 1935, Clif…

SOURCE: The Guardian at 12:22PM

Misty review – vivid vision of the virus infecting city life by Michael Billington

Bush, LondonArinzé Kene’s one-man show rejects the urban jungle cliches in a heartfelt but too playful exploration of the role of the artistAs we know from One Night in Miami and Girl fro…

SOURCE: The Guardian at 04:00AM
Friday, March 23, 2018

Black Men Walking review – rap, race and rambling hit peak resonance by Michael Billington

Royal Court, LondonMixing poetry and politics, Yorkshire-based rapper Testament has created a witty, innovative piece that says a lot about British identity and racial historyThis is that ra…

SOURCE: The Guardian at 06:54AM
Thursday, March 22, 2018

The Last Ship review – Sting crafts a stirring musical for Tyneside by Michael Billington

Northern Stage, NewcastleWith rousing anthems and purposeful politics, this tale of Thatcher-era shipbuilders launches anew in home watersHaving bombed on Broadway, this musical by Sting abo…

SOURCE: The Guardian at 06:25AM
Wednesday, March 21, 2018

Macbeth review – Eccleston is every inch the rugged soldier by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonChristopher Eccleston and Niamh Cusack star in an RSC production that moves at a lick but sometimes lacks subtletyProductions of Macbeth come th…

SOURCE: The Guardian at 07:05AM

Andrew Lloyd Webber at 70: how a ruthless perfectionist became Mr Musical by Michael Billington

He took the shonky British musical and made it a global phenomenon. As the composer celebrates his birthday with a new memoir, our theatre critic looks back at the hits – and flopsI first …

SOURCE: The Guardian at 02:00AM
Tuesday, March 20, 2018

The Great Wave review – gripping mystery of North Korea kidnap scandal by Michael Billington

Dorfman, LondonFrancis Turnly’s drama drills to the heart of the harsh politics and complex emotions surrounding a series of historic abductions of young Japanese peopleSometimes a play gr…

SOURCE: The Guardian at 07:23AM
Friday, March 16, 2018

Acceptance review – university drama takes on hot-button topics by Michael Billington

Hampstead theatre, LondonAmy Ng’s second play is given a crisp, clear and well-acted production, but it tries to compress a few too many big issuesThere are few topical concerns that don�…

SOURCE: The Guardian at 08:50AM
Wednesday, March 14, 2018

Frankenstein review – Manchester chiller is both terrifying and touching by Michael Billington

Royal Exchange, ManchesterBlending gothic horror and moral parable, this adaptation is skilfully stitched together by April De Angelis and Matthew XiaThere are said to be more than 55 theatr…

SOURCE: The Guardian at 08:01AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre