All stories by Michael Billington on BroadwayStars

Wednesday, June 6, 2018

Utility review – slow-burning drama about a mother under pressure by Michael Billington

Orange Tree, RichmondEmily Schwend’s play about a mum with two jobs, three kids and a feckless husband pays homage to female enduranceWatching Emily Schwend’s prize-winning play about th…

SOURCE: The Guardian at 04:54AM
Tuesday, June 5, 2018

The Biograph Girl review – vivacious tribute to silent screen legends by Michael Billington

Finborough, LondonDavid Heneker and Warner Brown’s musical captures the heady excitement of the burgeoning movie businessPre-talkies Hollywood constantly seduces musical-makers. This forgo…

SOURCE: The Guardian at 12:36PM

Theatre review: August: Osage County / Lyttelton theatre, London by Michael Billington

Lyttelton theatre, LondonExposing the myth of the happy nuclear family has long been a staple of American drama. If Tracy Letts's play, in a magnificent Chicago Steppenwolf production by Ann…

SOURCE: The Guardian at 05:04AM
Monday, June 4, 2018

Killer Joe review – Orlando Bloom's hitman-cop is queasily gripping by Michael Billington

Trafalgar Studios, London This revival of Tracy Letts’s violent play about a grotesquely dysfunctional family keeps the audience uncomfortable Even with a big movie star, Orlando Bloom, in…

SOURCE: The Guardian at 06:04PM

Stitchers review – Sinéad Cusack is outstanding in Esther Freud's prison drama by Michael Billington

Jermyn Street theatre, LondonThe novelist’s debut play depicts the true story of Lady Anne Tree’s determination to bring needlecraft to prisoners The novelist Esther Freud (Hideous Kinky…

SOURCE: The Guardian at 07:06AM
Friday, June 1, 2018

Leave Taking review – insightful and honest tale of the anguish of immigrants by Michael Billington

Bush theatre, LondonThree decades since its debut Winsome Pinnock’s pioneering portrayal of the lives of black Britons feels shockingly contemporaryIt is more than 30 years since Winsome P…

SOURCE: The Guardian at 08:06AM
Thursday, May 31, 2018

Translations review – a flawless take on Friel's culture-clash masterpiece by Michael Billington

Olivier, LondonBrian Friel’s play about the infinite mysteries of language is richly realised in a meticulous Ian Rickson production, with excellent performances from a strong castBrian Fr…

SOURCE: The Guardian at 09:04AM

Theatre review: That Face / Duke of York's, London by Michael Billington

Duke of York's, LondonForget all the hype about Polly Stenham, at 21, being the youngest West End debutant since Christopher Hampton.What matters is that her 90-minute play, first seen at th…

SOURCE: The Guardian at 05:42AM

Hotel review – Polly Stenham aims high but misses by Michael Billington

National Theatre, LondonThe ideas get lost in this violent thriller that explores the political legacy of colonialismBe careful what you wish for. Reviewing Polly Stenham's last play, No Qua…

SOURCE: The Guardian at 05:42AM
Wednesday, May 30, 2018

Tartuffe review – bilingual production squanders Molière's wit and wisdom by Michael Billington

Theatre Royal Haymarket, LondonChristopher Hampton’s erratic California-set adaptation features strong performances by Audrey Fleurot and Paul Anderson, but its lack of coherence is not ju…

SOURCE: The Guardian at 08:06AM
Tuesday, May 29, 2018

The Daughter-in-Law review – is this the best British working-class drama? by Michael Billington

Arcola, LondonJack Gamble directs a first-rate revival of DH Lawrence’s even-handed account of a conflicted marriageThree years ago, the National Theatre pointlessly conflated DH Lawrence�…

SOURCE: The Guardian at 07:04PM
Sunday, May 27, 2018

Shirleymander review – timely retelling of chilling Tory scandal by Michael Billington

Playground theatre, LondonGregory Evans’ staging of the 1986 ‘homes for votes’ saga is enlightening and enjoyably foul-mouthed – but ducks key political questionsTwo of my favourite …

SOURCE: The Guardian at 06:48AM
Friday, May 25, 2018

Kiss Me Kate review – the pinnacle of song-and-dance Shakespeare by Michael Billington

Grand theatre, LeedsOpera North present a deft revival of the 1949 Cole Porter show mixing The Taming of the Shrew with showbiz shenanigansWhat is the best musical based on a Shakespeare pla…

SOURCE: The Guardian at 06:24AM
Wednesday, May 23, 2018

The Grönholm Method review – Apprentice-style contest keeps you guessing by Michael Billington

Menier Chocolate Factory, London Four applicants undergo a gruelling selection process while tricks are played on the audience in Jordi Galceran’s dramaSince its Barcelona premiere in 2003…

SOURCE: The Guardian at 10:32AM
Monday, May 21, 2018

3 Women review – many snappy returns in Katy Brand's barbed drama by Michael Billington

Trafalgar Studios 2, LondonThe comedian’s debut play gives a double portrait of mother-daughter relationships on the eve of a weddingIt comes as a shock to walk into the theatre and be con…

SOURCE: The Guardian at 06:06AM
Friday, May 18, 2018

Hay Fever – review by Michael Billington

Noel Coward, LondonHoward Davies has a gift for revitalising Coward's comedies. Having put the sexuality back into Private Lives, he now visually redefines Hay Fever and pulls off the daring…

SOURCE: The Guardian at 07:12PM

Hamlet/As You Like It review – Michelle Terry's double-edged Globe debut by Michael Billington

Shakespeare’s Globe, LondonThe new artistic director’s ensemble give fine performances but this pairing raises questions about staging ShakespeareIn this pairing of two plays performed b…

SOURCE: The Guardian at 07:06AM
Thursday, May 17, 2018

The Girl on the Train review – is Paula Hawkins's bestseller unadaptable? by Michael Billington

West Yorkshire Playhouse, LeedsJoe Murphy directs an adaptation of the 2015 thriller with Jill Halfpenny playing an amateur sleuth drawn to the case of a missing womanSurveying an elliptical…

SOURCE: The Guardian at 10:06AM
Wednesday, May 16, 2018

The String Quartet's Guide to Sex and Anxiety review – strange and beautiful by Michael Billington

Birmingham RepCalixto Bieito’s intense theatrical collage brings together four first-rate actors and the miraculous Heath QuartetCalixto Bieito, as anyone who has seen his productions of C…

SOURCE: The Guardian at 09:04AM
Tuesday, May 15, 2018

Red review – Alfred Molina's portrait is as layered as a Rothko canvas by Michael Billington

Wyndham’s, LondonMichael Grandage directs a well-judged revival of John Logan’s play about the artist and his assistant ‘Make something new,” the painter Mark Rothko urges his young …

SOURCE: The Guardian at 05:42PM

Exit the King review – a production with panache by Michael Billington

Ustinov Studio, BathIonesco’s imperfect study of a power-crazed monarch facing death is helped by a powerful performance from Alun ArmstrongIn early plays such as The Bald Prima Donna and …

SOURCE: The Guardian at 05:33AM
Thursday, May 10, 2018

The Phantom of the Opera, Her Majesty's, London by Michael Billington

Her Majesty's, LondonWe have had some pretty grim experiences in musical theatre in recent years. We have seen people turned into roller-skating ciphers, dwarfed by laser-beams and sententio…

SOURCE: The Guardian at 05:33PM

Describe the Night review – kaleidoscopic vision of Soviet history by Michael Billington

Hampstead theatre, LondonRajiv Joseph’s ambitious three-hour drama features an outstanding performance from David BirrellIt is tough luck on Rajiv Joseph that his play, first seen in Houst…

SOURCE: The Guardian at 10:48AM
Wednesday, May 9, 2018

Life and Fate review – a remarkable epic of Soviet horror and heartbreak by Michael Billington

Theatre Royal Haymarket, London Sergey Kuryshev shines as a nuclear scientist stuck in a moral maze in this vivid staging of Vasily Grossman’s sprawling novelConsciously modelled on War an…

SOURCE: The Guardian at 07:33AM
Tuesday, May 8, 2018

Nightfall review - poignant study of rural decay and desperation by Michael Billington

Bridge theatre, LondonClaire Skinner is outstanding as a bereaved mother trying to save her farm in Barney Norris’s poignant new play, but the venue overwhelms the drama’s delicacy All t…

SOURCE: The Guardian at 05:12PM
Monday, May 7, 2018

Building the Wall review – Trump imposes martial law and the roundups begin by Michael Billington

Park theatre, LondonThe president’s war on illegal immigrants is taken to its logical conclusion – a heartening sign that dramatists are responding with something stronger than lampoonsH…

SOURCE: The Guardian at 07:04AM

Lolita | Theatre review by Michael Billington

National, LondonThis is an odd evening: one in which Brian Cox gives us a dramatised reading of Vladimir Nabokov's novel in a potted, two-hour version by Richard Nelson. It prompts two quest…

SOURCE: The Guardian at 01:42AM
Sunday, May 6, 2018

Red | Theatre review by Michael Billington

Donmar Warehouse, LondonPlays about painters are fraught with difficulty. Either the hero preaches about art without practising it, or the Bohemian lifestyle supersedes the work. But John Lo…

SOURCE: The Guardian at 05:48AM
Friday, May 4, 2018

An Ideal Husband review – Wilde's dandies and fat cats are played for laughs by Michael Billington

Vaudeville, LondonEdward and Freddie Fox, as a father and son, are the star turn in this stylish revival of Wilde’s send-up of a money-mad societyRailing against fashionable society’s ov…

SOURCE: The Guardian at 07:42AM
Thursday, May 3, 2018

Mood Music review – Joe Penhall's clash of the hitmakers by Michael Billington

Old Vic, London A row over intellectual property is at the heart of a fascinating and topical drama starring Ben Chaplin and Seána KerslakeJoe Penhall is very good at showing how a crisis c…

SOURCE: The Guardian at 10:42AM
Wednesday, May 2, 2018

Romeo and Juliet review – RSC's gender-fluid tragedy of youth by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonThere are strong performances in Eric Whyman’s swift production but it doesn’t solve the problems of the playIn 1845, the American Charlotte…

SOURCE: The Guardian at 07:48AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre