All stories by Michael Billington on BroadwayStars

Friday, April 1, 2016

How the Other Half Loves review – hilarious Ayckbourn, fresh and fighting by Michael Billington

Theatre Royal, Haymarket, LondonAlan Ayckbourn’s vintage comedy about adultery and male bullying is shockingly up to dateTheatrical snobs still patronise Alan Ayckbourn. Alan Strachan’s …

SOURCE: The Guardian at 07:30AM
Thursday, March 31, 2016

Les Blancs review – a near-perfect production of an imperfect play by Michael Billington

National Theatre, LondonWhite liberalism and postcolonial freedom-fighting clash in Yaël Farber’s sensuous production, but Lorraine Hansberry’s play is a product of its timeThis play ha…

SOURCE: The Guardian at 10:31AM
Wednesday, March 30, 2016

Long Day's Journey Into Night review – Jeremy Irons and Lesley Manville shine with sexual passion and rage by Michael Billington

Bristol Old VicRichard Eyre rushes through Eugene O’Neill’s masterpiece but gets to the heart of the tortured love of the Tyrones, played mesmerisingly by his leadsRichard Eyre famously …

SOURCE: The Guardian at 07:52AM
Monday, March 28, 2016

My bruising love affair with the Royal Court by Michael Billington

For 60 turbulent years, the Royal Court has thrilled and outraged audiences and critics alike. Michael Billington, who was once cuffed by an angry playwright there, celebrates – and picks …

SOURCE: The Guardian at 01:13PM
Friday, March 25, 2016

Reasons to Be Happy review – Neil LaBute loses his bite by Michael Billington

Hampstead theatre, LondonThe American playwright edges away from his usual bilious comic antagonism with this drama about romantic crisesNeil LaBute’s new play uses the same set of charact…

SOURCE: The Guardian at 10:20AM
Thursday, March 24, 2016

All That Fall review – Beckett's best play brought to life for blindfolded audience by Michael Billington

Wilton’s Music Hall, LondonBy keeping its audience’s eyes covered, this vivid production heightens the wistful evocation and graveyard wit of Samuel Beckett’s long-ignored piece Samuel…

SOURCE: The Guardian at 07:31PM
Wednesday, March 23, 2016

Hamlet review – Paapa Essiedu is a graffiti prince in RSC's bright tragedy by Michael Billington

Royal Shakespeare theatre, Stratford-upon-Avon With this heartening production, director Simon Godwin and a largely black ensemble make you feel like you are seeing the play anewThere is som…

SOURCE: The Guardian at 09:16AM
Monday, March 21, 2016

Hedda Gabler review – Ibsen's ice maiden is wild at heart by Michael Billington

Salisbury PlayhouseKirsty Bushell adheres to Hedda’s destructiveness but invests her with humour and sexual allure in this bracingly intelligent revivalIbsen’s Hedda is often described a…

SOURCE: The Guardian at 09:32AM
Saturday, March 19, 2016

Caroline, or Change, National, London by Michael Billington

National, LondonThe National Theatre used to bring us Broadway's golden oldies. Now it imports something original: a remarkable musical, with book and lyrics by Tony Kushner and music by Jea…

SOURCE: The Guardian at 04:24PM
Thursday, March 17, 2016

The Painkiller review – Branagh and Brydon are perfect pair in furious farce by Michael Billington

Garrick, LondonDoors are slammed and trousers dropped in this bawdy hitman caper which teases out the comic skill of its leadsFarce is purely a matter of taste. I met someone the other day w…

SOURCE: The Guardian at 07:22PM

The Truth review – Zeller's elegant tale of deceit betrays its debt to Pinter classic by Michael Billington

Menier Chocolate Factory, London Florian Zeller’s follow-up to The Father and The Mother raises provocative questions that have long haunted French dramaAt what point does an act of homage…

SOURCE: The Guardian at 08:27AM
Wednesday, March 16, 2016

The Nap review – snooker supplies the drama, Richard Bean adds the one-liners by Michael Billington

Crucible, Sheffield Jack O’Connell keeps his cool as a rising snooker star – even while playing a competitive match – in Bean’s comedy about sport, class and corruptionI’ve rarely …

SOURCE: The Guardian at 07:54AM
Sunday, March 13, 2016

Luce review – Mel Giedroyc injects high anxiety into parenting by Michael Billington

Southwark Playhouse, LondonIs her adopted war orphan son a terrorist, or just a boy pushing boundaries? JC Lee’s play makes tantalising capital out of guilty feelings and a climate of susp…

SOURCE: The Guardian at 08:39AM

The Effect - review by Michael Billington

Cottesloe Theatre, LondonHow do you follow a big hit? Just as Jez Butterworth succeeded Jerusalem with the more modest The River, so Lucy Prebble follows her spectacular Enron with an intima…

SOURCE: The Guardian at 01:38AM
Friday, March 11, 2016

The Damned United review – squad of 11 actors stage David Peace's novel in Leeds by Michael Billington

West Yorkshire Playhouse, LeedsAndrew Lancel captures Brian Clough’s charm and cheek in this story of his stint as Leeds manager, but Red Ladder’s show is probably for football fans only…

SOURCE: The Guardian at 07:42AM
Wednesday, March 9, 2016

Look Back in Anger/Jinny review – scorching portraits of thwarted youth by Michael Billington

Derby theatreOsborne’s unflinching study of a failing marriage still grips – and is intelligently paired with a mono-drama about Jimmy Porter’s modern female counterpartYou may go expe…

SOURCE: The Guardian at 08:51AM
Tuesday, March 8, 2016

Motown the Musical review – Berry Gordy show is a ball of confusion by Michael Billington

Shaftesbury theatre, London The show’s 50 songs are put across with plenty of pizzazz but this account of the music mogul’s rags-to-riches story leaves the key questions unanswered Given…

SOURCE: The Guardian at 05:43PM
Monday, March 7, 2016

German Skerries review – time stands still for Holman’s twitchers by the Tees by Michael Billington

Orange Tree, Richmond There are beautifully understated performances in this revival of Robert Holman’s quiet play about life in 70s TeessideTime has lent an extra layer of poignancy to Ro…

SOURCE: The Guardian at 06:14PM
Sunday, March 6, 2016

Merit review – when money comes between mother and daughter by Michael Billington

Finborough, LondonThe family relationship in Alexandra Wood’s two-hander is believable, less so the backdrop of the growing gulf between the world’s rich and poorAlexandra Wood’s 80-mi…

SOURCE: The Guardian at 12:06PM
Friday, March 4, 2016

Don Quixote review – David Threlfall rides high as Cervantes's ingenious gent by Michael Billington

The Swan, Stratford-upon-AvonIn the RSC’s affectionate adaptation of the epic novel, the shaggy Threlfall is accompanied by Rufus Hound as a perfect Sancho PanzaAs the 400th anniversary of…

SOURCE: The Guardian at 07:37AM
Wednesday, March 2, 2016

The Patriotic Traitor review – tragedy and treason with Tom Conti and Laurence Fox by Michael Billington

Park Theatre, LondonFeaturing two strong central performances, this story of Philippe Pétain and Charles de Gaulle’s relationship is fascinating but covers too much groundJonathan Lynn ha…

SOURCE: The Guardian at 09:02AM
Tuesday, March 1, 2016

The Maids review – Uzo Aduba is ferocious in Genet's lost landmark by Michael Billington

Trafalgar Studios, LondonAduba, Zawe Ashton and Laura Carmichael star in Jamie Lloyd’s highly impressive, deeply political productionWe largely ignore the work of Jean Genet, the celebrate…

SOURCE: The Guardian at 02:14AM
Thursday, February 25, 2016

The Tempest review – Dromgoole's farewell lets language work its magic by Michael Billington

Sam Wanamaker Playhouse, LondonThe outgoing Globe director’s moving and intelligent take on Shakespeare’s play has an excellent Prospero in Tim McMullanIt may be a myth that this is Shak…

SOURCE: The Guardian at 07:21AM
Wednesday, February 24, 2016

Is Woyzeck the first modern drama? by Michael Billington

How the true story of a murderous barber inspired the first modern dramaWhich version of Woyzeck do you prefer? Play or opera? Büchner or Berg? A bleeding dramatic torso or a tightly struct…

SOURCE: The Guardian at 09:27AM

Cleansed review – Katie Mitchell plunges us into Sarah Kane's chamber of horrors by Michael Billington

Dorfman, LondonLove is tested to its limits in a series of cruel experiments, in which the cumulative effect is numbing rather than redemptiveEven by her own standards, Sarah Kane’s 1998 p…

SOURCE: The Guardian at 06:55AM

Posh – review by Michael Billington

Duke of York's, LondonWith even a Tory attacking the "arrogant, posh boys" who run her party, now seems a good time to revive Laura Wade's 2010 play.It has undergone a good deal of revision …

SOURCE: The Guardian at 03:52AM
Tuesday, February 23, 2016

Cyrano de Bergerac review – strutting Kathryn Hunter follows her nose by Michael Billington

Southwark Playhouse, LondonThe shape-shifting actor brings poetic wit to her swashbuckling hero, though this all-female staging of Glyn Maxwell’s adaptation makes no sharp pointsReduced Ed…

SOURCE: The Guardian at 09:19AM
Friday, February 19, 2016

Poppy + George review – cross-dressing postwar drama shows we are what we wear by Michael Billington

Watford Palace theatreDiane Samuels’ play, set in an East End tailor’s, about four characters in search of an identity, produces some fascinating arguments around feminismDiane Samuels, …

SOURCE: The Guardian at 08:46AM
Wednesday, February 17, 2016

The Encounter review – Simon McBurney's head trip up the Amazon by Michael Billington

Barbican, LondonInspired by US photographer Loren McIntyre’s experiences with Brazilian rainforest tribes, this transporting Complicite show is a triumph of sound designSimon McBurney is a…

SOURCE: The Guardian at 07:01AM
Tuesday, February 16, 2016

Hand to God review – satanic sock-puppet satire gives in to temptation by Michael Billington

Vaudeville, LondonRobert Askins’s Broadway hit about a Bible belt teenager in thrall to a foul-mouthed puppet is merely crudeAmerican religious fervour inevitably breeds a reaction. Althou…

SOURCE: The Guardian at 08:15AM
Sunday, February 14, 2016

Uncle Vanya review – Dylan, doom and desire in a radical revision by Michael Billington

Almeida, London Its setting in rural England is problematic, but Robert Icke’s modernised version of Chekhov’s masterpiece is rich in psychological detailRobert Icke seems on a personal …

SOURCE: The Guardian at 08:22AM