All stories by Michael Billington on BroadwayStars

Wednesday, April 13, 2016

Arnold Wesker: the radical bard of working Britain by Michael Billington

With interrogations of class, labour and politics entwined around the lives of ordinary people – including plenty of well-written women – Arnold Wesker created plays that showed his endl…

SOURCE: The Guardian at 08:57AM

Boy review – jobcentres and loneliness in tale of a lost generation by Michael Billington

Almeida, LondonLeo Butler’s play follows a teenager adrift in cold, modern London, but its compassion is sometimes overwhelmed by a restless productionLeo Butler has attempted something tr…

SOURCE: The Guardian at 07:54AM
Tuesday, April 12, 2016

Arnold Wesker: food for thought by Michael Billington

As playwright Arnold Wesker turns 80, he talks about his early successes, his later battles – and the day he tried to flog his entire oeuvre for £10,000'I don't feel I'm known as a playwr…

SOURCE: The Guardian at 09:04PM

The Sugar-Coated Bullets of the Bourgeoisie review – heartfelt paean to people power in China by Michael Billington

Arcola, London This compelling portrait of how the Maoist revolution gripped one particular village is a big, ambitious and thought-provoking playThere is a growing body of plays about China…

SOURCE: The Guardian at 06:39PM

Titus Andronicus – review by Michael Billington

Swan, Stratford-upon-AvonNo one any longer has to make a case for this once-despised play. But, whether it is viewed as a neo-Senecan study in stoic acceptance of grief or a Tarantino-like e…

SOURCE: The Guardian at 05:40PM
Monday, April 11, 2016

Cyprus Avenue: the most shocking and relevant play in London today by Michael Billington

David Ireland’s story about a Belfast loyalist is a blackly comic examination of sectarian hatred – and a subversive drama that has never been more relevant Related: Cyprus Avenue review…

SOURCE: The Guardian at 09:10AM

Cymbeline, Swan, Stratford-upon-Avon by Michael Billington

Swan, Stratford-upon-AvonAlan Bennett makes a shrewd point in his Diaries. Attending a performance by Complicite, he remarks that some theatre companies have become like rock groups attracti…

SOURCE: The Guardian at 05:45AM
Friday, April 8, 2016

Laila the Musical review – clumsily modernised tale of star-crossed lovers by Michael Billington

Watford Palace theatreThe team behind Britain’s Got Bhangra can’t smooth over the thorny issue of arranged marriages with song and dance in this musical based on a 12th-century forerunne…

SOURCE: The Guardian at 07:11AM
Thursday, April 7, 2016

The Caretaker review – Pinter given renewed zest by Warchus and Spall by Michael Billington

Old Vic, LondonFollowing the current trend of not treating Harold Pinter with pause-ridden reverence, Matthew Warchus transforms the writer’s first big hit into a wild comedy of deluded mi…

SOURCE: The Guardian at 07:04AM
Wednesday, April 6, 2016

X review – pressure builds on crew marooned in space by Michael Billington

Royal Court, LondonCharacters hear strange voices and time itself starts to dissolve in Alistair McDowall’s new play, set in a research base on PlutoAlistair McDowall has quickly built a r…

SOURCE: The Guardian at 08:02AM
Monday, April 4, 2016

Sunset Boulevard review – imperious Glenn Close gives show new lease of life by Michael Billington

Coliseum, LondonSemi-staged performance brings us closer to Billy Wilder’s film than Andrew Lloyd Webber’s 1993 version Billy Wilder, on emerging from the original 1993 staging of Andrew…

SOURCE: The Guardian at 08:38PM
Sunday, April 3, 2016

The Fifth Column review – Hemingway’s hero shows lust but lacks life by Michael Billington

Southwark Playhouse, London There are good performances in this finely staged revival, but Hemingway’s autobiographical drama set during the Spanish civil war is a rambling affairErnest He…

SOURCE: The Guardian at 10:04AM
Friday, April 1, 2016

How the Other Half Loves review – hilarious Ayckbourn, fresh and fighting by Michael Billington

Theatre Royal, Haymarket, LondonAlan Ayckbourn’s vintage comedy about adultery and male bullying is shockingly up to dateTheatrical snobs still patronise Alan Ayckbourn. Alan Strachan’s …

SOURCE: The Guardian at 07:30AM
Thursday, March 31, 2016

Les Blancs review – a near-perfect production of an imperfect play by Michael Billington

National Theatre, LondonWhite liberalism and postcolonial freedom-fighting clash in Yaël Farber’s sensuous production, but Lorraine Hansberry’s play is a product of its timeThis play ha…

SOURCE: The Guardian at 10:31AM
Wednesday, March 30, 2016

Long Day's Journey Into Night review – Jeremy Irons and Lesley Manville shine with sexual passion and rage by Michael Billington

Bristol Old VicRichard Eyre rushes through Eugene O’Neill’s masterpiece but gets to the heart of the tortured love of the Tyrones, played mesmerisingly by his leadsRichard Eyre famously …

SOURCE: The Guardian at 07:52AM
Monday, March 28, 2016

My bruising love affair with the Royal Court by Michael Billington

For 60 turbulent years, the Royal Court has thrilled and outraged audiences and critics alike. Michael Billington, who was once cuffed by an angry playwright there, celebrates – and picks …

SOURCE: The Guardian at 01:13PM
Friday, March 25, 2016

Reasons to Be Happy review – Neil LaBute loses his bite by Michael Billington

Hampstead theatre, LondonThe American playwright edges away from his usual bilious comic antagonism with this drama about romantic crisesNeil LaBute’s new play uses the same set of charact…

SOURCE: The Guardian at 10:20AM
Thursday, March 24, 2016

All That Fall review – Beckett's best play brought to life for blindfolded audience by Michael Billington

Wilton’s Music Hall, LondonBy keeping its audience’s eyes covered, this vivid production heightens the wistful evocation and graveyard wit of Samuel Beckett’s long-ignored piece Samuel…

SOURCE: The Guardian at 07:31PM
Wednesday, March 23, 2016

Hamlet review – Paapa Essiedu is a graffiti prince in RSC's bright tragedy by Michael Billington

Royal Shakespeare theatre, Stratford-upon-Avon With this heartening production, director Simon Godwin and a largely black ensemble make you feel like you are seeing the play anewThere is som…

SOURCE: The Guardian at 09:16AM
Monday, March 21, 2016

Hedda Gabler review – Ibsen's ice maiden is wild at heart by Michael Billington

Salisbury PlayhouseKirsty Bushell adheres to Hedda’s destructiveness but invests her with humour and sexual allure in this bracingly intelligent revivalIbsen’s Hedda is often described a…

SOURCE: The Guardian at 09:32AM
Saturday, March 19, 2016

Caroline, or Change, National, London by Michael Billington

National, LondonThe National Theatre used to bring us Broadway's golden oldies. Now it imports something original: a remarkable musical, with book and lyrics by Tony Kushner and music by Jea…

SOURCE: The Guardian at 04:24PM
Thursday, March 17, 2016

The Painkiller review – Branagh and Brydon are perfect pair in furious farce by Michael Billington

Garrick, LondonDoors are slammed and trousers dropped in this bawdy hitman caper which teases out the comic skill of its leadsFarce is purely a matter of taste. I met someone the other day w…

SOURCE: The Guardian at 07:22PM

The Truth review – Zeller's elegant tale of deceit betrays its debt to Pinter classic by Michael Billington

Menier Chocolate Factory, London Florian Zeller’s follow-up to The Father and The Mother raises provocative questions that have long haunted French dramaAt what point does an act of homage…

SOURCE: The Guardian at 08:27AM
Wednesday, March 16, 2016

The Nap review – snooker supplies the drama, Richard Bean adds the one-liners by Michael Billington

Crucible, Sheffield Jack O’Connell keeps his cool as a rising snooker star – even while playing a competitive match – in Bean’s comedy about sport, class and corruptionI’ve rarely …

SOURCE: The Guardian at 07:54AM
Sunday, March 13, 2016

Luce review – Mel Giedroyc injects high anxiety into parenting by Michael Billington

Southwark Playhouse, LondonIs her adopted war orphan son a terrorist, or just a boy pushing boundaries? JC Lee’s play makes tantalising capital out of guilty feelings and a climate of susp…

SOURCE: The Guardian at 08:39AM

The Effect - review by Michael Billington

Cottesloe Theatre, LondonHow do you follow a big hit? Just as Jez Butterworth succeeded Jerusalem with the more modest The River, so Lucy Prebble follows her spectacular Enron with an intima…

SOURCE: The Guardian at 01:38AM
Friday, March 11, 2016

The Damned United review – squad of 11 actors stage David Peace's novel in Leeds by Michael Billington

West Yorkshire Playhouse, LeedsAndrew Lancel captures Brian Clough’s charm and cheek in this story of his stint as Leeds manager, but Red Ladder’s show is probably for football fans only…

SOURCE: The Guardian at 07:42AM
Wednesday, March 9, 2016

Look Back in Anger/Jinny review – scorching portraits of thwarted youth by Michael Billington

Derby theatreOsborne’s unflinching study of a failing marriage still grips – and is intelligently paired with a mono-drama about Jimmy Porter’s modern female counterpartYou may go expe…

SOURCE: The Guardian at 08:51AM
Tuesday, March 8, 2016

Motown the Musical review – Berry Gordy show is a ball of confusion by Michael Billington

Shaftesbury theatre, London The show’s 50 songs are put across with plenty of pizzazz but this account of the music mogul’s rags-to-riches story leaves the key questions unanswered Given…

SOURCE: The Guardian at 05:43PM
Monday, March 7, 2016

German Skerries review – time stands still for Holman’s twitchers by the Tees by Michael Billington

Orange Tree, Richmond There are beautifully understated performances in this revival of Robert Holman’s quiet play about life in 70s TeessideTime has lent an extra layer of poignancy to Ro…

SOURCE: The Guardian at 06:14PM
Sunday, March 6, 2016

Merit review – when money comes between mother and daughter by Michael Billington

Finborough, LondonThe family relationship in Alexandra Wood’s two-hander is believable, less so the backdrop of the growing gulf between the world’s rich and poorAlexandra Wood’s 80-mi…

SOURCE: The Guardian at 12:06PM

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