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The television and theatre director talks about his directing principles, a mistake that guided his career, and the new play at the Public Theater.
The Obie winner opens up about his directing style, his most recent What the Constitution Means to Me, and his dream of doing more musicals after tick...tick...BOOM!.
The Obie– and Lortel-winning director shares her directing principles, her vision for City Center’s Encores! Off-Center, and how she embraced being a female authority in the room.
Marian Seldes, the grande dame of American theatre, took home a 2010 Special Tony Award for Lifetime Achievement.
Having learned from legends like Agnes de Mille and Jerome Robbins, the director-choreographer shares the philosphy that led him to hits like Hairspray, Kinky Boots, and this summer’s …
The Tony-winning director peels back the curtain on his process and his vision for Peter Yanowitz and Stephen Trask’s This Ain’t No Disco.
The Obie-winning director of Pipeline, Red Speedo, and more reveals her directing philosophy, early career missteps, and her pitch to the Park Avenue Armory.
The Drama Desk winner and Tony nominee reveals rehearsal room techniques, what went wrong with Broadway’s Bells Are Ringing, and how she corrected course for SpongeBob SquarePants and …
The Tony-nominated director of Hand to God, Off-Broadway’s Teenage Dick, and the upcoming Bernhardt/Hamlet gets real.
The Tony-winning director shares the one thing not allowed in his rehearsal room, the decision that changed his life, and how he makes such winning art.
The 2018 Drama Desk-nominated director reveals his draw to the Rodgers and Hammerstein musical and the secrets of his rehearsal room.
The Tony-nominated director talks about making things happen in real time onstage, his directing principles, the mistake he learned from, and more.
The game-changing director of Noise/Funk, the original Angels in America, and this season’s The Iceman Cometh reveals what it’s like inside his rehearsal room, a mistake he made …
The 2018 Tony-nominated director explains how she chooses her work and what to expect from her female-driven Company.
From The Great Comet to Hadestown to currently running Light in Buckinghamshire, the Tony-nominated director has proven her mettle.
Best known for the Oscar-winning film and Broadway’s Jitney, the actor makes his directorial debut Off-Broadway.
The Tony-winning director of A Raisin in the Sun, Fences, and more reveals how Children of a Lesser God came to be the most important play he’s ever done.
The director of Broadway’s Escape to Margaritaville and Come From Away talks about two decisions that changed his life and career.
The director of the upcoming This Flat Earth Off-Broadway talks about her directing philosophy and the hard lesson she had to learn.
The director details his directing technique, his path to the profession, and why he needed to bring Kenneth Lonergan’s play to Broadway.
As part of Playbill’s new column with directors exploring the decisions that led to their successes and setbacks, the Spelling Bee choreographer shares his path to helming shows and no…
Theatre in Paris helps non-locals be locals for a night with productions of Grease, West Side Story, and its latest: Cyrano de Bergerac.
Director Robert Carsen talks about his new French-language production of The Tempest.
In an homage to the film's period setting, the production features a black-and-white cinematic design.
Jean-Luc Choplin opens the new Seine Musicale theatre complex with a new production of the classic in hopes of cultivating musical theatre fans in the City of Light.
How the theatre that launched Broadway’s Amélie and is set to premiere Broadway-bound Crazy For You put itself on the map.
The Westport Country Playhouse isn’t just for small town theatre.
Artistic director Barry Edelstein talks about making theatre for all.
Old Globe Artistic Director Barry Edelstein looks to the San Diego community for programming inspiration
The stars and creators of the the tuneful, but short-lived 1993 musical talk about the unexpected challenges of adapting the 1977 film for contemporary theatre audiences.