Friday, November 26, 2021
Stephen Sondheim, one of Broadway history’s songwriting titans, whose music and lyrics raised and reset the artistic standard for the American stage musical, died early Friday at his home …
SOURCE: www.seattletimes.com at 07:25PMHe was the theater’s most revered and influential composer-lyricist of the last half of the 20th century and the driving force behind some of Broadway’s most beloved and celebrated shows.
SOURCE: The New York Times Subscription at 05:32PMWednesday, March 24, 2021
Best remembered for his role in “Who’s Afraid of Virginia Woolf?” but later memorable for his comedic work.
SOURCE: The New York Times Subscription at 02:42AMFriday, February 5, 2021
His performance as Captain von Trapp in one of the most popular movies of all time propelled a steady half-century parade of television and film roles.
SOURCE: The New York Times Subscription at 02:18PMMonday, April 27, 2020
He helped run Joseph Papp’s Public Theater (shepherding “A Chorus Line”) and the New York Shakespeare Festival, then helped revive Lincoln Center Theater.
SOURCE: The New York Times Subscription at 03:48PMWednesday, July 31, 2019
Mr. Prince helped bring to life a stunning lineup of shows: “Cabaret,” “Sweeney Todd,” and Broadway’s longest-running spectacle — “The Phantom of the Opera.”
SOURCE: The New York Times Subscription at 01:54PMMr. Prince helped bring to life a stunning lineup of shows: “Cabaret,” “Sweeney Todd,” and Broadway’s longest-running spectacle — “The Phantom of the Opera.”
SOURCE: The New York Times Subscription at 11:52AMWednesday, October 31, 2018
María Irene Fornés, a Cuban-born American playwright whose spare, poetic and emotionally forceful works were hallmarks of experimental theater for four decades, died on Tuesday in Manhatta…
SOURCE: The New York Times Subscription at 01:39PMMs. Fornés won acclaim and awards for her experimental works. But her fellow playwrights often said her achievements far outstripped her fame.
SOURCE: The New York Times Subscription at 01:18PMSaturday, January 28, 2017
Mr. Hurt was nominated for an Academy Award for his portrayal of the title role in the 1980 film “The Elephant Man.”
SOURCE: The New York Times Subscription at 12:03AMFriday, September 16, 2016
Mr. Albee, who wrote “Who’s Afraid of Virginia Woolf,” “The Zoo Story” and “Three Tall Women” among other plays, charted the gap between self-delusion and truth in contemporary…
SOURCE: The New York Times Subscription at 09:06PMThursday, August 11, 2016
Mr. Vaccaro created so-called ridiculous works that sought to reveal the uncensored chaos that exists in people’s minds.
SOURCE: The New York Times Subscription at 10:16PMWednesday, August 3, 2016
Mr. Houghton also served as artistic director of the troupe, which presents season-long programs featuring the work of just one playwright.
SOURCE: The New York Times Subscription at 01:01PMSunday, July 31, 2016
Ms. Fichandler was a founder of the Arena Stage in Washington in 1950, building it into a professional force that helped spur the growth of theater companies around the country.
SOURCE: The New York Times Subscription at 12:22PMWednesday, July 27, 2016
Saturday, June 18, 2016
Those who worked with Mr. Heeley often described him as an alchemist or magician who could see with the eyes of the audience.
SOURCE: The New York Times Subscription at 02:20PMWednesday, June 15, 2016
Monday, June 6, 2016
Movie versions of Mr. Shaffer’s ambitious plays helped elevate his status at home in Britain and in the United States.
SOURCE: The New York Times Subscription at 04:31PMThursday, March 31, 2016
Sunday, March 13, 2016
Mr. White could depart from the mainstream to produce “The Rocky Horror Show,” “Oh! Calcutta!” and “Monty Python and the Holy Grail.”
SOURCE: The New York Times Subscription at 01:02PMThursday, March 10, 2016
Ms. Wright replaced Mary Martin in “South Pacific” and “The Sound of Music,” logging more than 1,200 performances, yet not becoming a household name.
SOURCE: The New York Times Subscription at 12:16PMSunday, January 17, 2016
The versatile Mr. Bedford gained renown at Stratford in Canada and on Broadway portraying dozens of characters, most notably in works by Shakespeare, Molière and Chekhov.
SOURCE: The New York Times Subscription at 02:32PMSunday, January 10, 2016
Ms. Allen appeared on and off Broadway when New York theater was not especially welcoming to black performers, and she helped integrate network television.
SOURCE: The New York Times Subscription at 10:49PMTuesday, November 10, 2015
Saturday, October 24, 2015
Mr. Kass was nominated for a Tony for the 1978 musical “Ballroom,” based on his Emmy-nominated teleplay about a Bronx widow who visits a dance hall.
SOURCE: The New York Times Subscription at 07:01PMWednesday, October 7, 2015
After his years in New York, Mr. Seawell led The Denver Post and was a major force behind Denver’s performing arts center.
SOURCE: The New York Times Subscription at 11:39PMWednesday, September 16, 2015
Known for his astute casting and skillful work with actors, Mr. Bernhardt directed many leading stage performers on Broadway and won a Tony for “Da.”
SOURCE: The New York Times Subscription at 12:36PMWednesday, September 2, 2015
Mrs. Brecht-Schall managed the works of Bertolt Brecht and performed with the Berliner Ensemble, the troupe founded by him.
SOURCE: The New York Times Subscription at 10:57PMSunday, August 2, 2015
Mr. Phillips, a British theater director, added productions and brought in stars like Maggie Smith during his tenure as artistic director in the ’70s.
SOURCE: The New York Times Subscription at 06:22PMThursday, June 11, 2015
Mr. Moody, a British character actor, flared to prominence in the role of Dickens’s guru of thievery, in the stage and screen adaptation of “Oliver!”.
SOURCE: The New York Times Subscription at 01:34PM 
