All stories by Meaghan Hannan Davant on BroadwayStars

Tuesday, May 7, 2019

Review: A furiously funny Love’s Labor’s Lost at Folger Theatre by Meaghan Hannan Davant

Love’s Labor’s Lost is reputed to be one of Shakespeare’s toughest plays to stage (and it rarely is).  The late 16th Century comedy has a simple enough plot – one guaranteed to tee …

Linked From DC Theatre Scene at 11:42AM
Monday, April 15, 2019

Grand Hotel review. Brilliant sets, costumes and performances, lackluster book and music by Meaghan Hannan Davant

Signature Theatre is known for reviving and revamping long forgotten musicals – and they don’t shy away from a challenge.  Grand Hotel tells the story of a handful of strangers, drawn t…

Linked From DC Theatre Scene at 11:03AM
Tuesday, March 12, 2019

Review: Confection, a sumptuous, sugary 17th century banquet and its cost by Meaghan Hannan Davant

I’m a sucker for Shakespeare.  And having lived on Capitol Hill for more than a decade and enjoyed many events at the Folger Shakespeare Library, the opportunity to participate in an “i…

Linked From DC Theatre Scene at 11:37AM
Friday, March 8, 2019

Review: Cirkus Cirkör’s Limits. Swedish acrobatic troupe knows no limits. by Meaghan Hannan Davant

We here in Washington, DC are no strangers to a “political circuses,” but it was hard to know what to expect from Swedish acrobatic troupe Cirkus Cirkör, whose past performances have be…

Linked From DC Theatre Scene at 12:09PM
Saturday, January 26, 2019

Ford’s Theatre’s Twelve Angry Men fails to follow through on its promises by Meaghan Hannan Davant

Sheldon Epp’s Twelve Angry Men, his directorial debut at the historic Ford’s Theatre, promised a present-day take on the 1954 legal drama that follows jury deliberations in the murder tr…

Linked From DC Theatre Scene at 11:32AM
Wednesday, December 19, 2018

Review: Kings probes Washington’s pay-to-play politics by Meaghan Hannan Davant

Playwright and Alexandria-native Sarah Burgess is known for her sharp-tongued, rapid-fire dialogue and expositions into the underbelly of American institutions.  Burgess’ first play, Dry …

Linked From DC Theatre Scene at 08:42AM
Monday, November 19, 2018

Review: Elf the Musical, Olney’s spectacular holiday musical by Meaghan Hannan Davant

If there’s one thing you’ll take away from Olney Theatre Center’s Elf the Musical it’s this: the DC musical theater scene has a tremendous talent base. To a one, Elf’s largely ense…

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Saturday, October 27, 2018

Review: The Fever at Woolly Mammoth won’t be the same without you by Meaghan Hannan Davant

Sitting in a circle of chairs facing inwards, arranged at the outermost edges of an otherwise empty stage, it is impossible to discern the actors from the audience.  There is a playful tens…

Linked From DC Theatre Scene at 12:12PM
Wednesday, October 24, 2018

Anna Ziegler’s Actually, a provocative counterpoint to the issue of sexual consent by Meaghan Hannan Davant

Anna Ziegler’s (Photograph 51) new two-person play Actually sets out as an intimate exploration of one of our society’s most taboo, yet timely, topics—sexual consent among two young pe…

Linked From DC Theatre Scene at 12:04PM
Monday, October 1, 2018

Review: Signature Theatre’s Heisenberg is not just another love story by Meaghan Hannan Davant

The Curious Incident of the Dog in the Night-Time playwright Simon Stephens’s two-person play, Heisenberg, is far from your typical love story. When Georgie (Rachel Zampelli), a 40ish…

Linked From DC Theatre Scene at 11:48AM
Friday, June 8, 2018

Loesser’s How to Succeed in Business gets a modern #MeToo-Era update by Meaghan Hannan Davant

Director Marc Bruni knew he was taking a risk in revamping the classic Frank Loesser (music and lyrics) musical How to Succeed in Business Without Really Trying for a modern Washington, D.C.…

Linked From DC Theatre Scene at 04:48PM
Thursday, May 31, 2018

Review: Shakespeare Theatre Company’s Camelot crosses over to the dark side by Meaghan Hannan Davant

The mythical city of Camelot has always been little more than a dream – a forest kingdom of unsurpassed beauty where magicians and enchantresses gleefully meddle in human affairs, knig…

Linked From DC Theatre Scene at 02:06PM
Monday, April 30, 2018

Review: new musical Snow Child at Arena Stage by Meaghan Hannan Davant

Arena Stage’s world-premiere musical Snow Child tries to be many things at once—the personal story of a married couple struggling to cope with the loss of a child; a fairy tale incorpora…

Linked From DC Theatre Scene at 01:04PM
Tuesday, April 17, 2018

Review: Blaemire’s musical Soon showcases promising local talent at Highwood Theatre by Meaghan Hannan Davant

It’s happened: global warming has brought the world to the brink of an environmental apocalypse.  Earth’s atmosphere can only support human life for one more year—maybe less.  What d…

Linked From DC Theatre Scene at 10:36AM
Monday, April 9, 2018

Tonya Beckman is a sultry, playful Don Juan in Taffety Punk’s production (review) by Meaghan Hannan Davant

Molière’s Don Juan—the 17th Century tale of a rakish nobleman whose insatiable libido and incorrigible charm lead him from town to town, deceiving (and deflowering) damsel after damsel …

Linked From DC Theatre Scene at 05:24PM

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