All stories by Maryam Philpott on BroadwayStars

Tuesday, March 10, 2020

‘Parkinson has such an ability to tread the line between comedy & emotion’: SHOE LADY – Royal Court Theatre by Maryam Philpott

Shoe Lady is an intriguing and well-considered examination of the social and domestic pressures placed on women to perform multiple and often contradictory roles in our society.

SOURCE: mytheatremates.com at 06:00AM
Thursday, March 5, 2020

‘This production is the real deal’: THE LAST FIVE YEARS – Southwark Playhouse by Maryam Philpott

It may be almost 20 years old, but Jason Robert Brown’s The Last Five Years feels timeless and recognisable and this bold restaging at Southwark Playhouse is a triumph.

SOURCE: mytheatremates.com at 05:00AM
Tuesday, February 25, 2020

‘Jennifer Saunders’ performance will not disappoint’: BLITHE SPIRIT – Touring & West End by Maryam Philpott

The psychology of Blithe Spirit snaps convincingly into place in Richard Eyre’s production while at the same time it fully utilises every opportunity to make the audience laugh.

SOURCE: mytheatremates.com at 11:00AM
Thursday, February 20, 2020

‘Short but superb’: A NUMBER – Bridge Theatre by Maryam Philpott

A Number packs a lot of themes, meaning and ideas into just an hour of stage time in a production that asks big questions about scientific progress.

SOURCE: mytheatremates.com at 05:00AM
Thursday, February 13, 2020

‘Has feeling as well as intellect’: LEOPOLDSTADT – West End by Maryam Philpott

Tom Stoppard’s personal story in Leopoldstadt sees the writer return to form as a commentator of cultural, social and historical patterns.

SOURCE: mytheatremates.com at 05:00AM
Wednesday, February 5, 2020

‘A pin-drop silence falls over the auditorium’: ENDGAME / ROUGH FOR THEATRE II – The Old Vic by Maryam Philpott

Much is to be taken from the strangeness of the settings and fine characterful performances in Endgame and Rough For Theatre II which should please Beckett fans and providing plenty of thoug…

SOURCE: mytheatremates.com at 05:00AM
Wednesday, January 29, 2020

‘Jodie McNee’s leading performance burns with energy’: FAUSTUS: THAT DAMNED WOMAN – Lyric Hammersmith by Maryam Philpott

In opening-up the female experience of the era in Faustus: That Damned Woman, Chris Bush reinforces the decision to switch the gender of the central character.

SOURCE: mytheatremates.com at 05:00AM
Friday, January 24, 2020

‘Far lighter than the themes of the play might suggest’: UNCLE VANYA – West End by Maryam Philpott

This Uncle Vanya is more roundedly entertaining than other recent productions and while that detracts a little from the emotional undercurrents of the original, the fluidity and richness of …

SOURCE: mytheatremates.com at 05:00AM
Wednesday, January 8, 2020

‘It’s fascinating writing’: THE TYLER SISTERS – Hampstead Theatre by Maryam Philpott

In The Tyler Sisters Alexandra Wood reverses expectations of storytelling and in the process fills a notable gap in charting the experience of just being a sister day-to-day and year-to-year.

SOURCE: mytheatremates.com at 05:00AM
Tuesday, December 31, 2019

Theatre review of the 2019 & what to see in 2020 by Maryam Philpott

With a new year fast approaching, it is an interesting time to reflect on small changes across the theatre landscape in 2019 that will continue to shape how UK theatre will look as it moves …

SOURCE: mytheatremates.com at 11:00AM
Tuesday, December 24, 2019

‘Don’t miss the chance to see this charming show’: CURTAINS – West End by Maryam Philpott

In a strong year for new London productions, Curtains finishes 2019 on a high with a true song and dance show that glories in its love of the stage and the process of putting on a production.

SOURCE: mytheatremates.com at 05:00AM
Tuesday, December 17, 2019

‘Funny, sad & meaningful’: TEENAGE DICK – Donmar Warehouse by Maryam Philpott

In Teenage Dick Mike Lew has created a version of Richard III that suits the high school context extremely well, asking the audience to consider attitudes to disability, power and social str…

SOURCE: mytheatremates.com at 09:00AM
Tuesday, December 10, 2019

‘Feels as fresh & relevant as ever’: A TASTE OF HONEY – Trafalgar Studios by Maryam Philpott

With its comment on the burden of expectation placed on women, class struggle, race and sexuality, more than six decades on A Taste Of Honey has lost none of its bite.

SOURCE: mytheatremates.com at 05:00AM
Saturday, December 7, 2019

‘An achingly modern & exciting version’: CYRANO DE BERGERAC – West End by Maryam Philpott

Reimagined for the modern stage with a contemporary cast led by James McAvoy, Jamie Lloyd’s production of Cyrano de Bergerac feels at every moment like theatre at its most exciting, libera…

SOURCE: mytheatremates.com at 05:00AM
Wednesday, November 27, 2019

‘Hard not to be impressed’: MY BRILLIANT FRIEND – National Theatre by Maryam Philpott

Melly Still’s reworking of April De Angelis’ adaptation of My Brilliant Friend gives the show both a flowing and episodic quality as the interior monologue of the protagonist in the book…

SOURCE: mytheatremates.com at 07:00AM
Wednesday, November 13, 2019

‘Wickedly funny & quietly moving’: THE BEAUTY QUEEN OF LEENANE – Tower Theatre by Maryam Philpott

The skill with which this production of The Beauty Queen of Leenane has been developed clearly demonstrates a theatre company with a revitalised energy.

SOURCE: mytheatremates.com at 01:00PM
Tuesday, November 5, 2019

‘Takes the building blocks of the genre in a new & unusual direction’: GHOST QUARTET – Boulevard Theatre by Maryam Philpott

If this inaugural show, Ghost Quartet, means the new Boulevard Theatre is setting out its stall for a programme of unusually staged and challenging productions in the future then there is ev…

SOURCE: mytheatremates.com at 11:00AM
Thursday, October 31, 2019

‘This is a writer with lots to say’: THE ANTIPODES – National Theatre by Maryam Philpott

While the descent into a kind of collective insanity may seem strange in lieu of a plot in Annie Baker’s Antipodes at the National Theatre, as with all her work you find your thoughts retu…

SOURCE: mytheatremates.com at 08:00AM
Tuesday, October 22, 2019

‘Wonderful connection between Foy & Smith adds an extra dimension’: LUNGS – The Old Vic by Maryam Philpott

Part of the success of Lungs is that it is not the uber-liberal, finger-wagging climate change play you expect it to be, plus both the production’s stars are superb and entirely believable…

SOURCE: mytheatremates.com at 05:00AM
Thursday, October 3, 2019

‘Never less than compelling’: MACBETH – Chichester by Maryam Philpott

It has been a long time since the West End saw a truly great Macbeth so perhaps this is a chance for Simm and Kirwan to buck the trend with impressive performances that offer a different per…

SOURCE: mytheatremates.com at 11:00AM
Thursday, September 26, 2019

‘Engaging & atmospheric adaptation’: BLOOD WEDDING – Young Vic Theatre by Maryam Philpott

Marina Carr’s coherent vision for Blood Wedding delivers a production that is unforgiving, creating a portentous world in which notions of love and freedom will always be trampled by the s…

SOURCE: mytheatremates.com at 05:00AM
Thursday, September 12, 2019

‘Some of us will just not know what to think’: A VERY EXPENSIVE POISON – Old Vic by Maryam Philpott

In A Very Expensive Poison Lucy Prebble has serious arguments to outlay about the relationship between international governments and narrative misdirection, but the broadly comic approach to…

SOURCE: mytheatremates.com at 07:00AM
Wednesday, September 4, 2019

‘A great political play’: HANSARD – National Theatre by Maryam Philpott

Hansard is a great political play, one that tells us everything about the society we have become and why the impasse of the last three years cannot be easily broken.

SOURCE: mytheatremates.com at 07:00AM
Tuesday, August 27, 2019

‘The past is never just the past’: APPROPRIATE – Donmar Warehouse by Maryam Philpott

Jacobs-Jenkins explores how even fairly recent national history can be sanitised and reduced when examined from only one perspective in Appropriate at the Donmar Warehouse.

SOURCE: mytheatremates.com at 05:00AM
Thursday, August 22, 2019

‘Will be long remembered’: LES MISERABLES – THE STAGED CONCERT – West End by Maryam Philpott

Like its predecessors, 2019’s Les Misérables: The Staged Concert will be long remembered as another notable event in the musical’s performance history, heralding the return of Michael B…

SOURCE: mytheatremates.com at 05:00AM
Tuesday, August 13, 2019

‘Thoughtful arguments grounded in a recognisable reality’: ACTUALLY – West End by Maryam Philpott

Actually has its issues as a drama and the heavily discursive competing narratives approach limits how the play is staged that can feel repetitive at times, but Ziegler has created a scenari…

SOURCE: mytheatremates.com at 07:00AM
Friday, August 9, 2019

‘Oh what a show! Raw, fresh & intense’: EVITA – Open Air Theatre by Maryam Philpott

With plenty to say about the shallow foundations of political leaders hiding behind their PR machines, Jamie Lloyd’s triumphant Evita is raw, fresh and intense – “oh what a show!”

SOURCE: mytheatremates.com at 05:00AM
Monday, July 29, 2019

‘Proves valuable & illuminating’: SOUTHERN BELLES – King’s Head Theatre by Maryam Philpott

As the conclusion to a strong season of unusual Williams revivals, Southern Belles proves valuable and illuminating, concluding with an important moment of solidarity that leaves the audienc…

SOURCE: mytheatremates.com at 11:00AM
Wednesday, July 24, 2019

‘There is something life-affirming about it’: THE VIEW UPSTAIRS – Soho Theatre by Maryam Philpott

Max Vernon’s musical The View UpStairs making its European debut at the Soho Theatre and running for just five weeks, commemorates the 1973 arson attack on a gay bar in New Orleans which w…

SOURCE: mytheatremates.com at 05:00AM
Wednesday, July 17, 2019

‘Clive Owen makes a superb return to the stage’: THE NIGHT OF THE IGUANA – West End by Maryam Philpott

Gripping performances from Clive Owen and Lia Williams, and James Macdonald’s slow-burn direction allows Tennessee Williams’ writing in The Night Of The Iguana to cast its spell.

SOURCE: mytheatremates.com at 05:00AM
Friday, July 12, 2019

‘You can practically hear doors flinging open to Yarrow all over town’: JOSEPH & THE AMAZING TECHNICOLOR DREAMCOAT – West End by Maryam Philpott

The staging and orchestration of the Palladium’s new version of Joseph & The Amazing Technicolor Dreamcoat looks to the future, as a whole new set of children fall in love with this pe…

SOURCE: mytheatremates.com at 05:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic