All stories by Mark Lawson on BroadwayStars

Monday, July 11, 2016

Nina Sosanya: 'I was always a minority – even in my own family' by Mark Lawson

As she prepares to appear in the Young Chekhov trilogy, the star of Last Tango in Halifax and W1A talks about playing outsiders, growing up surrounded by white faces – and how it feels to …

SOURCE: The Guardian at 02:09PM
Saturday, July 9, 2016

Lithe spirit: Dame Angela Lansbury at 90 by Mark Lawson

A lifetime achievement in musical theatre acknowledges Lansbury’s prolific career spanning seven decadesPeople like to pass landmark birthdays in meaningful places, so it seems right that …

SOURCE: The Guardian at 12:43PM
Sunday, June 19, 2016

Life With Father: the long-lost daddy of Broadway by Mark Lawson

Life with Father, about a sexist patriarch and submissive wife, holds the record for the longest-running non-musical play in New York. Now, 75 years after it premiered, Mark Lawson…

SOURCE: The Guardian at 09:51PM
Thursday, June 16, 2016

First Light review – questions of courage and cowardice in tale of a war deserter by Mark Lawson

Minerva, ChichesterMark Hayhurst’s play about a court-martialled first world war soldier is sharply intelligent and emotionally joltingThe canon of first world war drama is already vast. M…

SOURCE: The Guardian at 05:34PM
Saturday, June 11, 2016

Jack Thorne: go-to guy trusted by JK Rowling to magic up theatre gold by Mark Lawson

With gift for solitude, and dialogue, prolific award-winning scriptwriter is unusually natural collaborator for Harry Potter playTelevision and theatre playwrights who spend a lot of time al…

SOURCE: The Guardian at 03:18AM
Thursday, June 9, 2016

The Last Mermaid review – Charlotte Church thrills in dystopian eco-fairytale by Mark Lawson

Wales Millennium Centre, CardiffThe singer has co-authored a fascinating update on Hans Christian Andersen, pitting her sea nymph against marine pollution and malign capitalismWhile church m…

SOURCE: The Guardian at 04:07PM
Monday, June 6, 2016

Peter Shaffer wanted to make elaborate theatre – and he succeeded by Mark Lawson

The playwright was a commercial success, but his works could only have been created in subsidised venuesPeter Shaffer obituaryFew writers achieve the lucrative double of writing an internati…

SOURCE: The Guardian at 03:49PM

The Taming of the Shrew review – a lovable take on a dislik​able play by Mark Lawson

Shakespeare’s Globe, LondonAoife Duffin is an electrifying Kate in Caroline Byrne’s splendid Irish version, which injects touches of Yeats, Wilde and Beckett Shakespeare’s comedy of Pe…

SOURCE: The Guardian at 07:15AM
Wednesday, June 1, 2016

Sideways review – a glass-half-empty adaptation of the movie by Mark Lawson

St James theatre, LondonAn attempt to adapt the Oscar-winning film for the stage cannot disguise its origins sufficiently enough to work as theatreIgnoring the biblical warning against putti…

SOURCE: The Guardian at 12:43PM
Friday, April 22, 2016

The Comedy About a Bank Robbery review – lung-bustingly funny farce has it three ways by Mark Lawson

Criterion, LondonThis thrillingly inventive piece about bed-hopping gem thieves is a slapstick delightThe financial prospects of young actors are probably only studied by economists as a hor…

SOURCE: The Guardian at 11:45AM
Friday, April 15, 2016

Arnold Wesker: An angry young man who upset the theatrical establishment by Mark Lawson

Revivals from Arnold Wesker’s heyday prove the enduring quality of his work, where autobiographical detail went hand in hand with experimental stagecraftCelebrated playwrights often seem t…

SOURCE: The Guardian at 11:10AM

Jez hands: how Corbyn the Musical lampoons the new king of the left by Mark Lawson

With a sexually confused Putin and a Bond villain Blair, Corbyn the Musical has some pretty broad caricatures – but it’s even-handed in its politics. And it’s not the first musical to …

SOURCE: The Guardian at 08:55AM
Sunday, April 10, 2016

Billy Elliot the Musical review – seeing quadruple in West End farewell by Mark Lawson

Victoria Palace Theatre, London Director Stephen Daldry made amusing artistic virtue of legal necessity and Sir Elton John savoured the show’s success Even before sampling the refreshments…

SOURCE: The Guardian at 10:33AM
Monday, April 4, 2016

Olivier awards 2016: Judi Dench and Rufus Norris deserve their statuettes by Mark Lawson

Dench deserved to break records for her psychologically probing in turn The Winter’s Tale, and Rufus Norris saw his vision for the National Theatre validated. But the Oliviers still need t…

SOURCE: The Guardian at 07:52AM
Monday, March 28, 2016

Mark Lawson on Look Back in Anger by Mark Lawson

On May 8 1956, John Osborne's Look Back in Anger premiered at the Royal Court in London. It shocked the theatre world, some acclaiming it as the voice of a new generation, others damning it …

SOURCE: The Guardian at 01:13PM
Thursday, March 24, 2016

Jackie the Musical review – prosecco-fuelled fun in the Mamma Mia! mould by Mark Lawson

The storyline is contrived around a string of pop hits in this homage to the photo-stories and problem pages of the classic teenage girls’ magazine Aimed at a largely female audience with…

SOURCE: The Guardian at 02:15PM
Wednesday, March 23, 2016

Scene change: the problems with relocating plays by Mark Lawson

Moving The Maids from France to the US adds a powerful racial subtext to Genet’s original, while Anouilh’s Welcome Home, Captain Fox! fares less well when set in America. Not all plays b…

SOURCE: The Guardian at 08:10AM
Wednesday, March 9, 2016

Where's Willy? Why there are so few plays about Shakespeare by Mark Lawson

In 400 years since his death, only a few playwrights – including George Bernard Shaw and Edward Bond – have turned the Bard into a characterThe 400th anniversary of Shakespeare’s death…

SOURCE: The Guardian at 11:00AM
Monday, March 7, 2016

Denise Gough: 'I've seen people die from addiction' by Mark Lawson

Denise Gough has been horrifying audiences – and scoring rave reviews – for her portrayal of an addict in People, Places and Things. The Irish actor talks about being one of 11 siblings,…

SOURCE: The Guardian at 02:03PM
Tuesday, March 1, 2016

The Damned United hits Leeds: club graffiti, family hostility – and a 14-plus swear rating by Mark Lawson

David Peace’s modern classic The Damned United is being staged in Leeds, a city with no great love for its subject: charismatic, alcoholic football manager Brian Clough. Mark Lawson on the…

SOURCE: The Guardian at 02:14AM
Monday, February 29, 2016

Mark Rylance follows Oscar win with Olivier award nomination by Mark Lawson

Best actor nomination for Farinelli and the King comes hours after winning Academy Award for best supporting actorThe “double O” category in Britain has traditionally been associated wit…

SOURCE: The Guardian at 02:43PM
Saturday, February 27, 2016

Pause and effect: tradition of multiple intervals gets a revival by Mark Lawson

Between them, two current stagings of Ibsen and Chekhov classics offer audiences five intermissions. While some see an art form reasserting itself, the move comes with a number of hitchesA r…

SOURCE: The Guardian at 02:18AM
Thursday, February 18, 2016

The War of the Worlds review – a holographic Liam Neeson delivers apocalyptic news by Mark Lawson

HG Wells’ prose is the hero of Jeff Wayne’s full-blown musical revival, which has enough bombast to drown out any ringtones in the audienceThere was always an overlap between the concept…

SOURCE: The Guardian at 06:32AM
Wednesday, February 10, 2016

Can you recognise a playwright from their first work? by Mark Lawson

Debut plays can be instant classics and false starts. From Ibsen’s Catilina to Shaffer’s Five Finger Exercise, they often contain thrilling hints of where a dramatist is headingImagine t…

SOURCE: The Guardian at 05:16AM
Sunday, January 31, 2016

25 Years of R & M review – Vic Reeves and Bob Mortimer, inspired, infantile … and alive by Mark Lawson

First Direct Arena, LeedsA greatest hits show made more poignant after Mortimer’s recent heart bypass meandered even more than usualEvery performance of Reeves and Mortimer’s new stage t…

SOURCE: The Guardian at 01:40PM
Tuesday, January 19, 2016

Harley Granville Barker's 116-year-old Agnes Colander is finally brought to life by Mark Lawson

A previously unperformed 1900 play about a proto-feminist painter has received a rehearsed reading at the National Theatre. Is a full revival now in order?It is both the dream and the nightm…

SOURCE: The Guardian at 09:54AM
Sunday, January 17, 2016

Sharon D Clarke: from Holby City to siren songs by Mark Lawson

Sharon D Clarke studied to be a social worker before becoming a doctor … on Holby City. Now she’s an Olivier award-winning stage star, singing the blues in Ma Rainey’s Black Bottom. Sh…

SOURCE: The Guardian at 10:44AM
Monday, January 11, 2016

Is 2016 the year of the female playwright? by Mark Lawson

From new writing at the Royal Court to revivals at the NT, theatre schedules suggest that plays by women are finally getting better representation – but there’s still cause for concern O…

SOURCE: The Guardian at 12:10PM
Thursday, December 24, 2015

Bah, humbug! How Christmas theatre is turning off the twinkle by Mark Lawson

Complex writing, leftfield family shows and thoroughly bleak dramas make theatre stages far from jolly this Christmas. Praise be, then, for the new wave of pseudo-pantoThe theatrical form mo…

SOURCE: The Guardian at 06:38AM
Wednesday, December 23, 2015

Mark Lawson's top 10 theatre of 2015 by Mark Lawson

The year brought radical rethinkings of Chekhov and Beckett, superior Shakespeares and new plays that were daring, engaging and powerfulChekhov wrote so few plays, which are revived so often…

SOURCE: The Guardian at 02:48AM
Tuesday, December 15, 2015

Unearthed Arthur Miller play is the first sign of a budding genius by Mark Lawson

A lost work is often buried for a reason, but the recent rediscovery of a seminal Miller play, No Villain, confirms his brilliance and anticipates later masterpiecesThe biggest dream of all …

SOURCE: The Guardian at 03:39AM