All stories by Mark Fisher on BroadwayStars

Monday, January 22, 2018

Jane Eyre review – gripping, good-hearted and full of gothic terror by Mark Fisher

Octagon, BoltonJessica Baglow captures the plain-speaking pragmatism of Charlotte Brontë’s heroine in a light and lucid adaptation directed by Elizabeth NewmanThe first thing that anyone …

SOURCE: The Guardian at 06:00PM
Wednesday, January 3, 2018

Alas, poor Owen Wilson, your TV ad Shakespeare quote is made up by Mark Fisher

In a festive sofa advertising campaign, the actor claims the bard once exclaimed: ‘People usually are the happiest at home.’ One problem – the oft-cited line is pure bunkumWhat was Sha…

SOURCE: The Guardian at 08:09AM
Tuesday, December 12, 2017

How to Disappear review – why the benefits system is on another planet by Mark Fisher

Traverse, EdinburghMorna Pearson’s hopeful social satire about a struggling family in troubled times takes an unexpected turn into a parallel universeImagine the dysfunctional world of Bur…

SOURCE: The Guardian at 07:06AM
Sunday, December 10, 2017

Cinderella; Sleeping Beauty; Aladdin; Chick Whittington reviews – hiss, boo – it's real panto by Mark Fisher

King’s, Edinburgh; King’s, Glasgow; Perth theatre; Macrobert, StirlingScottish audiences are flocking, as ever, to this year’s pantomimes because the stars are great, dedicated dames, …

SOURCE: The Guardian at 09:12AM
Sunday, December 3, 2017

The Arabian Nights review – Fake news? Scheherazade unleashes genies by Mark Fisher

Royal Lyceum, EdinburghThe heroine’s life isn’t at stake in this family-friendly production, but it’s a dizzying compendium that gets to the emotional heart of why we tell talesThese d…

SOURCE: The Guardian at 07:54AM
Thursday, November 30, 2017

A Christmas Carol – review by Mark Fisher

Royal Lyceum, EdinburghA great cast and plentiful carol-singing make this staging of the Dickens classic as rich as a plum pudding – and sometimes as sickly sweetWith its hardworking cast,…

SOURCE: The Guardian at 03:12AM
Tuesday, October 17, 2017

Love Song to Lavender Menace review – sparky ode to 80s LGBT booksellers by Mark Fisher

Royal Lyceum, EdinburghThe Communards punctuate the soundtrack to James Ley’s funny new play celebrating the Edinburgh bookshop that was a lifeline for the gay communityWhat 84, Charing Cr…

SOURCE: The Guardian at 01:42AM
Monday, October 9, 2017

‘You don’t understand anything about Europe’: 1947 play Cockpit blazes back by Mark Fisher

Bridget Boland’s long-lost drama about a refugee centre was ahead of its time in the way it blurred the lines between actor and audience. Now, Wils Wilson’s revival makes its depiction o…

SOURCE: The Guardian at 08:36AM
Friday, September 29, 2017

The Macbeths – Shakespeare's schemers canoodle and conspire in bedroom thriller by Mark Fisher

Citizens, GlasgowFrances Poet and Dominic Hill turn the tragedy into a relentlessly intense two-hander starring Keith Fleming and Charlene BoydThe bed could have been designed by Tracey Emin…

SOURCE: The Guardian at 07:33AM
Wednesday, September 27, 2017

Drinking and thinking: raise a glass to Glasgow's plays, pies and pints by Mark Fisher

Since 2004, a boozy lunchtime institution has launched careers, staged 40 new plays a year and changed the landscape of Scottish theatreIt defies all the rules of theatre marketing. Scarcely…

SOURCE: The Guardian at 08:48AM
Wednesday, July 5, 2017

Titus Andronicus review – tragedy becomes a kitchen nightmare by Mark Fisher

Dundee Rep, DundeeThis modern reimagining of Shakespeare’s gore-fest, set in a warehouse-style restaurant, is dynamically realised – in spite of some shaky verse-speakingWe’re seated a…

SOURCE: The Guardian at 11:06AM
Friday, June 23, 2017

Room to roam: how Scotland's vagabond national theatre broke free by Mark Fisher

It has staged shows in a barn in Perthshire, a forest in Mid Argyll and now on a Glasgow canal. This shape-shifting company puts place at the heart of its playsFor two or three centuries, na…

SOURCE: The Guardian at 10:06AM
Wednesday, May 24, 2017

Glory on Earth review – spirited portrait of Mary, Queen of Scots and her girl gang by Mark Fisher

Royal Lyceum, EdinburghRona Morison is a smart, vivacious and quick-witted queen in Linda McLean’s poetic historical drama, directed by David GreigWe’re in the court of Mary, Queen of Sc…

SOURCE: The Guardian at 08:48AM
Monday, May 22, 2017

Music Is Torture review – gig-theatre show unleashes devilish dilemmas by Mark Fisher

Tron, GlasgowMoral questions about our complicity in war are muddied in this Faustian tale of a musician selling his soul for a shot at successThings were going well for Jake Rae in 1998. Hi…

SOURCE: The Guardian at 09:48AM
Thursday, May 11, 2017

The 306: Day review – war drama sings praises of women written out of history by Mark Fisher

Station Hotel, PerthThe second part of Oliver Emanuel’s first world war trilogy is a confrontational patchwork that shatters the myth of Britain’s cheerful army of working womenOne day l…

SOURCE: The Guardian at 01:42PM
Wednesday, May 3, 2017

Charlie Sonata review – wayward odyssey of a drunken dreamer by Mark Fisher

Royal Lyceum, EdinburghSandy Grierson brings humour and bitterness to Douglas Maxwell’s tale of a redemptive mission, directed by Matthew LentonThe eponymous figure at the centre of Dougla…

SOURCE: The Guardian at 09:42AM
Sunday, April 23, 2017

Out of This World review – theatrical fantasia falls back to Earth with a crash by Mark Fisher

Macrobert Arts Centre, StirlingIts bewildering mix of projections, music and ariel work makes Mark Murphy’s show about a coma patient a technical marvel, but the story is ultimately prosai…

SOURCE: The Guardian at 11:06AM
Wednesday, April 19, 2017

Coriolanus Vanishes review – shape-shifting portrait of a man on the run by Mark Fisher

Tron, GlasgowIn this exquisite solo piece, with parallels to Shakespeare’s play, the writer and performer David Leddy gets under the skin of an outsiderChris has an identity crisis. Played…

SOURCE: The Guardian at 09:48AM
Monday, April 10, 2017

A Number review – dizzying double-take on the question of cloning by Mark Fisher

Royal Lyceum, EdinburghA crisp combination of stillness and urgency powers Caryl Churchill’s teasing speculations on identityCaryl Churchill’s two-hander zips along in an hour, so most e…

SOURCE: The Guardian at 08:36AM
Thursday, April 6, 2017

Girl in the Machine review – the dilemmas of digital dependency by Mark Fisher

Traverse, Edinburgh Stef Smith’s dystopian sci-fi two-hander, staged during the Edinburgh international science festival, anatomises our relationships with technologyThe lines of Neil Warm…

SOURCE: The Guardian at 10:18AM
Thursday, March 30, 2017

The Goat, or Who Is Sylvia? | Theatre review by Mark Fisher

Traverse, EdinburghStevie finds out about her husband's affair in Edward Albee's thrilling drama from a letter sent by their old friend Ross. What he wrote, she says, was "awful and absurd, …

SOURCE: The Guardian at 06:18PM
Wednesday, March 22, 2017

Hay Fever review – hate is love in Coward's midsummer night of warped romance by Mark Fisher

Royal Lyceum, EdinburghDominic Hill’s production of this sharply observed comedy is at its best when mocking the social embarrassments of polite societyNoël Coward’s silly, subversive 1…

SOURCE: The Guardian at 11:32AM
Wednesday, February 15, 2017

The Winter's Tale review – Scots-tinged Shakespeare is rich and raucous by Mark Fisher

Royal Lyceum, Edinburgh Scottish writer James Robertson has translated selected scenes in this ravishingly lit and superbly designed production of Shakespeare’s playJohn Michie’s Leontes…

SOURCE: The Guardian at 08:24AM
Monday, February 13, 2017

Locker-room banter is not just about Trump – it's men everywhere by Mark Fisher

Gary McNair has created a show using verbatim testimonies from hundreds of interviewees to reveal the prevalence of a hidden, misogynistic male languageGary McNair has accosted a stranger. H…

SOURCE: The Guardian at 03:06AM
Sunday, February 5, 2017

Still Game: Live 2 review – hilarity ahoy as the TV sitcom takes a sea cruise by Mark Fisher

SSE Hydro, GlasgowFord Kiernan and Greg Hemphill return to the stage with an even more ambitious live show – and just as many laughsWhen does a sitcom get too big for its boots? It’s a w…

SOURCE: The Guardian at 11:18AM
Monday, January 30, 2017

Manipulate review – head-spinning theatre festival sets sail on silken sea by Mark Fisher

Traverse, EdinburghFisk, a meditative evocation of mental breakdown onboard a paper boat, is a highlight at the festival of animation, puppetry and movementThere’s a turntable in the Trave…

SOURCE: The Guardian at 07:12AM
Sunday, January 15, 2017

Picnic at Hanging Rock review – a show with volcanic power by Mark Fisher

Royal Lyceum, EdinburghLutton’s production of the classic 1967 novel is a metaphor for the underlying contradictions of colonialismIt feels like an unresolved chord. Everything is on edge.…

SOURCE: The Guardian at 09:36AM
Sunday, December 11, 2016

Black Beauty review – a galloping, five-star triumph by Mark Fisher

Traverse, EdinburghThe beguiling playfulness of this rollicking adaptation cleverly amplifies the high drama of Anna Sewell’s equestrian adventureThey should have called it Horse Play. Thi…

SOURCE: The Guardian at 10:48AM
Monday, December 5, 2016

Alice's Adventures in Wonderland review – Anthony Neilson's Christmas Caroll by Mark Fisher

Royal Lyceum, EdinburghNeilson’s playful take on the much-loved novel is an eccentric fantasia full of clever theatrical tricksIt was in this theatre 12 years ago that Anthony Neilson pres…

SOURCE: The Guardian at 10:06AM
Friday, December 2, 2016

The Snaw Queen review – a psychedelic sugar binge by Mark Fisher

Tron, GlasgowAnything goes, especially Hans Christian Andersen’s original story, in Johnny McKnight’s hyperactive festive rompIf you’re looking to buy some red glitter in central Glasg…

SOURCE: The Guardian at 09:48AM
Wednesday, November 30, 2016

Five Guys Named Moe review – crowdpleasing tribute to father of R&B by Mark Fisher

Festival Square theatre, Edinburgh Bandleader Louis Jordan’s songwriting skill shines through in this breezy jukebox show, which makes up for sparse plotting with abundant feelgood spiritH…

SOURCE: The Guardian at 08:18AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic