All stories by Mark Fisher on BroadwayStars

Saturday, December 14, 2019

I Can Go Anywhere review – asylum seeker's mod makeover by Mark Fisher

Traverse, EdinburghDouglas Maxwell’s two-hander teases and cajoles us with questions about how we see ourselves Jimmy says he doesn’t want to be a story. An asylum seeker in Glasgow, he …

SOURCE: The Guardian at 05:24AM
Thursday, December 12, 2019

Miracle on 34th Street review – brings the gift of wonder if not of song by Mark Fisher

Playhouse, LiverpoolThe hard-working cast bring enough enthusiasm and gusto to this musical adaptation to disguise its weak score The word “believe” has been projected in big letters up …

SOURCE: The Guardian at 02:18PM
Wednesday, December 11, 2019

Pinocchio review – frightening delight in a post-puppet world by Mark Fisher

Tramway, GlasgowTreating Carlo Collodi’s allegory with the seriousness it deserves, this sincere and playful production draws a vulnerable boy into the tale’s darkest corners Don’t be …

SOURCE: The Guardian at 06:36AM
Friday, December 6, 2019

The Snow Queen review – rowdy show drowns out Andersen's wonder by Mark Fisher

Northern Stage, NewcastleSpectacle trumps subtlety as Hans Christian Andersen’s tale of lost innocence is stifled by a topical plot and noisy percussion You can see the temptation. You’…

SOURCE: The Guardian at 06:36PM
Thursday, December 5, 2019

Peter Pan review – Barrie classic staged with plenty of pixie dust by Mark Fisher

Hull TruckMaking Wendy younger gives a different dynamic to Deborah McAndrew’s engaging adaptation, with Baker Mukasa’s spontaneous Peter She’s a theatrical sort, is Vanessa Schofield…

SOURCE: The Guardian at 11:03AM
Wednesday, December 4, 2019

Strange Tales review – a feast of eerie stories from Chinese folklore by Mark Fisher

Traverse, EdinburghFrom a man sneezing out frog-like creatures to a husband restored to life with the phlegm of a beggar, these supernatural fables are uncanny Being human is a risk. You nev…

SOURCE: The Guardian at 07:24PM
Sunday, December 1, 2019

The Wizard of Oz review – thrilling staging, tremendous performances by Mark Fisher

Leeds PlayhouseDorothy turns eco-warrior, seeking justice in an unjust world, in this visually exciting production of the children’s classic Check out the internet theory that Greta Thunbe…

SOURCE: The Guardian at 02:48PM
Friday, November 29, 2019

West Side Story review – hip-swinging, skirt-twirling love story gets gritty by Mark Fisher

Curve, LeicesterThe classic musical gets a bold makeover in this stylish and intimate production directed by Nikolai Foster It’s not every show that comes with an endorsement from the loca…

SOURCE: The Guardian at 06:54AM
Thursday, November 28, 2019

Oor Wullie review – help ma boab, it's a braw musical! by Mark Fisher

Dundee RepThe Scottish comic-strip transfers to the stage in a witty show addressing cultural anxieties about belonging, driven by a rock, gospel and bhangra score It would be a stretch to c…

SOURCE: The Guardian at 06:48AM
Monday, November 25, 2019

The Prince and the Pauper review – trading-places twins double the fun by Mark Fisher

New Vic theatre, Newcastle-under-LymeSisters Danielle and Nichole Bird create a dreamlike mirror image in a superbly staged production, alive with music, wit and spectacle It was written as …

SOURCE: The Guardian at 06:12AM
Sunday, November 24, 2019

Jack and the Beanstalk review – bright and cheery but lacking heart by Mark Fisher

Coliseum, OldhamWhat used to be one boy’s coming-of-age struggle with a tyrannous ogre is now a free-for-all Boisterous, full-throttled and cheery it may be, but it’s hard to locate the …

SOURCE: The Guardian at 07:33PM
Wednesday, October 23, 2019

Fibres review – rail against asbestos entwines personal and political by Mark Fisher

Paisley Arts CentreA shipyard electrician and his wife suffer the debilitating effects of a preventable, man-made disease in Frances Poet’s play In 1898, factory inspector Lucy Deane Strea…

SOURCE: The Guardian at 06:42PM
Friday, October 18, 2019

I Have Met the Enemy (and the Enemy Is Us) review – ticking bomb of Britain's arms trade by Mark Fisher

Byker Community Centre, NewcastleThis explosive, techno-soundtracked assault on the military machine cuts between war-zone combatants and anxious families in the weapons industry Two men loo…

SOURCE: The Guardian at 04:42PM
Sunday, October 13, 2019

The Panopticon review – intense and brutal tale of a loveless childhood by Mark Fisher

Traverse, EdinburghAnna Russell-Martin gives a magnetic performance as Anais, the 15-year-old resident of a care home, who dreams of reinventing herself Anna Russell-Martin doesn’t crack a…

SOURCE: The Guardian at 07:06AM
Thursday, September 19, 2019

Macbeth review – ferocity and techno witches in gender-switched tragedy by Mark Fisher

Royal Exchange, ManchesterLucy Ellinson stars as a lean, mean and moody Macbeth in Christopher Haydon’s noisy, dystopian production, with Ony Uhiara as a high-spirited wife Let’s number …

SOURCE: The Guardian at 06:03AM
Wednesday, September 18, 2019

Composed review – behind the curtain on how theatre is made by Mark Fisher

Northern Stage, NewcastleArts employee Rosa Postlethwaite sets out to satirise the corporate machinery of modern theatre – but deadpan irony gets it in the way Do you remember a time befor…

SOURCE: The Guardian at 07:54AM
Tuesday, September 17, 2019

The 50 best theatre shows of the 21st century by Michael Billington, Alexis Soloski, Catherine Love, Mark Fisher and Chris Wiegand

A hip-hop history lesson, a dizzy Dahl musical and a continent-hopping barbershop … we pick the finest new works of theatre since 2000 Jez Butterworth: the sage behind our No1 Continue rea…

SOURCE: The Guardian at 07:18PM
Sunday, September 15, 2019

Solaris review – love and loneliness collide in best take yet on sci-fi classic by Mark Fisher

Royal Lyceum, EdinburghDavid Greig follows Tarkovsky and Soderbergh with this bold, rewarding take on Stanisław Lem’s novel about a sentient planet speaking to its visitors If a sentient …

SOURCE: The Guardian at 09:12AM
Friday, September 13, 2019

One Man, Two Guvnors review – a jolly romp wearing borrowed clothes by Mark Fisher

Derby theatreSarah Brigham’s revival of Richard Bean’s brilliant and chaotic comedy hoodwinks the audience into its games, but lacks the original’s taste for danger Such was the air of…

SOURCE: The Guardian at 02:24AM
Wednesday, September 11, 2019

Handbagged review – a battle of wills between Thatcher and the Queen by Mark Fisher

New Vic, Newcastle-under-LymeWith modern-day parallels and an excellent ensemble, this play about two powerful women tests the limits of intolerance and compassion How refreshing to be plung…

SOURCE: The Guardian at 03:36PM
Monday, September 2, 2019

Tay Bridge review – adventurous story of ghost-train-in-waiting by Mark Fisher

Dundee RepPeter Arnott’s brilliant vignettes about a 1879 railway bridge disaster imagine the lives and hopes of passengers stalked by death Peter Arnott has written enough plays to know y…

SOURCE: The Guardian at 02:03AM
Sunday, September 1, 2019

North and South review – strikes and strife in a factory town by Mark Fisher

Pitlochry Festival theatre, Port Na CraigRarely has theatre seemed so much part of the public sphere as in this electrifying adaptation of the Elizabeth Gaskell novel There is a thrilling tr…

SOURCE: The Guardian at 02:36PM
Tuesday, August 27, 2019

15 of the best Edinburgh festival shows now touring by Kate Wyver, Catherine Love, Anna Winter, Brian Logan, Mark Fisher and Chris Wiegand

The festival is over for another year but plenty of its theatre, comedy and dance hits have announced dates around the UK CollapsibleBreffni Holahan gives a searing performance as Essie in M…

SOURCE: The Guardian at 01:54AM
Friday, August 23, 2019

Blood and Gold review – mesmerising fairytales about Scottish colonialism by Mark Fisher

Scottish Storytelling Centre, EdinburghDrawing on her dual Scottish and Kenyan heritage, Mara Menzies weaves together an exquisite set of stories about the power of language to liberate and …

SOURCE: The Guardian at 11:12PM

Hear Word! Naija Woman Talk True review – a raucous voice of dissent by Mark Fisher

Royal Lyceum, EdinburghThis full-blooded agitprop cabaret comprises 10 monologues about resistance and emancipation, based on true stories about the treatment of women in Nigeria In a week w…

SOURCE: The Guardian at 07:48AM

How to Be Brave review – one mother's soul-searching BMX odyssey by Mark Fisher

Summerhall, EdinburghLaura Dalgleish is magnetic as a woman marauding through the Newport night after family pressures become too much Theatre is a laboratory where we put a character centre…

SOURCE: The Guardian at 07:48AM
Wednesday, August 21, 2019

Stephen Fry's Mythos review – a head-spinning marathon of legends by Mark Fisher

Festival theatre, EdinburghThe avuncular storytelling sage leavens seven-and-a-half-hours of myth-recounting with boyish enthusiasm and silly voices Stephen Fry is lying prostrate on the st…

SOURCE: The Guardian at 07:24AM
Tuesday, August 20, 2019

To Move in Time review – hypnotic tale of the time-traveller's strife by Mark Fisher

Summerhall, EdinburghTim Etchells’ thought experiment doggedly asks what if you could go back and right the wrongs of your past? Tim Etchells is surely a master of the late-night pub conve…

SOURCE: The Guardian at 05:33PM
Monday, August 19, 2019

Scene and heard: the Edinburgh shows fusing music and landscape by Mark Fisher

Drawing from folk music, Celtic myth – and a drunken night out, three plays are imbued with a deep sense of terrain Karine Polwart’s Wind Resistance, which makes a welcome return to Edin…

SOURCE: The Guardian at 03:36AM
Sunday, August 18, 2019

Before the Revolution review – a beguiling anatomy of Egypt's uprising by Mark Fisher

Summerhall, EdinburghAhmed El Attar’s bruising two-hander dives into the long lead-up to 2011 in an attempt to determine what causes mass revolt What causes a people to rise up? Is it a si…

SOURCE: The Guardian at 03:18PM
Friday, August 16, 2019

Oedipus review – Robert Icke's take exerts thriller-like grip by Mark Fisher

Kings theatre, EdinburghAn updating of Sophocles’ classic, set on election eve, has such political resonance you can imagine Boris Johnson not far away The play has hardly begun and alread…

SOURCE: The Guardian at 07:36AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic