Thursday, January 31, 2019
"This is a social justice issue": Maddy Costa talks to Naomi Alexander about community and participation as she relaunches Brighton People's Theatre.
The post A People’s Theatre for B…
SOURCE: exeuntmagazine.com at 09:14AMTuesday, October 2, 2018
Maddy Costa conducts an email dialogue with Annie Siddons about her new show Dennis of Penge, a triumphant narrative of addiction, recovery, and fighting the PIP system.
The post Annie Siddo…
SOURCE: exeuntmagazine.com at 04:00AMFriday, September 14, 2018
Penetrate the earth in the wrong way it will react. Penetrate the human body with enough daily violence and what...? Maddy Costa reviews Jo Bannon's new work as part of Unlimited Festival.
T…
SOURCE: exeuntmagazine.com at 03:45AMFriday, June 29, 2018
“Be a lady”: Maddy Costa reviews the Wooster Group's staging of when Normal Mailer met with 1970s feminists.
The post Review: The Town Hall Affair at Barbican appeared first on Exeunt Ma…
SOURCE: exeuntmagazine.com at 03:10AMSaturday, June 23, 2018
Power zaps like an electric current... Maddy Costa reviews Back to Back Theatre, as part of LIFT 2018.
The post Review: Lady Eats Apple at the Barbican appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:54AMFriday, June 8, 2018
Residue as runes: Maddy Costa reviews Gob Squad, as part of LIFT 2018.
The post Review: Creation (Pictures for Dorian) at the Southbank Centre appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 09:50AMMonday, June 4, 2018
Soho, LondonDressed in his warmest coat, his stash of pickles and crisps already eaten, four-year-old Ivan stands in a rubbish dump, gazing hungrily at a hole in the ground. Perhaps a woman …
SOURCE: The Guardian at 06:06AMTuesday, May 22, 2018
In the aftermath of the announcement that Lyn Gardner's Guardian contract is coming to an end, Maddy Costa writes on theatre world hierarchies and their resistance to change.
The post Theat…
SOURCE: exeuntmagazine.com at 04:14AMFriday, May 18, 2018
A celebration of the power of music to hold and communicate human history: Maddy Costa reviews a cabaret of songs banned by the Nazis.
The post Review: Effigies of Wickedness at Gate Theat…
SOURCE: exeuntmagazine.com at 03:23AMTuesday, May 15, 2018
'The movement of forks, the lifting of cups': Maddy Costa reviews Sabrina Shirazi's food and music related work-in-progress
The post Review: Choral Cuisine at Mayfest 2018 appeared first on …
SOURCE: exeuntmagazine.com at 10:53AMMonday, April 30, 2018
“Thank you for loving me.” Maddy Costa reviews Anthony Neilson's new play, which follows a couple's foundering sex life.
The post Review: The Prudes at the Royal Court appeared first on …
SOURCE: exeuntmagazine.com at 08:01AMTuesday, April 3, 2018
The bees are saved, and everybody listens: Maddy Costa reviews Tim Crouch's new show for children and adults.
The post Review: Beginners at the Unicorn Theatre appeared first on Exeunt Magaz…
SOURCE: exeuntmagazine.com at 03:55AMSunday, April 1, 2018
A magnolia paint job: Maddy Costa reviews the Royal Opera's adaptation of Neil Gaiman's story.
The post Review: Coraline at the Barbican appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 05:45AMWednesday, February 14, 2018
In the last of three articles, Maddy Costa explores how The Place involved dance fans in developing new work, and their conflicting expectations of the process.
The post Pivot: The Audience …
SOURCE: exeuntmagazine.com at 09:23AMWednesday, February 7, 2018
In the second of a trio of articles, Maddy Costa explores the difficulty of seeding new relationships between choreographers and producers.
The post Pivot Dance: Matchmaking Choreographers a…
SOURCE: exeuntmagazine.com at 03:51AMWednesday, January 31, 2018
In the first of a trio of articles, Maddy Costa explores The Place's three-pronged artist, producer, and audience development scheme.
The post Pivot: Dance Development at The Place appeared …
SOURCE: exeuntmagazine.com at 05:19AMTuesday, December 19, 2017
We all knew: Maddy Costa on a complex exploration of the refugee crisis.
The post Review: The Jungle at Young Vic appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 05:44AMWednesday, November 29, 2017
Evolving or revolving: Maddy Costa reviews Rachel Mars and nat tarrab's new roller derby inspired work.
The post Review: Roller at the Barbican appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:04AMMonday, November 20, 2017
What must women do to survive? Maddy Costa reviews the London premiere of David Greig's new version of Aeschylus.
The post Review: The Suppliant Women at the Young Vic appeared first on Exe…
SOURCE: exeuntmagazine.com at 03:40AMFriday, November 3, 2017
I want to tell her the baby does stop crying, eventually: Maddy Costa reviews the UK premiere of Magali Mougel's play about motherhood.
The post Review: Suzy Storck at the Gate Theatre appea…
SOURCE: exeuntmagazine.com at 04:46AMFriday, October 27, 2017
Me, Also Me, Placatory Me, Non-Judgemental Me and Impatient Me: Maddy Costa on Chris Thompson's new play about surrogacy.
The post Review: Of Kith and Kin at the Bush Theatre appeared first…
SOURCE: exeuntmagazine.com at 04:51AMWednesday, October 11, 2017
Work that wants to change people: Maddy Costa reviews Slung Low's Flood Parts 1 - 4.
The post Review: Flood at Victoria Dock, Hull appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 05:49AMThursday, October 5, 2017
Duke of York's, LondonAt the heart of Jeremy Dyson and Andy Nyman's Ghost Stories is a thought-provoking and emotionally moving proposition: that paranormal phenomena do exist, but they…
SOURCE: The Guardian at 05:36PMMonday, September 25, 2017
Soho Theatre, London More reviewsAll too often, the compressed, feverish atmosphere of the Edinburgh festival inspires not criticism but hyperbole. Shows transfer to London and wither in the…
SOURCE: The Guardian at 12:54PMThursday, August 31, 2017
The writer behind Matilda the musical and cult TV show Utopia is about to make his Royal Court debut. Not bad for a man who spent his 20s stacking shelves and fighting alcoholismSome people …
SOURCE: The Guardian at 02:36PMTuesday, July 25, 2017
A question of responsibility: Maddy Costa reviews Josette Bushell-Mingo performing at the Young Vic.
The post Review: Nina – A Story About Me and Nina Simone at the Young Vic appeared …
SOURCE: exeuntmagazine.com at 09:07AMMonday, July 10, 2017
A way of performing live music as theatre: Maddy Costa reviews the new KlangHaus show at the Royal Festival Hall.
The post Review: KlangHaus: 800 Breaths at the Southbank Centre appeared fi…
SOURCE: exeuntmagazine.com at 05:55AMThursday, June 22, 2017
How can theatre accommodate neurodiversity? Maddy Costa explores how Art with Heart's touring show 'Declaration' remagines relationships between artist, venue and audience.
The post Art wit…
SOURCE: exeuntmagazine.com at 07:41AMFriday, May 5, 2017
An experience of great satisfaction: Maddy Costa reviews Thomas Adès opera adaptation of Luis Buñuel's 1962 surrealist film.
The post Review: The Exterminating Angel at the Royal Opera Hou…
SOURCE: exeuntmagazine.com at 06:19PMMonday, April 3, 2017
Maddy Costa talks to alternative cabaret star Le Gateau Chocolat about puncturing drag stereotypes, making work about depression, and surviving in a world where “We have to keep fighting f…
SOURCE: exeuntmagazine.com at 03:33AMMonday, February 6, 2017
Busty Beatz, MD of Hot Brown Honey, is on residency at Wellcome Collection as part of The Sick Of The Fringe. She talks to Maddy Costa about making the personal political, and confronting We…
SOURCE: exeuntmagazine.com at 04:35AM 
