All stories by Luke Jennings on BroadwayStars

Saturday, November 16, 2013

Royal Ballet: Triple bill: Chroma/The Human Seasons/The Rite of Spring; Romeo and Juliet – review by Luke Jennings

The abiding image of Royal Ballet's triple bill is of manhandled womenThe Human Seasons, David Dawson's new work for the Royal Ballet, is almost as demanding of its audience's attention as i…

SOURCE: The Guardian at 07:05PM
Saturday, November 9, 2013

Richard Alston Dance Company – review by Luke Jennings

Barbican, LondonRichard Alston embraces Benjamin Britten's formal vision at a costIn Greek myth Phaedra is the wife of Theseus, who falls in love with her stepson, Hippolytus, and when he re…

SOURCE: The Guardian at 07:02PM
Saturday, November 2, 2013

Sun – review by Luke Jennings

Sadler's Wells, LondonHofesh Shechter's trademark interplay of politics and humour steers too close to whimsy in this lively new workHofesh Shechter's new work, Sun, kicks off with a typical…

SOURCE: The Guardian at 08:06PM

The 10 best dance numbers in films by Luke Jennings

From Bande à part to Little Miss Sunshine, Observer dance critic Luke Jennings picks his favourite dance numbers in filmsLuke Jennings

SOURCE: The Guardian at 01:00PM
Saturday, October 19, 2013

Le Corsaire – review by Luke Jennings

Milton Keynes theatreWith Le Corsaire – and its new star dancer – Tamara Rojo delivers in style for English National BalletLe Corsaire is the first full-length ballet commissioned by Tam…

SOURCE: The Guardian at 07:07PM
Saturday, October 12, 2013

Wayne McGregor/Random Dance: Atomos – review by Luke Jennings

Sadler's Wells, LondonA thrilling new full-length work from Wayne McGregor shares his awe at the nature of the universe and humanity's place in itIn a recent essay in the American magazine N…

SOURCE: The Guardian at 07:06PM
Saturday, October 5, 2013

Don Quixote – review by Luke Jennings

Royal Ballet, LondonCarlos Acosta's new production of the problematic ballet is flawed, but fixable. And besides, it's a lot of funOn the face of it, the decision by the Royal Ballet to comm…

SOURCE: The Guardian at 07:05PM
Saturday, September 28, 2013

Dracula – review by Luke Jennings

Tobacco Factory, BristolMark Bruce's deliciously droll adaptation of Dracula is a must-seeTranslating fiction into dance is dangerous. Cliched set pieces, plots shorn of nuance, naff pe…

SOURCE: The Guardian at 07:05PM
Saturday, September 21, 2013

Crystal Pite: the Canadian choreographer bringing a bold new mood to contemporary dance by Luke Jennings

The pioneering Canadian choreographer talks about the challenge of reinventing story-led dance for modern audiencesThere's a new spirit abroad in choreography. It offers us beauty and exhila…

SOURCE: The Guardian at 07:03PM

Justitia – review by Luke Jennings

Peacock theatre, LondonJasmin Vardimon's murder mystery is hampered by extraneous characters, bad sound and too much conceptual fogJasmin Vardimon is a fine observer of the minutiae of human…

SOURCE: The Guardian at 07:01PM
Saturday, September 14, 2013

GOlive – review by Luke Jennings

The Lion and Unicorn, LondonA festival of small-scale works presents a mixed bag in an unlikely venueThe GOlive dance and performance festival is the brainchild of George Sallis, director of…

SOURCE: The Guardian at 07:05PM
Saturday, September 7, 2013

West Side Story – review by Luke Jennings

Sadler's Wells, LondonThis sharp-edged revival of the tale of New York gangs is a joyOn the opening night of West Side Story in 1957, US supreme court justice Felix Frankfurter collared…

SOURCE: The Guardian at 07:05PM
Saturday, August 31, 2013

Groove on Down the Road – review by Luke Jennings

Queen Elizabeth Hall, LondonKate Prince's hip-hop Wizard of Oz set in a school blighted by government cuts is fast and fluent funThe concept behind ZooNation's hip-hop show Groove On Down th…

SOURCE: The Guardian at 07:06PM
Saturday, August 24, 2013

Bolshoi Ballet: The Flames of Paris – review by Luke Jennings

Royal Opera House, LondonThe dream team of Vasiliev and Osipova take this Soviet-era curio to new heightsIn the 1930s, the Soviet authorities commissioned a handful of choreographers to crea…

SOURCE: The Guardian at 07:05PM
Saturday, August 17, 2013

Bolshoi Ballet: Jewels; Swan Lake – review by Luke Jennings

Royal Opera House, LondonOlga Smirnova, the Bolshoi's newest star, is truly dazzlingJewels was created for New York City Ballet in 1967 by Balanchine, and was inspired by the choreographer's…

SOURCE: The Guardian at 07:05PM
Saturday, July 13, 2013

Coppélia – review by Luke Jennings

Coliseum, LondonRoland Petit's Coppélia opened in London last week, danced by Moscow's Stanislavsky Ballet and starring Sergei Polunin. It's not a good production. The original work, create…

SOURCE: The Guardian at 07:05PM
Saturday, July 6, 2013

Boston Ballet – review by Luke Jennings

Coliseum, LondonThe Boston Ballet have not visited London for 30 years, and a palpable excitement preceded the company's arrival last week. The company was founded in 1964, with the choreogr…

SOURCE: The Guardian at 07:06PM
Saturday, June 29, 2013

Friends – review by Luke Jennings

The Place, LondonWhen I was a dancer, I hated auditions where you had to sing. I only did a few, but even now, thinking about the long walk on to the stage, the bored pianist, and the half-d…

SOURCE: The Guardian at 07:05PM
Saturday, June 22, 2013

The Forsythe Company – review by Luke Jennings

Sadler's WellsThere's no exhilaration quite like that of a Forsythe Company evening. American choreographer William Forsythe is a visionary whose work demands serious engagement, and can nev…

SOURCE: The Guardian at 07:05PM
Saturday, June 15, 2013

Swan Lake – review by Luke Jennings

Royal Albert Hall, LondonEnglish National Ballet's Swan Lake in the round had its premiere in 1997. Choreographed by Derek Deane, then director of the company, it has been seen by more than …

SOURCE: The Guardian at 07:05PM
Saturday, June 8, 2013

The Oracle; Erhebung; Mayerling – review by Luke Jennings

Queen Elizabeth Hall; Rich Mix; Royal Opera House, LondonThe choreographer approaching The Rite of Spring is like the surfer approaching a giant wave. He, or she, risks obliteration – by t…

SOURCE: The Guardian at 07:05PM
Saturday, June 1, 2013

Raven Girl/Symphony in C; iTMOi – review by Luke Jennings

Royal Opera House; Sadler's Wells, LondonWhen the choreographer Wayne McGregor and the novelist Audrey Niffenegger decided to collaborate on "a new fairytale" for the Royal Ballet, it was a …

SOURCE: The Guardian at 07:05PM
Saturday, May 25, 2013

Bern Ballett: Witch-hunt – review by Luke Jennings

Linbury Studio, Royal Opera House, LondonWitch-hunt is a narrative ballet created by British choreographer Cathy Marston for Bern Ballett, the Swiss company she has directed since 2007. Mars…

SOURCE: The Guardian at 07:05PM
Saturday, May 18, 2013

Dublin dance festival 2013: Stravinsky Evening – review by Luke Jennings

Abbey theatre, DublinThe Dublin dance festival was launched in 2002, since when it has gone from strength to strength. Last week the 2013 festival opened with Stravinsky Evening, a double bi…

SOURCE: The Guardian at 07:05PM
Saturday, May 11, 2013

Hansel and Gretel – review by Luke Jennings

Linbury Studio, Royal Opera House, LondonFor the subject of his first full-evening ballet, Liam Scarlett takes the Brothers Grimm fairytale Hansel and Gretel, about two children imprisoned b…

SOURCE: The Guardian at 07:06PM
Saturday, May 4, 2013

Particle Velocity; La Bayadère – review by Luke Jennings

Connaught, Worthing; Royal Opera House, LondonPhoenix dance theatre is on a high. With new purpose-built premises in Leeds, and a charismatic director in Sharon Watson, the 10-strong ensembl…

SOURCE: The Guardian at 07:04PM
Sunday, April 28, 2013

Sexism in dance: where are all the female choreographers? by Luke Jennings

Want to be a ballerina? No problem. But any girl dreaming of a career in choreography had better mind the glass ceiling…As a nation we are well supplied with choreographers. Matthew Bourne…

SOURCE: The Guardian at 04:00AM

Four women choreographers doing it their way by Luke Jennings

From a sociopolitical sensation to an explorer of the tensions of motherhood, here are four women taking steps to upstage Britain's old boys' network• Why does the dance world keep creativ…

SOURCE: The Guardian at 04:00AM

Sexism in dance: where are all the female choreographers? by Luke Jennings

Want to be a ballerina? No problem. But any girl dreaming of a career in choreography had better mind the glass ceiling Continue reading...

SOURCE: The Guardian at 04:00AM

Four women choreographers doing it their way by Luke Jennings

From a sociopolitical sensation to an explorer of the tensions of motherhood, here are four women taking steps to upstage Britain's old boys' network• Why does the dance world keep creativ…

SOURCE: The Guardian at 04:00AM
Saturday, April 27, 2013

The Place prize; Mayerling – review by Luke Jennings

Robin Howard Dance Theatre; Royal Opera House, LondonLast week, the four finalists for the 2013 Place prize for choreography showed their work on the stage of the Robin Howard Dance Theatre.…

SOURCE: The Guardian at 07:05PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic