Monday, July 22, 2024
The Oakland concert found its footing as soon as the Tony Award winner and Disney princess voice returned to her musical theater roots.
SOURCE: San Francisco Chronicle at 01:34PMWednesday, July 10, 2024
The three-year-old Napa concert series inaugurated its summer season with not one, but two, “West Side Story” Anitas.
SOURCE: San Francisco Chronicle at 03:47PMMonday, July 8, 2024
The title character of Tim Rice and Andrew Lloyd Webber’s 1978 musical might recognize much in 2024’s election runup.
SOURCE: San Francisco Chronicle at 02:18PMSunday, July 7, 2024
“Who’s-Dead McCarthy: Stories by Kevin Barry” creeps into your mind, vine-like, and flowers.
SOURCE: San Francisco Chronicle at 02:01PMSaturday, July 6, 2024
Domenique Lozano’s adaptation of “Much Ado About Nothing” reveals Shakespeare as not some holy writ etched in stone but a bubbling lab ripe for experimentation.
SOURCE: San Francisco Chronicle at 03:01PMFriday, July 5, 2024
Venue changes, shaded seats and costume modifications are just some ways Bay Area theaters have learned to adapt amid a record-breaking heat wave.
SOURCE: San Francisco Chronicle at 08:28PMJohn O’Farrell and Karey and Wayne Kirkpatrick’s musical shadowboxes its way through key plot points and memorable shots from the 1993 Robin Williams film set in San Francisco.
SOURCE: San Francisco Chronicle at 03:25PMThursday, June 27, 2024
Jeremy Kareken and David Murrell’s adaptation of John D’Agata and Jim Fingal’s book fails as both a portrait of journalism and a work of theater.
SOURCE: San Francisco Chronicle at 09:19PMFriday, June 21, 2024
Octavio Solis’ reverse-migration sequel to John Steinbeck’s “Grapes of Wrath” feels as overladen as the Joad family jalopy.
SOURCE: San Francisco Chronicle at 02:55PMThursday, June 13, 2024
The Mission District theater is facing a perfect storm of increased costs from insurance, utilities, payroll and more.
SOURCE: San Francisco Chronicle at 08:34PMTuesday, June 11, 2024
The destruction of Pittsburg Theatre Company’s warehouse hasn’t stopped the company from opening “The Sunshine Boys” on Friday, June 14.
SOURCE: San Francisco Chronicle at 08:25PM‘Mother Road,’ a sequel of sorts to John Steinbeck’s ‘The Grapes of Wrath,’ imagines a latter-day reverse migration for Joad family descendants.
SOURCE: San Francisco Chronicle at 07:00AMSunday, June 9, 2024
Playwright Naomi Iizuka constructs exquisite clockworks over and over again in her Magic Theatre and Campo Santo world premiere set on the island of Borneo.
SOURCE: San Francisco Chronicle at 02:12PMFriday, June 7, 2024
At BroadwaySF, Marianne Elliott’s take on George Furth and Stephen Sondheim’s 1970 musical about singledom versus marriage bursts with ripe, juicy fruits.
SOURCE: San Francisco Chronicle at 03:42PMThursday, May 30, 2024
For all its heft, Stefano Massini’s play about the rise and fall of Lehman Brothers is a marvel of poetic restraint.
SOURCE: San Francisco Chronicle at 05:17PMWednesday, May 29, 2024
Joe Masteroff, John Kander and Fred Ebb’s musical is relevant whenever nationalism, groupthink and racial othering are on the rise, which seems to be always.
SOURCE: San Francisco Chronicle at 03:03PMFriday, May 24, 2024
“Best Available” centers on a fictional theater’s behind-the-scenes hiring process, and the script might make audiences wonder if they’re complicit.
SOURCE: San Francisco Chronicle at 02:52PMMountain Play, Santa Cruz Shakespeare and Circus Bella invite audiences to enjoy a live performance and eat a picnic, too.
SOURCE: San Francisco Chronicle at 07:00AMMonday, May 20, 2024
“Swept Away,” featuring music by folk rock band the Avett Brothers, was among the first big theatrical projects to premiere in the Bay Area after the pandemic’s worst days.
SOURCE: San Francisco Chronicle at 02:14PMSaturday, May 18, 2024
The high concept of “A Kind of Knowing” is the modus operandi of the 22-year-old Santa Rosa troupe.
SOURCE: San Francisco Chronicle at 02:27PMThursday, May 16, 2024
Performances, including by four-time Tony Award nominee Raúl Esparza in the title role, only partially redeem the world-premiere musical.
SOURCE: San Francisco Chronicle at 04:42PMThursday, May 9, 2024
Director Jeffrey Lo reveals Tennessee Williams’ 1944 masterpiece as a wide, ripe canvas.
SOURCE: San Francisco Chronicle at 03:43PMThursday, May 2, 2024
Kassandra Production’s “The Soul Catcher” might make you start to rethink the relationships in your own life.
SOURCE: San Francisco Chronicle at 05:02PMTuesday, April 30, 2024
Shana Carroll, of the 7 Fingers and “Dear San Francisco” at Club Fugazi, spoke to the Chronicle about her Tony nod for choreographing “Water for Elephants” on Broadway.
SOURCE: San Francisco Chronicle at 07:32PMMonday, April 29, 2024
In Amelio Garcia’s play, inspired by Anne Carson’s verse novel, actor Romeo Chandler is a live wire who might spark trifles and slights or wisdom and poetry.
SOURCE: San Francisco Chronicle at 02:37PMSaturday, April 27, 2024
Walking Cinema’s “The Fillmore Eclipse” is set in a 1950s jazz joint the night before its bulldozing.
SOURCE: San Francisco Chronicle at 02:09PMThursday, April 25, 2024
Michael R. Jackson’s West Coast premiere at the Toni Rembe Theater in San Francisco summons the gods of lighting, music, set design and costume.
SOURCE: San Francisco Chronicle at 02:42PMTuesday, April 16, 2024
Witnessing Ghassan Kanafani’s 1969 barn burner onstage is like discovering a midcentury classic.
SOURCE: San Francisco Chronicle at 04:32PMSunday, April 14, 2024
In Torange Yeghizaran’s world premiere, three characters fill the playing space to bursting.
SOURCE: San Francisco Chronicle at 02:52PMWednesday, April 10, 2024
Mike Lew’s comedy at TheatreWorks Silicon Valley is balm for any thwarted adult who’s ever fantasized, “I’m gonna yell at my mom like a white girl.”
SOURCE: San Francisco Chronicle at 03:11PMTuesday, April 9, 2024
Pieces such as S.F. Ballet’s ‘Mere Mortals’ help us understand our place in the ChatGPT era.
SOURCE: San Francisco Chronicle at 07:00AM 
