Almost every cast member unveils something new and delicious in Rotimi Agbabiaka’s production of Shakespeare’s island-set play.
SOURCE: San Francisco Chronicle at 03:57PMLeontyne Mbele-Mbong and Michael Torres are so good in this “echo” of “Macbeth” that you might realize you never fully understood Shakespeare’s tragedy before.
SOURCE: San Francisco Chronicle at 12:46PMWith San Francisco Shakespeare Festival, Edris Cooper-Anifowoshe is playing Prospero, the spell-casting lead in “The Tempest,” as her first Shakespeare performance.
SOURCE: San Francisco Chronicle at 05:00PMDirector Susan Dalian sets the tragedy in the Kennedy era, when women wore their hair shellacked around their heads, like Christmas ornaments.
SOURCE: San Francisco Chronicle at 01:52PMPerhaps not since 2021 has a work of Shakespeare seemed so apt to help us understand an extraordinary political moment.
SOURCE: San Francisco Chronicle at 10:34PMThe Oakland concert found its footing as soon as the Tony Award winner and Disney princess voice returned to her musical theater roots.
SOURCE: San Francisco Chronicle at 01:34PMThe three-year-old Napa concert series inaugurated its summer season with not one, but two, “West Side Story” Anitas.
SOURCE: San Francisco Chronicle at 03:47PMThe title character of Tim Rice and Andrew Lloyd Webber’s 1978 musical might recognize much in 2024’s election runup.
SOURCE: San Francisco Chronicle at 02:18PM“Who’s-Dead McCarthy: Stories by Kevin Barry” creeps into your mind, vine-like, and flowers.
SOURCE: San Francisco Chronicle at 02:01PMDomenique Lozano’s adaptation of “Much Ado About Nothing” reveals Shakespeare as not some holy writ etched in stone but a bubbling lab ripe for experimentation.
SOURCE: San Francisco Chronicle at 03:01PMVenue changes, shaded seats and costume modifications are just some ways Bay Area theaters have learned to adapt amid a record-breaking heat wave.
SOURCE: San Francisco Chronicle at 08:28PMJohn O’Farrell and Karey and Wayne Kirkpatrick’s musical shadowboxes its way through key plot points and memorable shots from the 1993 Robin Williams film set in San Francisco.
SOURCE: San Francisco Chronicle at 03:25PMJeremy Kareken and David Murrell’s adaptation of John D’Agata and Jim Fingal’s book fails as both a portrait of journalism and a work of theater.
SOURCE: San Francisco Chronicle at 09:19PMOctavio Solis’ reverse-migration sequel to John Steinbeck’s “Grapes of Wrath” feels as overladen as the Joad family jalopy.
SOURCE: San Francisco Chronicle at 02:55PMThe Mission District theater is facing a perfect storm of increased costs from insurance, utilities, payroll and more.
SOURCE: San Francisco Chronicle at 08:34PMThe destruction of Pittsburg Theatre Company’s warehouse hasn’t stopped the company from opening “The Sunshine Boys” on Friday, June 14.
SOURCE: San Francisco Chronicle at 08:25PM‘Mother Road,’ a sequel of sorts to John Steinbeck’s ‘The Grapes of Wrath,’ imagines a latter-day reverse migration for Joad family descendants.
SOURCE: San Francisco Chronicle at 07:00AMPlaywright Naomi Iizuka constructs exquisite clockworks over and over again in her Magic Theatre and Campo Santo world premiere set on the island of Borneo.
SOURCE: San Francisco Chronicle at 02:12PMAt BroadwaySF, Marianne Elliott’s take on George Furth and Stephen Sondheim’s 1970 musical about singledom versus marriage bursts with ripe, juicy fruits.
SOURCE: San Francisco Chronicle at 03:42PMFor all its heft, Stefano Massini’s play about the rise and fall of Lehman Brothers is a marvel of poetic restraint.
SOURCE: San Francisco Chronicle at 05:17PMJoe Masteroff, John Kander and Fred Ebb’s musical is relevant whenever nationalism, groupthink and racial othering are on the rise, which seems to be always.
SOURCE: San Francisco Chronicle at 03:03PM“Best Available” centers on a fictional theater’s behind-the-scenes hiring process, and the script might make audiences wonder if they’re complicit.
SOURCE: San Francisco Chronicle at 02:52PMMountain Play, Santa Cruz Shakespeare and Circus Bella invite audiences to enjoy a live performance and eat a picnic, too.
SOURCE: San Francisco Chronicle at 07:00AM“Swept Away,” featuring music by folk rock band the Avett Brothers, was among the first big theatrical projects to premiere in the Bay Area after the pandemic’s worst days.
SOURCE: San Francisco Chronicle at 02:14PMThe high concept of “A Kind of Knowing” is the modus operandi of the 22-year-old Santa Rosa troupe.
SOURCE: San Francisco Chronicle at 02:27PMPerformances, including by four-time Tony Award nominee Raúl Esparza in the title role, only partially redeem the world-premiere musical.
SOURCE: San Francisco Chronicle at 04:42PMDirector Jeffrey Lo reveals Tennessee Williams’ 1944 masterpiece as a wide, ripe canvas.
SOURCE: San Francisco Chronicle at 03:43PMKassandra Production’s “The Soul Catcher” might make you start to rethink the relationships in your own life.
SOURCE: San Francisco Chronicle at 05:02PMShana Carroll, of the 7 Fingers and “Dear San Francisco” at Club Fugazi, spoke to the Chronicle about her Tony nod for choreographing “Water for Elephants” on Broadway.
SOURCE: San Francisco Chronicle at 07:32PMIn Amelio Garcia’s play, inspired by Anne Carson’s verse novel, actor Romeo Chandler is a live wire who might spark trifles and slights or wisdom and poetry.
SOURCE: San Francisco Chronicle at 02:37PMWalking Cinema’s “The Fillmore Eclipse” is set in a 1950s jazz joint the night before its bulldozing.
SOURCE: San Francisco Chronicle at 02:09PM