Saturday, September 7, 2024
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural practices. It is future-focused and based on human rights, specifically, the right to perfor…
SOURCE: thetheatretimes.com at 01:22PMMonday, July 15, 2024
How do we train students for to work within landscapes that are rapidly changing and for theatre of future that does not exist yet and already is an accumulation of multiple-multi-things? In…
SOURCE: thetheatretimes.com at 06:34AMMonday, April 8, 2024
Europa jest wielojęzyczna. Europe – as a geopolitical concept, its residents, communities, and countries – is a multilingual space where people communicate in multiple languages such as…
SOURCE: thetheatretimes.com at 10:55AMWednesday, February 28, 2024
The growing levels of migration results in an increasing number of children across Europe growing up in multilingual families (Armon-Lotem and Jong de 1), in which they may or may not share …
SOURCE: thetheatretimes.com at 03:55PMSaturday, January 27, 2024
Written by Magda Romanska and Kasia Lech All theatre is local. All theatre is global. Both statements are true: theatre has always been and continues to be a vehicle for national identity f…
SOURCE: thetheatretimes.com at 03:44PMThursday, September 7, 2023
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work here. Over the past two decades, Poles have become the largest minority in Ireland, the Poli…
SOURCE: thetheatretimes.com at 07:41AMFriday, June 16, 2023
European Theatre Convention published a new study, Digital Theatre – Strategies and Business Models in European Theatre. Kasia Lech speaks to its author Katie Hawthorne, whose doctoral the…
SOURCE: thetheatretimes.com at 12:13AMFriday, April 21, 2023
Paulien Geerlings is the head dramaturg at Amsterdam’s The Toneelmakerij, a theatre company devoted to children and teens. Currently, she serves as the artistic lead of Young Europe IV. …
SOURCE: thetheatretimes.com at 06:19AMTuesday, March 7, 2023
Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer working with Belarus Free Theatre and Young Vic. Her work focuses on the intersection of act…
SOURCE: thetheatretimes.com at 07:49AMTuesday, March 29, 2022
The World Theatre Day Message from the Polish Centre of the ITI was delivered by Dramatyczny Kolektyw in Polish, Ukrainian, and English. It states: When we think “theatre” today, an imag…
SOURCE: thetheatretimes.com at 10:32AMWednesday, June 9, 2021
AURIC (Songs from a Golden Age) at the Brighton Fringe is a unique aural journey and experience that – if not for Covid – would be ideally performed live in a church, or a cave, or any …
SOURCE: thetheatretimes.com at 05:42PMWednesday, April 28, 2021
Krzysztof Warlikowski’s Nowy Theatre in Warsaw together with Komuna/Warszawa, La Comedie de Clermont Ferrand, and Athens Epidaurus Festival has announced a call for participants in the Sec…
SOURCE: thetheatretimes.com at 07:29AMFriday, March 12, 2021
While theatre in its early days existed in a strong relationship with verse, the social, cultural, and technological developments of the eighteenth- and nineteenth centuries strained the tie…
SOURCE: thetheatretimes.com at 10:50AMWednesday, January 6, 2021
On Saturday 9th of January, Polish National Theatre will stream its 2015 production of Kordian by Juliusz Słowacki. The streaming will be accompanied by English surtitles. The production …
SOURCE: thetheatretimes.com at 07:17PM 
