Sousatzka, simply and sadly put, is an overproduced, overcomplicated mess, hobbled by a weak book and lyrics and even weaker music.
SOURCE: Toronto Star at 10:57PMJudith Thompson's production of The Crackwalker, a reworking of her 1980 play, does not correct the exoticization of aboriginal people, but in fact extends it, writes reviewer Karen Fricker
SOURCE: Toronto Star at 05:06PMLow-key production, staged in Videofag’s front room, doesn’t mind getting meta.
SOURCE: Toronto Star at 04:03PMBut the play, now on at Tarragon Theatre, leaves darker themes unexplored.
SOURCE: Toronto Star at 04:36PM