Friday, March 16, 2018
The Old English epic poem Beowulf is given a fun, metafictional update in Seth Kriebel’s new show. Combining elements of the Oregon
SOURCE: The Stage Registration at 10:38AMMonday, March 5, 2018
Night clubbers, taxidermy and a decapitated head in a box: Ka Bradley reviews the Marc Bruce Company's dance adaptation of Shakespeare's tragedy
The post Review: Macbeth at Wilton’s Mu…
SOURCE: exeuntmagazine.com at 04:03AMThursday, February 22, 2018
Where the wild things are: Coney's new show immerses you in the imaginations of children.
The post Review: The Droves at CoLab Factory appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 06:42AMThursday, February 8, 2018
Taking place in ND2, an office block a short walk from the New Diorama, Gruff Theatre’s It Made Me Consider Me is
SOURCE: The Stage Registration at 11:33AMWednesday, February 7, 2018
Sparkling moments and a bewildering storyline: Ka Bradley reviews The Guild of Misrule and Theatre Deli's immersive show based on Peter Pan.
The post Review: NeverLand at Vault Festival 2018…
SOURCE: exeuntmagazine.com at 03:22PMTuesday, February 6, 2018
Absurdity in the commonplace: Ka Bradley reviews the Jakop Ahlbom Company, as part of London Mime Festive 2018
The post Review: Lebensraum at the Peacock Theatre appeared first on Exeunt Mag…
SOURCE: exeuntmagazine.com at 05:36AMMonday, January 29, 2018
Art in its purest state: Ka Bradley unpicks the intensely weird power of Peeping Tom's show.
The post Review: Mother at London International Mime Festival appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 03:51AMTuesday, January 23, 2018
Ka Bradley reviews Some People Say, Father Figurine and Reclaim the word slut! as part of Resolution 2018.
The post Review: Resolution, 19 January appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:15AMThursday, January 18, 2018
Asylum seeker Serge (Ncuti Gatwa) greets the audience with an effusive speech about storytelling. He is joined by Nick Blakeley as A,
SOURCE: The Stage Registration at 08:16AMMonday, January 8, 2018
Hanna’s daughter Ellie is not her birth daughter. After a mix-up at the hospital, she returned to the ex-council house that she
SOURCE: The Stage Registration at 07:43AMMonday, December 18, 2017
In Jack London’s 1906 novel White Fang, the eponymous wolf puppy loses his family, is brutalised by the society he joins but
SOURCE: The Stage Registration at 11:59AMTuesday, December 5, 2017
Shaun Kitchener’s Christmas Farce, set in the green room of a contemporary retelling of the Nativity on press night, is rife with “Ooh,
SOURCE: The Stage Registration at 10:37AMMonday, December 4, 2017
There’s something quite frantic and stressful about trying to have a sexy time... Ka Bradley on House of Kittens and erotic storytelling.
The post Review: Menagerie by House of Kittens ap…
SOURCE: exeuntmagazine.com at 04:28AMSunday, November 12, 2017
The town is an everytown – judging by the accents, it could be anywhere in Britain or America. The set gives no
SOURCE: The Stage Registration at 07:32AMMonday, October 30, 2017
It is an often exhausting cliche that a play about a young woman finding happiness in herself and in her community must
SOURCE: The Stage Registration at 07:32AMSaturday, October 28, 2017
A flirtatious, provoking piece: Ka Bradley reviews Eun-Me Ahn's work exploring identity and androgyny at Dance Umbrella 2017.
The post Review: Let Me Change Your Name at The Place appeared f…
SOURCE: exeuntmagazine.com at 07:35AMFriday, October 20, 2017
Three figures face the audience from a circle of pebbles, shells, dried seaweed and other sea debris. Mab (Jessica Carroll), clad in
SOURCE: The Stage Registration at 07:06AMTuesday, October 17, 2017
The duality of space, or how not to catch a Lapras: Ka Bradley reviews Charlotte Spencer Projects' immersive piece on a disused site near London City Airport.
The post Review: Is This A Wast…
SOURCE: exeuntmagazine.com at 04:42AMTuesday, October 10, 2017
If you just really, really want to run around pretending you’re a vampire, this is for you: Ka Bradley reviews immersive theatre by Hammer House of Horror.
The post Review: Hammer House of…
SOURCE: exeuntmagazine.com at 02:53AMSunday, October 1, 2017
Women turned into monsters: Ka Bradley reviews 27 degrees' exploration of the Medusa myth.
The post Review: Medusa at Thames Tunnels appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 06:26AMFriday, September 29, 2017
Calling a play about artificial insemination Turkey is the set-up for a bawdy comedy. Fair warning: if you go in for cheap
SOURCE: The Stage Registration at 08:17AMFriday, September 15, 2017
Shot through with nervous, defiant ecstasy: Ka Bradley reviews Hofesh Shechter's new work based on the apocalypse.
The post Review: Grand Finale at Sadler’s Wells appeared first on Exe…
SOURCE: exeuntmagazine.com at 10:16AMThursday, August 17, 2017
Well-meaning but clumsily delivered: Ka Bradley reviews Cirkus Cirkör's new work inspired by the migrant crisis.
The post Review: Limits at the Royal Festival Hall appeared first on Exeunt…
SOURCE: exeuntmagazine.com at 03:29AMMonday, August 14, 2017
Lost amongst the swarm: Ka Bradley reviews an 'enigmatic and complex' new work by Wayne McGregor.
The post Review: +/- Human at the Roundhouse appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 08:37AMFriday, August 11, 2017
Mind the fake blood and bring cash for the bar: Ka Bradley reviews the latest show from Secret Studio Lab based on [redacted].
The post Review: Secret Theatre: Project Mayhem appeared first…
SOURCE: exeuntmagazine.com at 05:17AMMonday, August 7, 2017
The queue outside the Playhouse, Wilderness Festival’s intimate, blue-domed theatre, is 50-people deep as early as 40 minutes before the start of
SOURCE: The Stage Registration at 07:00AMWednesday, July 12, 2017
A very specific evolutionary niche: Ka Bradley reviews Figs in Wigs at the Battersea Arts Centre.
The post Review: Often Onstage at the BAC appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 03:13AMWednesday, July 5, 2017
We couldn't, and yet, we do: Ka Bradley reviews les ballets C de la B performing Alain Platel's work inspired by Gustav Mahler.
The post Review: nicht schlafen at Sadler’s Wells appear…
SOURCE: exeuntmagazine.com at 04:11AMMonday, June 5, 2017
Jars the audience like a slap on the arse: Ka Bradley reviews a series of three new works, including one by Liz Aggiss.
The post Review: Nora Invites at Sadler’s Wells appeared fir…
SOURCE: exeuntmagazine.com at 11:21AMMonday, May 29, 2017
So much heavy breathing: Ka Bradley reviews Darren Johnston's new work at the Barbican.
The post Review: Zero Point at the Barbican appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 08:51AMWednesday, May 17, 2017
This Is Not Culturally Significant is a one-man show performed by a nude man. But there’s more to it than shock value
SOURCE: The Stage Registration at 07:58AM 
