All stories by Ka Bradley on BroadwayStars

Monday, November 12, 2018

Gilded Butterflies review at Hope Theatre, London – ‘quiet power’ by Ka Bradley

A woman is lying on a meagre camp bed in a small space marked out in white lines, wearing an orange prison

Linked From The Stage Registration at 06:23AM

Review: Imagined Touch at Barbican by Ka Bradley

'Bafflement, interest and curiosity': Ka Bradley writes on Jodee Mundee's immersive insight into the lives of deafblind people. The post Review: Imagined Touch at Barbican appeared first on …

Linked From exeuntmagazine.com at 03:12AM
Friday, September 14, 2018

An Execution (by Invitation Only) review at Camden People’s Theatre, London – ‘exquisitely crafted silliness’ by Ka Bradley

Paper walls like sliding Japanese doors, a white floor, a sturdy green door. There’s a single high window though which a bewigged

Linked From The Stage Registration at 06:49AM
Friday, August 10, 2018

A Little Hero review at White Bear Theatre, London – ‘radical but not convincing’ by Ka Bradley

A Little Hero’s subversive power is contextually enormous. As it contains frank discussions of homosexuality, under Russia’s 2013 so-called ‘gay propaganda’ laws,

Linked From The Stage Registration at 08:14AM
Tuesday, July 31, 2018

Review: Autobiography at Sadler’s Wells by Ka Bradley

Wayne McGregor's Autobiography places privacy at the heart of the public performance. The post Review: Autobiography at Sadler’s Wells appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 04:26AM
Tuesday, July 24, 2018

Review: East Wall at Tower of London by Ka Bradley

'A celebration of the blood and guts': Ka Bradley reviews Hofesh Shechter Company's collaboration with over 100 young dancers. The post Review: East Wall at Tower of London appeared first …

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Saturday, June 23, 2018

Review: AϕE: Whist at Sadler’s Wells by Ka Bradley

'Here I am, and they’re eating me': Ka Bradley reviews a dance work that makes use of virtual reality technology. The post Review: AϕE: Whist at Sadler’s Wells appeared first on Exe…

Linked From exeuntmagazine.com at 10:28AM
Saturday, June 16, 2018

Review: Smack That (a conversation) at Barbican by Ka Bradley

'We’re all Beverlys here': Ka Bradley reviews Rhiannon Faith's dance-based work about domestic abuse. The post Review: Smack That (a conversation) at Barbican appeared first on Exeunt Ma…

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Friday, May 18, 2018

In the Shadow of the Mountain review at Old Red Lion Theatre – ‘crackling dialogue’ by Ka Bradley

Felicity Huxley-Miners’s ‘mental health comedy’ In the Shadow of the Mountain is an energetic but unpersuasive exploration of love in the time

Linked From The Stage Registration at 12:42PM
Monday, April 30, 2018

Review: TORO: Beauty and the Bull at Sadler’s Wells by Ka Bradley

An all too real horror story: Ka Bradley reviews DeNada Dance Theatre's radical rewrite of the famous fairytale The post Review: TORO: Beauty and the Bull at Sadler’s Wells appeared fi…

Linked From exeuntmagazine.com at 03:50AM
Saturday, April 28, 2018

Review: Alleyne Dance/James Finnemore at The Place by Ka Bradley

Abstract and emotionally rich: Ka Bradley reviews a double bill of new dance works 'A Night’s Game' and 'TERRA' The post Review: Alleyne Dance/James Finnemore at The Place appeared first …

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Monday, April 23, 2018

Review: An Evening of Meat at The Vaults by Ka Bradley

Female sensuality is silence and underwear: Ka Bradley reviews an immersive-dining experience billed as a 'feast of fierce femininity'. The post Review: An Evening of Meat at The Vaults appe…

Linked From exeuntmagazine.com at 03:39AM
Tuesday, March 20, 2018

Review: Ballet Black Double Bill at the Barbican by Ka Bradley

A teasing sext to the benchmarks of ballet: Ka Bradley reviews The Suit, and A Dream Within A Midsummer Night’s Dream. The post Review: Ballet Black Double Bill at the Barbican appeared f…

Linked From exeuntmagazine.com at 04:22AM
Friday, March 16, 2018

Beowulf review at Battersea Arts Centre, London – ‘an intelligent, interactive version’ by Ka Bradley

The Old English epic poem Beowulf is given a fun, metafictional update in Seth Kriebel’s new show. Combining elements of the Oregon

Linked From The Stage Registration at 10:38AM
Monday, March 5, 2018

Review: Macbeth at Wilton’s Music Hall by Ka Bradley

Night clubbers, taxidermy and a decapitated head in a box: Ka Bradley reviews the Marc Bruce Company's dance adaptation of Shakespeare's tragedy The post Review: Macbeth at Wilton’s Mu…

Linked From exeuntmagazine.com at 04:03AM
Thursday, February 22, 2018

Review: The Droves at CoLab Factory by Ka Bradley

Where the wild things are: Coney's new show immerses you in the imaginations of children. The post Review: The Droves at CoLab Factory appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 06:42AM
Thursday, February 8, 2018

It Made Me Consider review at New Diorama, London – ‘uncanny interactive theatre’ by Ka Bradley

Taking place in ND2, an office block a short walk from the New Diorama, Gruff Theatre’s It Made Me Consider Me is

Linked From The Stage Registration at 11:33AM
Wednesday, February 7, 2018

Review: NeverLand at Vault Festival 2018 by Ka Bradley

Sparkling moments and a bewildering storyline: Ka Bradley reviews The Guild of Misrule and Theatre Deli's immersive show based on Peter Pan. The post Review: NeverLand at Vault Festival 2018…

Linked From exeuntmagazine.com at 03:22PM
Tuesday, February 6, 2018

Review: Lebensraum at the Peacock Theatre by Ka Bradley

Absurdity in the commonplace: Ka Bradley reviews the Jakop Ahlbom Company, as part of London Mime Festive 2018 The post Review: Lebensraum at the Peacock Theatre appeared first on Exeunt Mag…

Linked From exeuntmagazine.com at 05:36AM
Monday, January 29, 2018

Review: Mother at London International Mime Festival by Ka Bradley

Art in its purest state: Ka Bradley unpicks the intensely weird power of Peeping Tom's show. The post Review: Mother at London International Mime Festival appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 03:51AM
Tuesday, January 23, 2018

Review: Resolution, 19 January by Ka Bradley

Ka Bradley reviews Some People Say, Father Figurine and Reclaim the word slut! as part of Resolution 2018. The post Review: Resolution, 19 January appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 04:15AM
Thursday, January 18, 2018

The Claim review at Shoreditch Town Hall, London – ‘linguistically arresting’ by Ka Bradley

Asylum seeker Serge (Ncuti Gatwa) greets the audience with an effusive speech about storytelling. He is joined by Nick Blakeley as A,

Linked From The Stage Registration at 08:16AM
Monday, January 8, 2018

Hanna review at Arcola Theatre, London – ‘a performance of energy and humanity’ by Ka Bradley

Hanna’s daughter Ellie is not her birth daughter. After a mix-up at the hospital, she returned to the ex-council house that she

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Monday, December 18, 2017

White Fang review at Park Theatre, London – ‘lush and immersive’ by Ka Bradley

In Jack London’s 1906 novel White Fang, the eponymous wolf puppy loses his family, is brutalised by the society he joins but

Linked From The Stage Registration at 11:59AM
Tuesday, December 5, 2017

Christmas Farce review at Waterloo East Theatre, London – ‘forced silliness’ by Ka Bradley

Shaun Kitchener’s Christmas Farce, set in the green room of a contemporary retelling of the Nativity on press night, is rife with “Ooh,

Linked From The Stage Registration at 10:37AM
Monday, December 4, 2017

Review: Menagerie by House of Kittens by Ka Bradley

There’s something quite frantic and stressful about trying to have a sexy time... Ka Bradley on House of Kittens and erotic storytelling. The post Review: Menagerie by House of Kittens ap…

Linked From exeuntmagazine.com at 04:28AM
Sunday, November 12, 2017

Flycatcher review at the Hope Theatre, London – ‘interestingly unnerving’ by Ka Bradley

The town is an everytown – judging by the accents, it could be anywhere in Britain or America. The set gives no

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Monday, October 30, 2017

Joy review at Theatre Royal Stratford East, London – ‘engaging and thought-provoking’ by Ka Bradley

It is an often exhausting cliche that a play about a young woman finding happiness in herself and in her community must

Linked From The Stage Registration at 07:32AM
Saturday, October 28, 2017

Review: Let Me Change Your Name at The Place by Ka Bradley

A flirtatious, provoking piece: Ka Bradley reviews Eun-Me Ahn's work exploring identity and androgyny at Dance Umbrella 2017. The post Review: Let Me Change Your Name at The Place appeared f…

Linked From exeuntmagazine.com at 07:35AM
Friday, October 20, 2017

Fishskin Trousers review at Park Theatre, London – ‘rhapsodic’ by Ka Bradley

Three figures face the audience from a circle of pebbles, shells, dried seaweed and other sea debris. Mab (Jessica Carroll), clad in

Linked From The Stage Registration at 07:06AM
Tuesday, October 17, 2017

Review: Is This A Wasteland? at Dance Umbrella by Ka Bradley

The duality of space, or how not to catch a Lapras: Ka Bradley reviews Charlotte Spencer Projects' immersive piece on a disused site near London City Airport. The post Review: Is This A Wast…

Linked From exeuntmagazine.com at 04:42AM

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