Close Login Box
Anyone who has ever seen a TED Talk will be familiar with the mannerisms used by Little Bulb in its new show
Some words are more loaded than others. During my hour and a half experiencing Dismantle This Room at the Royal Court Theatre,
There are a few seats at the edges of the room, but otherwise it’s standing room only, the audience gathered around three
Linbury theatre, Royal Opera House, LondonWorks by Marcos Morau, Fernando Melo and Caroline Finn make for an enjoyably ambitious triple bill
Awakening marks only the second time that Nationa…
Battersea Arts Centre, LondonFrom their half-baked moves to a fine display of stressful yoga, Figs in Wigs delight in making a virtue of their flawsOften Onstage begins at the end, opening o…
Jennifer Tang’s Ghost Girl // Gwei Mui feels like a mood board rather than a finished play. There’s a lot of interesting
The performers are 'like cultured magpies, drawing together a soundtrack of found media and famous scenes': Ka Bradley writes on dance duo Thick & Tight's triple bill.
The post Review: …
The basement of CoLab Factory is the perfect setting for Mechanical Thought’s immersive production set in 1941. Four main rooms – a
A woman is lying on a meagre camp bed in a small space marked out in white lines, wearing an orange prison
'Bafflement, interest and curiosity': Ka Bradley writes on Jodee Mundee's immersive insight into the lives of deafblind people.
The post Review: Imagined Touch at Barbican appeared first on …
Paper walls like sliding Japanese doors, a white floor, a sturdy green door. There’s a single high window though which a bewigged
A Little Hero’s subversive power is contextually enormous. As it contains frank discussions of homosexuality, under Russia’s 2013 so-called ‘gay propaganda’ laws,
Wayne McGregor's Autobiography places privacy at the heart of the public performance.
The post Review: Autobiography at Sadler’s Wells appeared first on Exeunt Magazine.
'A celebration of the blood and guts': Ka Bradley reviews Hofesh Shechter Company's collaboration with over 100 young dancers.
The post Review: East Wall at Tower of London appeared first …
'Here I am, and they’re eating me': Ka Bradley reviews a dance work that makes use of virtual reality technology.
The post Review: AϕE: Whist at Sadler’s Wells appeared first on Exe…
'We’re all Beverlys here': Ka Bradley reviews Rhiannon Faith's dance-based work about domestic abuse.
The post Review: Smack That (a conversation) at Barbican appeared first on Exeunt Ma…
Felicity Huxley-Miners’s ‘mental health comedy’ In the Shadow of the Mountain is an energetic but unpersuasive exploration of love in the time
An all too real horror story: Ka Bradley reviews DeNada Dance Theatre's radical rewrite of the famous fairytale
The post Review: TORO: Beauty and the Bull at Sadler’s Wells appeared fi…
Abstract and emotionally rich: Ka Bradley reviews a double bill of new dance works 'A Night’s Game' and 'TERRA'
The post Review: Alleyne Dance/James Finnemore at The Place appeared first …
Female sensuality is silence and underwear: Ka Bradley reviews an immersive-dining experience billed as a 'feast of fierce femininity'.
The post Review: An Evening of Meat at The Vaults appe…
A teasing sext to the benchmarks of ballet: Ka Bradley reviews The Suit, and A Dream Within A Midsummer Night’s Dream.
The post Review: Ballet Black Double Bill at the Barbican appeared f…
The Old English epic poem Beowulf is given a fun, metafictional update in Seth Kriebel’s new show. Combining elements of the Oregon
Night clubbers, taxidermy and a decapitated head in a box: Ka Bradley reviews the Marc Bruce Company's dance adaptation of Shakespeare's tragedy
The post Review: Macbeth at Wilton’s Mu…
Where the wild things are: Coney's new show immerses you in the imaginations of children.
The post Review: The Droves at CoLab Factory appeared first on Exeunt Magazine.
Taking place in ND2, an office block a short walk from the New Diorama, Gruff Theatre’s It Made Me Consider Me is
Sparkling moments and a bewildering storyline: Ka Bradley reviews The Guild of Misrule and Theatre Deli's immersive show based on Peter Pan.
The post Review: NeverLand at Vault Festival 2018…
Absurdity in the commonplace: Ka Bradley reviews the Jakop Ahlbom Company, as part of London Mime Festive 2018
The post Review: Lebensraum at the Peacock Theatre appeared first on Exeunt Mag…
Art in its purest state: Ka Bradley unpicks the intensely weird power of Peeping Tom's show.
The post Review: Mother at London International Mime Festival appeared first on Exeunt Magazine.
Ka Bradley reviews Some People Say, Father Figurine and Reclaim the word slut! as part of Resolution 2018.
The post Review: Resolution, 19 January appeared first on Exeunt Magazine.
Asylum seeker Serge (Ncuti Gatwa) greets the audience with an effusive speech about storytelling. He is joined by Nick Blakeley as A,
Hanna’s daughter Ellie is not her birth daughter. After a mix-up at the hospital, she returned to the ex-council house that she