The term “op traken” is Norwegian, and describes the act of a skier swiftly jumping and tucking their legs beneath them in
SOURCE: The Stage Registration at 01:20PMOpening 2020’s London International Mime Festival, This Time by Ockham’s Razor is a mellow, gentle piece – a surprising quality in a
SOURCE: The Stage Registration at 09:55AMIn Lulu Raczka’s adaptation of Antigone, Sophocles’ tragedy about duty, pride and stubborn resolve, the relationship between sisters Antigone and Ismene takes
SOURCE: The Stage Registration at 06:35AMIn Amanda Lomas’ adaptation of Hunger, a young student, with dreams of becoming a writer, loses his friends, his lodgings and eventually
SOURCE: The Stage Registration at 06:26AMIn the mixed bill Evolution, Cuban-based company Acosta Danza showcases brio, sensuality and technical mastery. Though only three years old, the dance
SOURCE: The Stage Registration at 11:13AMCally is a bear. You can tell because she comes on stage in a head-to-toe bear suit and dances enthusiastically to Katy
SOURCE: The Stage Registration at 12:32PMAva Wong Davies’ play takes the form of a fracturing narrative rooted in the moment that Joy (Tuyen Do) left her husband
SOURCE: The Stage Registration at 09:32AMHarriet Madeley’s verbatim play about palliative care and terminal illness takes its name from a visualisation exercise. For some exercises, the patients
SOURCE: The Stage Registration at 05:40AMDespite the fact that there are around 30,000 Vietnamese-born residents in the UK (rising to around 55,000 if you include the second-generation
SOURCE: The Stage Registration at 06:46AMAnyone who has ever seen a TED Talk will be familiar with the mannerisms used by Little Bulb in its new show
SOURCE: The Stage Registration at 06:13AMSome words are more loaded than others. During my hour and a half experiencing Dismantle This Room at the Royal Court Theatre,
SOURCE: The Stage Registration at 07:19AMThere are a few seats at the edges of the room, but otherwise it’s standing room only, the audience gathered around three
SOURCE: The Stage Registration at 08:12PMLinbury theatre, Royal Opera House, LondonWorks by Marcos Morau, Fernando Melo and Caroline Finn make for an enjoyably ambitious triple bill Awakening marks only the second time that Nationa…
SOURCE: The Guardian at 04:00AMBattersea Arts Centre, LondonFrom their half-baked moves to a fine display of stressful yoga, Figs in Wigs delight in making a virtue of their flawsOften Onstage begins at the end, opening o…
SOURCE: The Guardian at 04:18AMJennifer Tang’s Ghost Girl // Gwei Mui feels like a mood board rather than a finished play. There’s a lot of interesting
SOURCE: The Stage Registration at 06:10AMThe performers are 'like cultured magpies, drawing together a soundtrack of found media and famous scenes': Ka Bradley writes on dance duo Thick & Tight's triple bill. The post Review: …
SOURCE: exeuntmagazine.com at 12:51PMThe basement of CoLab Factory is the perfect setting for Mechanical Thought’s immersive production set in 1941. Four main rooms – a
SOURCE: The Stage Registration at 09:00AMA woman is lying on a meagre camp bed in a small space marked out in white lines, wearing an orange prison
SOURCE: The Stage Registration at 06:23AM'Bafflement, interest and curiosity': Ka Bradley writes on Jodee Mundee's immersive insight into the lives of deafblind people. The post Review: Imagined Touch at Barbican appeared first on …
SOURCE: exeuntmagazine.com at 03:12AMPaper walls like sliding Japanese doors, a white floor, a sturdy green door. There’s a single high window though which a bewigged
SOURCE: The Stage Registration at 06:49AMA Little Hero’s subversive power is contextually enormous. As it contains frank discussions of homosexuality, under Russia’s 2013 so-called ‘gay propaganda’ laws,
SOURCE: The Stage Registration at 08:14AMWayne McGregor's Autobiography places privacy at the heart of the public performance. The post Review: Autobiography at Sadler’s Wells appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:26AM'A celebration of the blood and guts': Ka Bradley reviews Hofesh Shechter Company's collaboration with over 100 young dancers. The post Review: East Wall at Tower of London appeared first …
SOURCE: exeuntmagazine.com at 01:42AM'Here I am, and they’re eating me': Ka Bradley reviews a dance work that makes use of virtual reality technology. The post Review: AϕE: Whist at Sadler’s Wells appeared first on Exe…
SOURCE: exeuntmagazine.com at 10:28AM'We’re all Beverlys here': Ka Bradley reviews Rhiannon Faith's dance-based work about domestic abuse. The post Review: Smack That (a conversation) at Barbican appeared first on Exeunt Ma…
SOURCE: exeuntmagazine.com at 08:19AMFelicity Huxley-Miners’s ‘mental health comedy’ In the Shadow of the Mountain is an energetic but unpersuasive exploration of love in the time
SOURCE: The Stage Registration at 12:42PMAn all too real horror story: Ka Bradley reviews DeNada Dance Theatre's radical rewrite of the famous fairytale The post Review: TORO: Beauty and the Bull at Sadler’s Wells appeared fi…
SOURCE: exeuntmagazine.com at 03:50AMAbstract and emotionally rich: Ka Bradley reviews a double bill of new dance works 'A Night’s Game' and 'TERRA' The post Review: Alleyne Dance/James Finnemore at The Place appeared first …
SOURCE: exeuntmagazine.com at 10:50AMFemale sensuality is silence and underwear: Ka Bradley reviews an immersive-dining experience billed as a 'feast of fierce femininity'. The post Review: An Evening of Meat at The Vaults appe…
SOURCE: exeuntmagazine.com at 03:39AMA teasing sext to the benchmarks of ballet: Ka Bradley reviews The Suit, and A Dream Within A Midsummer Night’s Dream. The post Review: Ballet Black Double Bill at the Barbican appeared f…
SOURCE: exeuntmagazine.com at 04:22AMThe Old English epic poem Beowulf is given a fun, metafictional update in Seth Kriebel’s new show. Combining elements of the Oregon
SOURCE: The Stage Registration at 10:38AM