Thursday, January 30, 2020
The term “op traken” is Norwegian, and describes the act of a skier swiftly jumping and tucking their legs beneath them in
SOURCE: The Stage Registration at 01:20PMFriday, January 10, 2020
Opening 2020’s London International Mime Festival, This Time by Ockham’s Razor is a mellow, gentle piece – a surprising quality in a
SOURCE: The Stage Registration at 09:55AMIn Lulu Raczka’s adaptation of Antigone, Sophocles’ tragedy about duty, pride and stubborn resolve, the relationship between sisters Antigone and Ismene takes
SOURCE: The Stage Registration at 06:35AMWednesday, November 27, 2019
In Amanda Lomas’ adaptation of Hunger, a young student, with dreams of becoming a writer, loses his friends, his lodgings and eventually
SOURCE: The Stage Registration at 06:26AMFriday, November 22, 2019
In the mixed bill Evolution, Cuban-based company Acosta Danza showcases brio, sensuality and technical mastery. Though only three years old, the dance
SOURCE: The Stage Registration at 11:13AMFriday, November 15, 2019
Cally is a bear. You can tell because she comes on stage in a head-to-toe bear suit and dances enthusiastically to Katy
SOURCE: The Stage Registration at 12:32PMAva Wong Davies’ play takes the form of a fracturing narrative rooted in the moment that Joy (Tuyen Do) left her husband
SOURCE: The Stage Registration at 09:32AMMonday, August 5, 2019
Harriet Madeley’s verbatim play about palliative care and terminal illness takes its name from a visualisation exercise. For some exercises, the patients
SOURCE: The Stage Registration at 05:40AMTuesday, June 25, 2019
Despite the fact that there are around 30,000 Vietnamese-born residents in the UK (rising to around 55,000 if you include the second-generation
SOURCE: The Stage Registration at 06:46AMFriday, June 14, 2019
Anyone who has ever seen a TED Talk will be familiar with the mannerisms used by Little Bulb in its new show
SOURCE: The Stage Registration at 06:13AMFriday, April 26, 2019
Some words are more loaded than others. During my hour and a half experiencing Dismantle This Room at the Royal Court Theatre,
SOURCE: The Stage Registration at 07:19AMFriday, March 22, 2019
There are a few seats at the edges of the room, but otherwise it’s standing room only, the audience gathered around three
SOURCE: The Stage Registration at 08:12PMSunday, March 17, 2019
Linbury theatre, Royal Opera House, LondonWorks by Marcos Morau, Fernando Melo and Caroline Finn make for an enjoyably ambitious triple bill
Awakening marks only the second time that Nationa…
SOURCE: The Guardian at 04:00AMSunday, February 10, 2019
Battersea Arts Centre, LondonFrom their half-baked moves to a fine display of stressful yoga, Figs in Wigs delight in making a virtue of their flawsOften Onstage begins at the end, opening o…
SOURCE: The Guardian at 04:18AMWednesday, January 30, 2019
Jennifer Tang’s Ghost Girl // Gwei Mui feels like a mood board rather than a finished play. There’s a lot of interesting
SOURCE: The Stage Registration at 06:10AMFriday, January 18, 2019
The performers are 'like cultured magpies, drawing together a soundtrack of found media and famous scenes': Ka Bradley writes on dance duo Thick & Tight's triple bill.
The post Review: …
SOURCE: exeuntmagazine.com at 12:51PMThursday, January 10, 2019
The basement of CoLab Factory is the perfect setting for Mechanical Thought’s immersive production set in 1941. Four main rooms – a
SOURCE: The Stage Registration at 09:00AMMonday, November 12, 2018
A woman is lying on a meagre camp bed in a small space marked out in white lines, wearing an orange prison
SOURCE: The Stage Registration at 06:23AM'Bafflement, interest and curiosity': Ka Bradley writes on Jodee Mundee's immersive insight into the lives of deafblind people.
The post Review: Imagined Touch at Barbican appeared first on …
SOURCE: exeuntmagazine.com at 03:12AMFriday, September 14, 2018
Paper walls like sliding Japanese doors, a white floor, a sturdy green door. There’s a single high window though which a bewigged
SOURCE: The Stage Registration at 06:49AMFriday, August 10, 2018
A Little Hero’s subversive power is contextually enormous. As it contains frank discussions of homosexuality, under Russia’s 2013 so-called ‘gay propaganda’ laws,
SOURCE: The Stage Registration at 08:14AMTuesday, July 31, 2018
Wayne McGregor's Autobiography places privacy at the heart of the public performance.
The post Review: Autobiography at Sadler’s Wells appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:26AMTuesday, July 24, 2018
'A celebration of the blood and guts': Ka Bradley reviews Hofesh Shechter Company's collaboration with over 100 young dancers.
The post Review: East Wall at Tower of London appeared first …
SOURCE: exeuntmagazine.com at 01:42AMSaturday, June 23, 2018
'Here I am, and they’re eating me': Ka Bradley reviews a dance work that makes use of virtual reality technology.
The post Review: AϕE: Whist at Sadler’s Wells appeared first on Exe…
SOURCE: exeuntmagazine.com at 10:28AMSaturday, June 16, 2018
'We’re all Beverlys here': Ka Bradley reviews Rhiannon Faith's dance-based work about domestic abuse.
The post Review: Smack That (a conversation) at Barbican appeared first on Exeunt Ma…
SOURCE: exeuntmagazine.com at 08:19AMFriday, May 18, 2018
Felicity Huxley-Miners’s ‘mental health comedy’ In the Shadow of the Mountain is an energetic but unpersuasive exploration of love in the time
SOURCE: The Stage Registration at 12:42PMMonday, April 30, 2018
An all too real horror story: Ka Bradley reviews DeNada Dance Theatre's radical rewrite of the famous fairytale
The post Review: TORO: Beauty and the Bull at Sadler’s Wells appeared fi…
SOURCE: exeuntmagazine.com at 03:50AMSaturday, April 28, 2018
Abstract and emotionally rich: Ka Bradley reviews a double bill of new dance works 'A Night’s Game' and 'TERRA'
The post Review: Alleyne Dance/James Finnemore at The Place appeared first …
SOURCE: exeuntmagazine.com at 10:50AMMonday, April 23, 2018
Female sensuality is silence and underwear: Ka Bradley reviews an immersive-dining experience billed as a 'feast of fierce femininity'.
The post Review: An Evening of Meat at The Vaults appe…
SOURCE: exeuntmagazine.com at 03:39AMTuesday, March 20, 2018
A teasing sext to the benchmarks of ballet: Ka Bradley reviews The Suit, and A Dream Within A Midsummer Night’s Dream.
The post Review: Ballet Black Double Bill at the Barbican appeared f…
SOURCE: exeuntmagazine.com at 04:22AMFriday, March 16, 2018
The Old English epic poem Beowulf is given a fun, metafictional update in Seth Kriebel’s new show. Combining elements of the Oregon
SOURCE: The Stage Registration at 10:38AM 
