All stories by Ka Bradley on BroadwayStars

Friday, May 18, 2018

In the Shadow of the Mountain review at Old Red Lion Theatre – ‘crackling dialogue’ by Ka Bradley

Felicity Huxley-Miners’s ‘mental health comedy’ In the Shadow of the Mountain is an energetic but unpersuasive exploration of love in the time

Linked From The Stage Registration at 12:42PM
Monday, April 30, 2018

Review: TORO: Beauty and the Bull at Sadler’s Wells by Ka Bradley

An all too real horror story: Ka Bradley reviews DeNada Dance Theatre's radical rewrite of the famous fairytale The post Review: TORO: Beauty and the Bull at Sadler’s Wells appeared fi…

Linked From exeuntmagazine.com at 03:50AM
Saturday, April 28, 2018

Review: Alleyne Dance/James Finnemore at The Place by Ka Bradley

Abstract and emotionally rich: Ka Bradley reviews a double bill of new dance works 'A Night’s Game' and 'TERRA' The post Review: Alleyne Dance/James Finnemore at The Place appeared first …

Linked From exeuntmagazine.com at 10:50AM
Monday, April 23, 2018

Review: An Evening of Meat at The Vaults by Ka Bradley

Female sensuality is silence and underwear: Ka Bradley reviews an immersive-dining experience billed as a 'feast of fierce femininity'. The post Review: An Evening of Meat at The Vaults appe…

Linked From exeuntmagazine.com at 03:39AM
Tuesday, March 20, 2018

Review: Ballet Black Double Bill at the Barbican by Ka Bradley

A teasing sext to the benchmarks of ballet: Ka Bradley reviews The Suit, and A Dream Within A Midsummer Night’s Dream. The post Review: Ballet Black Double Bill at the Barbican appeared f…

Linked From exeuntmagazine.com at 04:22AM
Friday, March 16, 2018

Beowulf review at Battersea Arts Centre, London – ‘an intelligent, interactive version’ by Ka Bradley

The Old English epic poem Beowulf is given a fun, metafictional update in Seth Kriebel’s new show. Combining elements of the Oregon

Linked From The Stage Registration at 10:38AM
Monday, March 5, 2018

Review: Macbeth at Wilton’s Music Hall by Ka Bradley

Night clubbers, taxidermy and a decapitated head in a box: Ka Bradley reviews the Marc Bruce Company's dance adaptation of Shakespeare's tragedy The post Review: Macbeth at Wilton’s Mu…

Linked From exeuntmagazine.com at 04:03AM
Thursday, February 22, 2018

Review: The Droves at CoLab Factory by Ka Bradley

Where the wild things are: Coney's new show immerses you in the imaginations of children. The post Review: The Droves at CoLab Factory appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 06:42AM
Thursday, February 8, 2018

It Made Me Consider review at New Diorama, London – ‘uncanny interactive theatre’ by Ka Bradley

Taking place in ND2, an office block a short walk from the New Diorama, Gruff Theatre’s It Made Me Consider Me is

Linked From The Stage Registration at 11:33AM
Wednesday, February 7, 2018

Review: NeverLand at Vault Festival 2018 by Ka Bradley

Sparkling moments and a bewildering storyline: Ka Bradley reviews The Guild of Misrule and Theatre Deli's immersive show based on Peter Pan. The post Review: NeverLand at Vault Festival 2018…

Linked From exeuntmagazine.com at 03:22PM
Tuesday, February 6, 2018

Review: Lebensraum at the Peacock Theatre by Ka Bradley

Absurdity in the commonplace: Ka Bradley reviews the Jakop Ahlbom Company, as part of London Mime Festive 2018 The post Review: Lebensraum at the Peacock Theatre appeared first on Exeunt Mag…

Linked From exeuntmagazine.com at 05:36AM
Monday, January 29, 2018

Review: Mother at London International Mime Festival by Ka Bradley

Art in its purest state: Ka Bradley unpicks the intensely weird power of Peeping Tom's show. The post Review: Mother at London International Mime Festival appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 03:51AM
Tuesday, January 23, 2018

Review: Resolution, 19 January by Ka Bradley

Ka Bradley reviews Some People Say, Father Figurine and Reclaim the word slut! as part of Resolution 2018. The post Review: Resolution, 19 January appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 04:15AM
Thursday, January 18, 2018

The Claim review at Shoreditch Town Hall, London – ‘linguistically arresting’ by Ka Bradley

Asylum seeker Serge (Ncuti Gatwa) greets the audience with an effusive speech about storytelling. He is joined by Nick Blakeley as A,

Linked From The Stage Registration at 08:16AM
Monday, January 8, 2018

Hanna review at Arcola Theatre, London – ‘a performance of energy and humanity’ by Ka Bradley

Hanna’s daughter Ellie is not her birth daughter. After a mix-up at the hospital, she returned to the ex-council house that she

Linked From The Stage Registration at 07:43AM
Monday, December 18, 2017

White Fang review at Park Theatre, London – ‘lush and immersive’ by Ka Bradley

In Jack London’s 1906 novel White Fang, the eponymous wolf puppy loses his family, is brutalised by the society he joins but

Linked From The Stage Registration at 11:59AM
Tuesday, December 5, 2017

Christmas Farce review at Waterloo East Theatre, London – ‘forced silliness’ by Ka Bradley

Shaun Kitchener’s Christmas Farce, set in the green room of a contemporary retelling of the Nativity on press night, is rife with “Ooh,

Linked From The Stage Registration at 10:37AM
Monday, December 4, 2017

Review: Menagerie by House of Kittens by Ka Bradley

There’s something quite frantic and stressful about trying to have a sexy time... Ka Bradley on House of Kittens and erotic storytelling. The post Review: Menagerie by House of Kittens ap…

Linked From exeuntmagazine.com at 04:28AM
Sunday, November 12, 2017

Flycatcher review at the Hope Theatre, London – ‘interestingly unnerving’ by Ka Bradley

The town is an everytown – judging by the accents, it could be anywhere in Britain or America. The set gives no

Linked From The Stage Registration at 07:32AM
Monday, October 30, 2017

Joy review at Theatre Royal Stratford East, London – ‘engaging and thought-provoking’ by Ka Bradley

It is an often exhausting cliche that a play about a young woman finding happiness in herself and in her community must

Linked From The Stage Registration at 07:32AM
Saturday, October 28, 2017

Review: Let Me Change Your Name at The Place by Ka Bradley

A flirtatious, provoking piece: Ka Bradley reviews Eun-Me Ahn's work exploring identity and androgyny at Dance Umbrella 2017. The post Review: Let Me Change Your Name at The Place appeared f…

Linked From exeuntmagazine.com at 07:35AM
Friday, October 20, 2017

Fishskin Trousers review at Park Theatre, London – ‘rhapsodic’ by Ka Bradley

Three figures face the audience from a circle of pebbles, shells, dried seaweed and other sea debris. Mab (Jessica Carroll), clad in

Linked From The Stage Registration at 07:06AM
Tuesday, October 17, 2017

Review: Is This A Wasteland? at Dance Umbrella by Ka Bradley

The duality of space, or how not to catch a Lapras: Ka Bradley reviews Charlotte Spencer Projects' immersive piece on a disused site near London City Airport. The post Review: Is This A Wast…

Linked From exeuntmagazine.com at 04:42AM
Tuesday, October 10, 2017

Review: Hammer House of Horror Live: The Soulless Ones at Hoxton Hall by Ka Bradley

If you just really, really want to run around pretending you’re a vampire, this is for you: Ka Bradley reviews immersive theatre by Hammer House of Horror. The post Review: Hammer House of…

Linked From exeuntmagazine.com at 02:53AM
Sunday, October 1, 2017

Review: Medusa at Thames Tunnels by Ka Bradley

Women turned into monsters: Ka Bradley reviews 27 degrees' exploration of the Medusa myth. The post Review: Medusa at Thames Tunnels appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 06:26AM
Friday, September 29, 2017

Turkey review at the Hope Theatre, London – ‘superb’ by Ka Bradley

Calling a play about artificial insemination Turkey is the set-up for a bawdy comedy. Fair warning: if you go in for cheap

Linked From The Stage Registration at 08:17AM
Friday, September 15, 2017

Review: Grand Finale at Sadler’s Wells by Ka Bradley

Shot through with nervous, defiant ecstasy: Ka Bradley reviews Hofesh Shechter's new work based on the apocalypse. The post Review: Grand Finale at Sadler’s Wells appeared first on Exe…

Linked From exeuntmagazine.com at 10:16AM
Thursday, August 17, 2017

Review: Limits at the Royal Festival Hall by Ka Bradley

Well-meaning but clumsily delivered: Ka Bradley reviews Cirkus Cirkör's new work inspired by the migrant crisis. The post Review: Limits at the Royal Festival Hall appeared first on Exeunt…

Linked From exeuntmagazine.com at 03:29AM
Monday, August 14, 2017

Review: +/- Human at the Roundhouse by Ka Bradley

Lost amongst the swarm: Ka Bradley reviews an 'enigmatic and complex' new work by Wayne McGregor. The post Review: +/- Human at the Roundhouse appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 08:37AM
Friday, August 11, 2017

Review: Secret Theatre: Project Mayhem by Ka Bradley

Mind the fake blood and bring cash for the bar: Ka Bradley reviews the latest show from Secret Studio Lab based on [redacted]. The post Review: Secret Theatre: Project Mayhem appeared first…

Linked From exeuntmagazine.com at 05:17AM
Monday, August 7, 2017

Wilderness Festival 2017 review – ‘engaging and inventive theatre performances’ by Ka Bradley

The queue outside the Playhouse, Wilderness Festival’s intimate, blue-domed theatre, is 50-people deep as early as 40 minutes before the start of

Linked From The Stage Registration at 07:00AM

All that Chat

2017-2018 BROADWAY SEASON