All stories by John Chapman on BroadwayStars

Wednesday, June 24, 2020

‘A modern-day classic about an age-old problem’: SMALL ISLAND – National Theatre (Online review) by John Chapman

A terrific and epic play about the Windrush generation: Andrea Levy’s sprawling novel Small Island has been turned into a glorious staged adaptation by writer Helen Edmundson.

SOURCE: mytheatremates.com at 12:00PM
Thursday, June 18, 2020

‘These short pieces will provide valuable testimony for what people got up to in the great pandemic’: UNPRECEDENTED – Headlong Theatre (Online r by John Chapman

Life as it is currently lived in 14 playlets: Most of the plays are about ten minutes in duration and punch well above their weight featuring writing by the likes of James Graham and April d…

SOURCE: mytheatremates.com at 10:00AM
Monday, June 15, 2020

Lost Labour of Love: ‘All I had to do was turn up & say the words wot Shakespeare wrote, didn’t I?’ by John Chapman

Knowing that some 600 people had applied the week previous to that, I had no great expectation that I would be selected but, to my amazement, I was offered the part of Costard.

SOURCE: mytheatremates.com at 10:00AM
Sunday, June 14, 2020

‘A towering central performance by Mark Gatiss’: THE MADNESS OF GEORGE III – Nottingham Playhouse (Online review) by John Chapman

An excellent production of a modern classic with a towering central performance: Alan Bennett’s early 1990s play examines public versus private monarchical concerns at the end of the 18th …

SOURCE: mytheatremates.com at 10:00AM
Monday, June 8, 2020

‘The delightful level of detail punctuates the action’: THE UNDERSTUDY – Lawrence Batley Theatre by John Chapman

Life on the lowest rung of the theatrical ladder. There are lots of in-jokes with digs at actors, directors, the rehearsal process, theatrical agents, critics and the site-specific trend.

SOURCE: mytheatremates.com at 10:00AM
Sunday, June 7, 2020

‘Tom Hiddleston is worth the price of admission’: CORIOLANUS – Donmar Warehouse (Online review) by John Chapman

There are some staggering contemporary references to draw from this staging of a lesser-known Shakespeare, starring Tom Hiddleston.

SOURCE: mytheatremates.com at 07:00AM
Sunday, May 31, 2020

‘Power is shown to be almost totally male-dominated’: THIS HOUSE – National Theatre (Online review) by John Chapman

The plotline of James Graham play covers several years during a period when majorities were slim and politics was a brutal business.

SOURCE: mytheatremates.com at 11:00AM
Wednesday, May 27, 2020

‘It places sound firmly front & centre’: THE ENCOUNTER – Complicite (Online review) by John Chapman

Simon McBurney performs this stupendous and extraordinary solo show from Complicite. Gareth Fry and Pete Malkin’s soundscape is nothing short of a triumph.

SOURCE: mytheatremates.com at 10:00AM
Tuesday, May 26, 2020

‘Think you know the war poets? Think again’: IT IS EASY TO BE DEAD – Finborough Theatre by John Chapman

When poetry of the First World War is mentioned, the names which tend spring to mind are Brooke, Owen, Sassoon, Graves, Blunden and so on. Then there’s Charles Sorley.

SOURCE: mytheatremates.com at 05:00AM
Thursday, May 21, 2020

‘A spectacular show which treats its subjects with respect’: ONLY THE BRAVE – Wales Millennium Centre (Online review) by John Chapman

After the 75th anniversary weekend of VE Day, the musical Only The Brave drew my attention as a perfect way to spend an afternoon.

SOURCE: mytheatremates.com at 09:00AM
Monday, May 11, 2020

‘Ralph Fiennes & Sophie Okonedo are well matched’: ANTONY & CLEOPATRA – National Theatre (Online review) by John Chapman

I’ve always found Antony and Cleopatra a bit of a slog. There, I’ve said it. Too many scenes which flit about all over the place, too many minor inconsequential characters, deaths which …

SOURCE: mytheatremates.com at 09:00AM
Thursday, May 7, 2020

‘A kind of strange hybrid form’: THIRTY MILLION MINUTES (Online review) by John Chapman

A life distilled to its essentials: 30 Million Minutes indicates the rough length of time that Dawn French had been alive at the time of her solo show recorded in its final incarnation in 20…

SOURCE: mytheatremates.com at 09:00AM
Wednesday, April 22, 2020

‘The one-woman play is far superior to the TV series’: FLEABAG – Soho Theatre (Online review) by John Chapman

When DryWrite co-Artistic Director Phoebe Waller-Bridge wrote Fleabag back in 2013, it needed to be crowdfunded in order for it to be premiered at that year’s Edinburgh Festival.

SOURCE: mytheatremates.com at 09:00AM
Friday, April 10, 2020

‘This is a defiantly feminist reading of the text’: JANE EYRE – National Theatre (Online review) by John Chapman

The problem with staging a classic novel is that everyone has a slightly different view of how it should be done – many have tried and few have fully succeeded.

SOURCE: mytheatremates.com at 09:00AM
Tuesday, April 7, 2020

‘A success which I intend to repeat’: LADY WINDERMERE’S FAN – Marquee TV (Online review) by John Chapman

This production of Lady Windermere’s Fan is mostly a strong account of a play that will always be overshadowed by Earnest and a very pleasant way to spend a locked down afternoon.

SOURCE: mytheatremates.com at 05:00AM
Sunday, April 5, 2020

40+ ways to get your theatre fix online during lockdown by John Chapman

Are you fed up with not being able to go out to the theatre? Don’t be. There’s a wealth of stuff to watch online. Here’s a handy list of current opportunities. OK, so it’s not quite …

SOURCE: mytheatremates.com at 09:00AM
Thursday, January 30, 2020

‘Dense study of women in emotional turmoil’: PERSONA – Riverside Studios by John Chapman

While I can fully imagine Persona working on film – indeed it seems to be generally hailed as a masterpiece – on stage I fear it fares less well.

SOURCE: mytheatremates.com at 07:00AM
Wednesday, January 22, 2020

‘Given a new lease of life’: TEN TIMES TABLE – Touring by John Chapman

A review of Ten Times Table by Alan Ayckbourn currently at Richmond Theatre . Still has resonance.

SOURCE: mytheatremates.com at 11:00AM
Tuesday, January 21, 2020

‘All a bit too minimalist’: BECKETT TRIPLE BILL – Jermyn Street Theatre by John Chapman

A man sitting behind a table, a man sitting on the edge of an unmade bed, two men sitting on a park bench. These are the settings in the Samuel Beckett Triple Bill currently at the tiny Jerm…

SOURCE: mytheatremates.com at 09:00AM
Sunday, January 12, 2020

‘A valuable reminder of how far things have progressed’: COMING CLEAN – Trafalgar Studios by John Chapman

If I have understood the timeline correctly the latest incarnation of Kevin Elyot’s debut play Coming Clean is a revival of a revival.

SOURCE: mytheatremates.com at 09:00AM
Tuesday, August 27, 2019

‘Fails to be seriously entertaining’: THE WEATHERMAN – Park Theatre by John Chapman

“A meaningful play about a really important subject”. As I left the Park Theatre having watched Eugene O’Hare’s play The Weatherman, these were the sort of (overheard) comments I hea…

SOURCE: mytheatremates.com at 09:00AM
Saturday, June 15, 2019

‘Splendidly sharp & biting satire’: BREXIT – King’s Head Theatre by John Chapman

A revival of the play Brexit at the King’s Head Theatre, Islington is very much of the moment and stirs some classic sitcom memories.

SOURCE: mytheatremates.com at 06:00AM
Thursday, June 13, 2019

To be (onstage) or not to be (onstage) by John Chapman

Last night I found myself both onstage and in the audience at the same time – neat trick if you can do it and I have done… on more than one occasion.

SOURCE: mytheatremates.com at 01:00PM
Friday, May 31, 2019

‘It was just the most magical experience of reading a play’: Director Rob Ellis fills in the background on new play Cuttings at the Hope Theatre by John Chapman

Rob Ellis directs Ollie George Clark’s new play called Cuttings at London’s Hope Theatre which examines the hitherto unexplored backstage world of theatrical PR – a world that has beco…

SOURCE: mytheatremates.com at 09:00AM
Sunday, May 19, 2019

A play about the writing & staging of a play has always been part of a popular genre by John Chapman

Inevitably writers will gravitate to the world they most often inhabit and about which they can speak with a degree of authority whether that be professionally, publically or privately.

SOURCE: mytheatremates.com at 10:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic