All stories by John Chapman on BroadwayStars

Wednesday, September 2, 2020

‘The real deal’: For Quality Purposes / The Ockenden Witch (Online review) by John Chapman

Two one act plays – For Quality Purposes and The Ockenden Witch – have a great deal to say about modern life – even if one is set in 1564!

SOURCE: mytheatremates.com at 10:00AM
Tuesday, September 1, 2020

‘First & foremost a theatrical piece’: THE PRICE OF EVERYTHING (Online review) by John Chapman

Daniel Bye’s The Price Of Everything is first and foremost a theatrical piece which examines the function of narrative and makes us question the veracity of what we hear.

SOURCE: mytheatremates.com at 06:00AM
Wednesday, August 26, 2020

‘Aaron Monaghan fulfils his brief wonderfully’: THE PLAYBOY OF THE WESTERN WORLD – Druid Theatre Company (Online review) by John Chapman

Though the Playboy of The Western World may have been written in 1907 it still has clear resonances for the world today.

SOURCE: mytheatremates.com at 10:00AM
Tuesday, August 25, 2020

‘Absolutely ripe for comparisons’: At Home With The Brontës / Wasted (Online review) by John Chapman

Both At Home With The Brontës and Wasted have their plus points and it is interesting to see how the same subject matter can be treated in radically different ways.

SOURCE: mytheatremates.com at 06:00AM
Saturday, August 22, 2020

Further outings to the virtual Edinburgh Fringe by John Chapman

For my first Edinburgh Festival “visit” last week, I found myself following a theme (more by accident than design) but this week I thought I’d freeform it a bit more. After all that’…

SOURCE: mytheatremates.com at 11:00AM
Friday, August 21, 2020

‘Small Truth Theatre are to be congratulated’: DIGITAL CARAVAN THEATRE (Online review) by John Chapman

Small Truth Theatre have reimagined their unique site as an online digital space and are currently presenting a season of three audio dramas of around 15 minutes each under the general title…

SOURCE: mytheatremates.com at 10:00AM
Wednesday, August 19, 2020

‘You will find much to make you think about’: ALBION – Almeida Theatre (Online review) by John Chapman

If anything, the resonances in Mike Bartlett’s Albion have grown and strengthened as countrywide divisions have hardened.

SOURCE: mytheatremates.com at 10:00AM
Tuesday, August 18, 2020

‘There is not a dud piece in the pack’: THE GREATEST WEALTH – Old Vic (Online review) by John Chapman

The series of monologues under the collective title The Greatest Wealth was first performed at The Old Vic Theatre in 2018 as part of the celebrations for the 70th anniversary of the foundin…

SOURCE: mytheatremates.com at 10:00AM
Saturday, August 15, 2020

‘I’m planning another “trip” soon’: Exploring the Edinburgh Fringe online-style by John Chapman

While an online Edinburgh Festival Fringe can hardly claim to have anything like the same degree of atmosphere, various organisers are to be congratulated with getting a variety of material …

SOURCE: mytheatremates.com at 11:00AM
Saturday, August 8, 2020

‘There is a real ensemble feel to the piece’: MEASURE FOR MEASURE – RSC (Online review) by John Chapman

This is Measure For Measure in a production by RSC supremo Greg Doran and set in turn of the 20th century Vienna. It is and remains a difficult play to pin down but the contemporary resonanc…

SOURCE: mytheatremates.com at 07:00AM
Friday, August 7, 2020

‘A memorable contribution to online theatre’: MOMENT OF GRACE – Backstory Ensemble – The Actors Centre (Online review) by John Chapman

The first piece Moment Of Grace by Bren Gosling takes us back to the 1980s and the last time the country faced a crisis over a virus.

SOURCE: mytheatremates.com at 10:00AM
Tuesday, August 4, 2020

‘Verbatim theatre with a twist’: It’s True. It’s True. It’s True: Artemisia On Trial – Breach Theatre (Online review) by John Chapman

One of the early entries into the lockdown theatre world was Breach Theatre’s It’s True. It’s True. It’s True: Artemisia On Trial. After some time on furlough it’s now back online …

SOURCE: mytheatremates.com at 10:00AM
Monday, August 3, 2020

‘Couldn’t be more timely’: PLACE PRINTS 1-4 (Online review) by John Chapman

Place Prints is a fascinating audio series from writer David Rudkin about places in the UK. There are certain locations where that sense of the past is much stronger than in others. These pl…

SOURCE: mytheatremates.com at 10:00AM
Friday, July 31, 2020

‘Knows what it wants to say’: JANE CLEGG – Finborough Theatre (Online review) by John Chapman

Jane Clegg falls into the category of a well-made play of three acts and is none the worse for that. Its elegant structure and growing sense of tension make it an absolute pleasure to watch.

SOURCE: mytheatremates.com at 06:00AM
Saturday, July 25, 2020

‘Well constructed with tension rising throughout’: APRROACHING EMPTY – Tamasha Theatre Company (Online review) by John Chapman

In Approaching Empty writer Ishy Din proves himself an authentic voice, telling tales we have not heard before in a muscular and engaging style.

SOURCE: mytheatremates.com at 07:00AM
Friday, July 24, 2020

‘Paying tribute to what has been a marvellous season’: Thank you to the National Theatre At Home by John Chapman

So, bravo National Theatre. Others may have joined in the home streaming trend but nobody else did it bigger or better. Time to look for yet another new normal for Thursday evenings.

SOURCE: mytheatremates.com at 06:00AM
Thursday, July 23, 2020

‘Making sure that talent does not go unnoticed at this difficult time’: SHIFTING TIDES – Almeida Theatre (Online review) by John Chapman

Young writers and performers take a long hard look at climate change with entertaining results in Almeida Theatre’s digital season Shifting Tides.

SOURCE: mytheatremates.com at 06:00AM
Monday, July 20, 2020

‘A bright future in this new normal’: THE TELL-TALE HEART / WITHIN – Threedumb Theatre (Online review) by John Chapman

The Tell-Tale Heart and Within from Threedumb Theatre are to be applauded for their innovation and their ability to show us that there’s life left in the old (drama) dog yet.

SOURCE: mytheatremates.com at 06:00AM
Saturday, July 18, 2020

‘A scintillating production which consistently thrills’: AMADEUS – National Theatre (Online review) by John Chapman

Sixteen weeks ago the National Theatre At Home season was launched and this week the final show began its one week run. In Amadeus they may just have saved the best until last.

SOURCE: mytheatremates.com at 07:00AM
Thursday, July 16, 2020

‘A fascinating premise of role reversal’: GREAT APES – Arcola Theatre (Online review) by John Chapman

Great Apes, originally written by Will Self and adapted for the stage by Patrick Marmion, played at east London’s Arcola Theatre in 2018 and is now available to stream online.

SOURCE: mytheatremates.com at 10:00AM
Wednesday, July 15, 2020

‘There’s some interesting use of technology’: GUANTANAMO BOY/HER – Half Moon Theatre (Online review) by John Chapman

I noticed that there were a pair of Half Moon Theatre productions – Guantanamo Boy and her – which involved Brolly, a collaboration between designer/illustrator Rachana Jadhav and writer…

SOURCE: mytheatremates.com at 10:00AM
Tuesday, July 14, 2020

‘A well-crafted drama with an important message’: THE TAILOR-MADE MAN (Online review) by John Chapman

The Tailor-Made Man was turned into a musical in 2013. This current iteration was filmed in 2017 at the White Bear Theatre when a 25th anniversary production was mounted.

SOURCE: mytheatremates.com at 06:00AM
Monday, July 13, 2020

‘Helen McCrory is on fine form’: THE DEEP BLUE SEA – National Theatre At Home (Online review) by John Chapman

In the case of The Deep Blue Sea I find myself firmly sitting on the fence. Good performances? Mostly. Fine production? Mainly. Great play? The jury’s still out.

SOURCE: mytheatremates.com at 10:00AM
Saturday, July 11, 2020

‘A timely piece of writing’: MOOD MUSIC – Old Vic (Online review) by John Chapman

Mood Music is a timely piece of writing highlighting, as it does, questions of creativity, control, ownership, capitalism and personal well-being.

SOURCE: mytheatremates.com at 07:00AM
Friday, July 10, 2020

‘I can’t wait until they are able to perform live again’: OEDIPUSSY – Spymonkey by John Chapman

Like the virus, Spymonkey’s brand of comedy in shows like Oedipussy has proved highly infectious over the last couple of months but at the same time it has also become a regular weekly vac…

SOURCE: mytheatremates.com at 10:00AM
Tuesday, July 7, 2020

‘Foy & Smith seem to have found a new way of interacting at a distance’: LUNGS – Old Vic (Online review) by John Chapman

This was the production of Lungs live streamed from the actual stage of the Old Vic with real actors in real time as part of its In Camera project.

SOURCE: mytheatremates.com at 10:00AM
Wednesday, July 1, 2020

Are the OnComms the template for theatrical awards in ‘the new normal’? by John Chapman

The current circumstances mean that there are questions about whether there will even be a usual theatre awards season next winter/spring, especially as there may, ostensibly, be little to g…

SOURCE: mytheatremates.com at 10:00AM
Tuesday, June 30, 2020

‘Distinct voices ably portrayed’: THE MIKVAH PROJECT – Orange Tree Theatre (Radio review) by John Chapman

The Mikvah Project by Josh Azouz had originally got quite a way into its run at the Orange Tree Theatre in Richmond before lockdown took place.

SOURCE: mytheatremates.com at 06:00AM
Friday, June 26, 2020

‘Never less than arresting’: SHOE LADY – Royal Court Theatre (Radio review) by John Chapman

BBC Radio’s Lockdown Theatre Festival, curated by Bertie Carvel, highlights productions cut short by broadcasting them with the original casts, albeit in an audio format only.

SOURCE: mytheatremates.com at 10:00AM
Thursday, June 25, 2020

‘Pushes the envelope of the monologue genre’: DECLAN – The Actors Centre (Online review) by John Chapman

Jimbo is 12 and on the cusp of young adulthood. Both his body and his mind are confused about its identity and the world around him is not much help.

SOURCE: mytheatremates.com at 10:00AM
Wednesday, June 24, 2020

‘A modern-day classic about an age-old problem’: SMALL ISLAND – National Theatre (Online review) by John Chapman

A terrific and epic play about the Windrush generation: Andrea Levy’s sprawling novel Small Island has been turned into a glorious staged adaptation by writer Helen Edmundson.

SOURCE: mytheatremates.com at 12:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic