All stories by Jim Farmer on BroadwayStars

Monday, December 26, 2016

The Year in Review: Atlanta theater had an often strong, often inconsistent 2016 by Andrew Alexander and Jim Farmer

It was a memorable, though slightly down, year for Atlanta theater. ArtsATL theater critics Andrew Alexander and Jim Farmer sat down recently to take a look back at some of the highs and low…

SOURCE: ArtsATL at 12:59PM
Wednesday, December 7, 2016

Review: Bright direction, strong cast carry the weight in a sometimes problematic “Big Fish” by Jim Farmer

Amidst the sugary sweet procession of Nutcrackers, Christmas Carols and other holiday fare parading around the city this time of year, Theatrical Outfit is at least offering up something nov…

SOURCE: ArtsATL at 10:59AM
Tuesday, November 8, 2016

News: Serenbe, Aurora and the Alliance emerge as the big winners in the Suzi Bass Awards by Jim Farmer

In a night that saw a slew of Atlanta theaters claim trophies, it was Serenbe Playhouse who wound up dominating the field at the 2016 Suzi Bass Awards Monday evening, taking the prize for Be…

SOURCE: ArtsATL at 01:03PM
Thursday, November 3, 2016

Review: “Proof” lifted up by strong ensemble cast, tight direction by Tess Malis Kincaid by Jim Farmer

An interesting development happened on the way to the much-hyped teaming of director Tess Malis Kincaid and actress Danielle Deadwyler in the True Colors production of David Auburn’s Proof…

SOURCE: ArtsATL at 01:01PM
Wednesday, October 26, 2016

Review: Lyric Theatre’s version of “A Chorus Line” surprisingly bland and fails to pop to life by Andrew Alexander and Jim Farmer

It’s one of the most beloved musicals of all time, both a nine-time Tony Award winner and the recipient of a Pulitzer Prize. Atlanta Lyric Theatre -- the area’s only company dedicated to…

SOURCE: ArtsATL at 09:01AM
Monday, September 12, 2016

Preview: The shows you don’t want to miss as Atlanta’s 2016-17 theater season kicks off by Andrew Alexander and Jim Farmer

With world premieres galore and all sorts of intriguing fare, the 2016-17 Atlanta theater season promises to be a lively one, with promising shows all over the place. ArtsATL theater critics…

SOURCE: ArtsATL at 12:05PM
Wednesday, August 10, 2016

Review: Essential’s “Dispossessed” is overwhelmed by its storytelling ambitions by Jim Farmer

Whatever can be said about Karen Wurl’s new work Dispossessed, the playwright cannot be accused of a lazy effort. Her work has enough material for a number of plays. Running through August…

SOURCE: ArtsATL at 11:02AM
Wednesday, August 3, 2016

Review: “Company” showcases Whittemore, but fails to cohesively come together by Andrew Alexander and Jim Farmer

Phone rings. Door chimes. In comes company . . . It’s been a summer full of big musicals in Atlanta, and now one of the city’s most beloved theaters, Actor’s Express, has just roll…

SOURCE: ArtsATL at 11:01AM
Tuesday, August 2, 2016

Topher Payne hits the small screen with the Hallmark film “My Summer Prince” by Jim Farmer

Over his long career, Topher Payne has penned plays that have appeared all over Atlanta, and one in New York last year, but this weekend he sees his name on a different kind of project ̵…

SOURCE: ArtsATL at 01:31PM
Wednesday, July 27, 2016

Review: “In the Heights” one of the boldest and best produced musicals of the year by Jim Farmer

Long before his Hamilton had become one of the most celebrated — and influential — musicals in history, Lin-Manuel Miranda’s In the Heights had already made him a Broadway darl…

SOURCE: ArtsATL at 12:59PM
Wednesday, June 15, 2016

Review: Lyric Theatre’s take on “West Side Story” another treat for ATL Sondheim fans by Jim Farmer

It’s no fluke. What seemed like a Sondheim kind of theater season a few months ago has turned into an unexpected (albeit unplanned) local celebration, with an emphasis on some of the maste…

SOURCE: ArtsATL at 11:01AM
Thursday, May 26, 2016

Review: Ten years past its prime, “Significant Other” comes across like a long pity party by Andrew Alexander and Jim Farmer

With Joshua Harmon’s Bad Jews a commercial success for Actor’s Express recently, the company has now turned to another work from the playwright, Significant Other, running through June 1…

SOURCE: ArtsATL at 01:59PM
Wednesday, May 25, 2016

Review: Superb cast, sharp dialogue mark Horizon’s “City of Conversation” by Jim Farmer

Anthony Giardina’s The City of Conversation is a period piece not only for its era (the play starts in the late Seventies), but for its fond recollection of a time when Republicans and Dem…

SOURCE: ArtsATL at 01:01PM
Wednesday, May 18, 2016

Review: Aurora concludes season with often charming restaging of “I’m Not Rappaport” by Jim Farmer

It’s not often that actors can reunite in a play 27 years later and portray the same roles, but that is what’s happening currently with Aurora Theatre’s new rendition of I’m Not Rapp…

SOURCE: ArtsATL at 01:01PM
Wednesday, April 27, 2016

Review: Alliance’s “BeBe Winans Story” has its charms but lacks cohesive narrative by Jim Farmer

Now having its world premiere at the Alliance Theatre, Born for This: The BeBe Winans Story is very much a family affair. Charting the journey of the Grammy Award-winning recording artist an…

SOURCE: ArtsATL at 01:02PM
Friday, April 22, 2016

Changing of the Guard: For Susan Booth and the Alliance, a new theater space begins a new era by Jim Farmer

While the Alliance Theatre is not one of Atlanta’s core arts institutions under new leadership, with Susan Booth continuing to serve as the artistic director, the Alliance is still afl…

SOURCE: ArtsATL at 09:01AM
Wednesday, April 20, 2016

Review: With “The Light in the Piazza,” Theatrical Outfit turns on one of the year’s best musicals by Jim Farmer

As most theater companies in town near the end of their respective seasons, almost all have some sort of heavy hitter (or heavy hitter wannabe) in their lineup. It’s an incredibly busy tim…

SOURCE: ArtsATL at 02:00PM
Tuesday, April 12, 2016

Review: “Beyond Reasonable Doubt” is a vivid and riveting look at the ripple effect of execution by Jim Farmer

It’s a case that divided Atlanta and people all across the world. Troy Davis, an African-American, was executed in 2011, convicted of killing white police

SOURCE: ArtsATL at 02:30PM
Thursday, April 7, 2016

Review: The Seedling Project takes root with sturdy, though sometimes shaky, “Hedda Gabler” by Jim Farmer

It’s an iconic role that many an actress would love to sink her teeth into. Written by playwright Henrik Ibsen, Hedda Gabler is one of

SOURCE: ArtsATL at 01:00PM
Friday, April 1, 2016

Review: “Kinky Boots” overcomes its inherent weaknesses with its considerable charms by Jim Farmer

Subtle and loaded with surprises it’s not, but for those looking for a high-kicking, energetic night of theater, Kinky Boots doesn’t disappoint.  Surprisingly just now

SOURCE: ArtsATL at 06:00PM
Thursday, March 31, 2016

News: How Hollywood rose up to pressure Georgia’s Nathan Deal to veto “religious freedom” bill by Jim Farmer

It’s a decision that was met with enthusiasm by many inside the state and outside of it, including the filmmaking community, the LGBT community and

SOURCE: ArtsATL at 05:53PM

Review: Serenbe puts on a great show, but “Carousel” is a musical past its expiration date by Andrew Alexander and Jim Farmer

Serenbe Playhouse and its artistic director Brian Clowdus have become masters at outdoor “event” theater — and the company is back with their take on

SOURCE: ArtsATL at 02:00PM
Thursday, March 24, 2016

Preview: With the character of chanteuse Ethel Waters, actress Terry Burrell finds her sweet spot by Jim Farmer

Terry Burrell is a ball of energy naturally, even as she makes her way into an Alliance Theatre conference room for an early morning interview,

SOURCE: ArtsATL at 03:00PM
Wednesday, March 16, 2016

Review: Aurora Theatre puts an enchanting twist on Sondheim’s classic “Into The Woods” by Jim Farmer

It’s considered “mainstream” Stephen Sondheim, in contrast to many of the composer’s other works, but make no mistake — Into the Woods is one dark

SOURCE: ArtsATL at 03:00PM
Thursday, March 10, 2016

Review: There’s a new Cirque du Soleil show in town and for our critics, “Kurios” rocks the big top by Andrew Alexander and Jim Farmer

Cirque du Soleil is now the largest theatrical producer in the world; the biggest big top ever. Our theater critics Jim Farmer and Andrew Alexander

SOURCE: ArtsATL at 11:00AM
Wednesday, February 17, 2016

Review: Lyric Theater’s “Full Monty” is a crowd pleaser that teases, but doesn’t go all the way by Jim Farmer

In the never-ending parade of hit movies that have become Broadway musicals, The Full Monty is an example of one that has firmly clicked, keeping

SOURCE: ArtsATL at 02:00PM
Thursday, February 11, 2016

For College Park native Neal Ghant (now starring in “American Buffalo”), it’s all in the Mamet by Jim Farmer

It’s a language many performers fear and avoid, but Neal Ghant has become pretty fluent in Mamet speak.  Mamet speak is the dialogue-rich, testosterone heavy

SOURCE: ArtsATL at 09:00AM
Wednesday, February 10, 2016

Review: Horizon’s “The Toxic Avenger” is one of the unsung super heroes of this theater season by Jim Farmer

Oftentimes theater gems can be found when least expected. It’s not the splashiest show around, or even the highest profile musical in town, but Horizon

SOURCE: ArtsATL at 11:00AM
Friday, February 5, 2016

Review: Alliance’s “Disgraced” tells a provocative tale of race and religion, and tells it really well by Andrew Alexander and Jim Farmer

Both a Pulitzer Prize winner and a 2015 Tony Award nominee for Best Play, Disgraced is one of the most talked about, provocative plays around,

SOURCE: ArtsATL at 11:00AM
Wednesday, February 3, 2016

Review: Theatrical Outfit’s “Moxie” shows promise, but needs more cohesion and honing by Jim Farmer

It begins simply enough, as a father in Afghanistan (Bobby Labartino) communicates with his son (Royce Mann) back home in the States by telling stories

SOURCE: ArtsATL at 01:00PM
Wednesday, January 20, 2016

Review: Aurora stages a strong, well-cast version of Margaret Edson’s timeless “Wit” by Jim Farmer

Clad in a hospital gown and a baseball cap to hide her hair loss, Dr. Vivian Bearing guides us through the last stages of her

SOURCE: ArtsATL at 11:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre