All stories by Jane Howard on BroadwayStars

Wednesday, March 30, 2022

Zoë Coombs Marr resurrects Dave – to take on ‘cancel culture’ and Dave Chappelle by Jane Howard

The Australian comedian’s hit character is a hacky and lecherous standup, at war with himself and his facial hair. He’s been in a coma since 2016. A lot has happened Dave is, objectively…

SOURCE: The Guardian at 07:06PM
Tuesday, March 31, 2020

We're Gonna Die: Young Jean Lee reminds us of all the tragedies we've survived before by Jane Howard

One of the world’s most exciting playwrights, Lee’s show distils our great fear of tragedy into the minutiae of everyday resilience Hidden away on a corner of the internet is a video I h…

SOURCE: The Guardian at 10:32AM
Wednesday, November 20, 2019

Fire-ravaged La Mama theatre ready to rebuild after raising $3.1m by Jane Howard

After a catastrophic fire gutted the building, Melbourne’s theatre community banded together to resurrect one of its most prized spaces When Betty Burstall, a young Melbourne teacher, put …

SOURCE: The Guardian at 01:03PM
Wednesday, March 13, 2019

'It's a scam': Australian playwright Patricia Cornelius surprised by $234,000 prize win by Jane Howard

Cornelius was among eight international writers to win the Windham-Campbell prize – which they didn’t know they were in the running for As has almost become cliché among Australian winn…

SOURCE: The Guardian at 03:30PM
Wednesday, May 16, 2018

Artificial intelligence: it may be our future but can it write a play? by Jane Howard

AI is the spectre haunting the workforce but theatre is exploring its creative possibilitiesSign up to receive the top stories in Australia every day at noon The first half of Lifestyle of t…

SOURCE: The Guardian at 03:32AM
Friday, March 9, 2018

Working the room: when the ordinary becomes extraordinary by Jane Howard

Slumber Party, at the Adelaide Fringe festival, took the familiar – a girl’s bedroom – and created a weird and wonderful space For 107 hours over one weekend during the Adelaide fringe…

SOURCE: The Guardian at 12:16AM
Monday, February 26, 2018

Patricia Cornelius: I have always had to strategise my own safety around men by Jane Howard

After 36 years as a writer, and ahead of two new plays, Australia’s most award-winning playwright talks about funding, football and the #MeToo movement“There was that great one,” Patri…

SOURCE: The Guardian at 11:07PM
Sunday, November 19, 2017

Muriel’s Wedding: The Musical review at Roslyn Packer Theatre, Sydney – ‘colourful and charming’ by Jane Howard

There is a lot to like about this enthusiastic and colourful stage version of PJ Hogan’s cult 1994 film Muriel’s Wedding. Muriel

SOURCE: The Stage Registration at 11:35AM
Saturday, September 30, 2017

Candy Bowers: 'The door was slammed on me for being a black woman' by Jane Howard

Woman behind Hot Brown Honey talks about building a career despite ‘apartheid’ experience of Australian performing artsCandy Bowers has a simple plan to improve Australian theatre cultur…

SOURCE: The Guardian at 06:42PM
Thursday, August 31, 2017

The curse of Macbeth: why I keep going back to see a play that I don’t like | Jane Howard by Jane Howard

Macbeth is Australia’s most performed Shakespearean play – so pity theatre critics like Jane Howard who don’t enjoy it As a theatre critic it’s important to not decide on a work befo…

SOURCE: The Guardian at 02:36PM
Thursday, June 22, 2017

Revolt. She Said. Revolt Again review – the ferocious, urgent roar of young and angry feminism by Jane Howard

Malthouse theatre, MelbourneThis audacious production explores the idea of theatre – and gender – as a construct, and is a testament to the strength of feminist performance in AustraliaI…

SOURCE: The Guardian at 01:36AM
Sunday, May 21, 2017

Zoë Coombs Marr, Adrienne Truscott and Ursula Martinez combine forces to eviscerate critics by Jane Howard

Malthouse theatre, MelbourneWith Wild Bore, three comedians at the top of their game deliver a meta exploration of criticism and performance that is truly, outrageously funnyI’m sitting in…

SOURCE: The Guardian at 11:36PM
Thursday, May 18, 2017

Minnie and Liraz review – Lally Katz finds fun, feminism and heart in a retirement home by Jane Howard

Fairfax Studio, Arts Centre MelbourneAustralia’s aged care bridge scene may seem an odd place to set a play – but like all good sports dramas, it’s not just about the gamePart odd coup…

SOURCE: The Guardian at 10:33PM
Monday, April 24, 2017

Joan review – a foreboding and suggestive retelling of Joan of Arc by Jane Howard

Theatre Works, St Kilda, MelbourneThe French saint’s wordless rage roars to life in The Rabble’s feminist and overtly physical retelling of the age-old tragedyFirst, there is darkness. S…

SOURCE: The Guardian at 02:12AM
Wednesday, April 5, 2017

Lord of the Flies review – a compelling adaptation all the better for its imperfections by Jane Howard

State Theatre, Arts Centre, MelbourneMatthew Bourne and Scott Ambler’s dance-theatre production is at its strongest when its performances are most rawWe’re not quite on a Pacific island …

SOURCE: The Guardian at 11:24PM
Wednesday, December 21, 2016

Australian theatre 2016: the 10 most groundbreaking shows by women by Jane Howard

Although main stages still suffer from gender imbalance, there was much to celebrate this year – particularly in smaller theatres and experimental spaces The recent Australian Writers’ G…

SOURCE: The Guardian at 02:12AM
Thursday, November 17, 2016

Blaque Showgirls review – Indigenous take on cult film is loud, proud and camp by Jane Howard

Malthouse theatre, Melbourne: Nakkiah Lui’s adaptation of the ‘so bad it’s good’ 1995 film moves the action from Las Vegas to BrisvegasThere’s a fascination in Australian theatre w…

SOURCE: The Guardian at 10:12PM
Sunday, October 23, 2016

Australia's culture of arts criticism is broken, and there's no clear way to fix it | Jane Howard by Jane Howard

UK theatre companies use even negative reviews to sell tickets and drive a vibrant conversation. It is impossible to imagine that happening in AustraliaIn 2013 the Daily Mail’s Quentin Let…

SOURCE: The Guardian at 11:07PM
Wednesday, October 12, 2016

Ancient Rain review: Paul Kelly and Camille O’Sullivan fuse poetry and cabaret, with mixed results by Jane Howard

Kelly and O’Sullivan’s collaboration embraces a century of Irish writing, but the seriousness does not quite result in depthWhen it all works, the poetry is the first star of Ancient Rai…

SOURCE: The Guardian at 09:07PM
Monday, October 10, 2016

Lady Eats Apple review – examination of the epic and the every day bears fruit by Jane Howard

Back to Back theatre’s technical accomplishments are formidable but a sense of intimacy is lostIn the beginning, God (Scott Price) created the heavens and the earth.Under a domed roof of t…

SOURCE: The Guardian at 01:55AM
Wednesday, August 31, 2016

Sisters Grimm: 'If your ears are bleeding, maybe turn it down' by Jane Howard

The theatre renegades have spent 10 years rising through the ranks. But the spaces where they cut their teeth are ‘going dark’The trajectory of Melbourne’s Sisters Grimm – the artist…

SOURCE: The Guardian at 08:42PM
Wednesday, May 18, 2016

Things I Know To Be True review – powerful debut of Andrew Bovell's affecting new play by Jane Howard

A collaboration between Australia and the UK, the family drama is tender, physical and deeply relatable – set in Adelaide, but looking towards the worldAs children move into adulthood thei…

SOURCE: The Guardian at 02:04AM
Tuesday, March 8, 2016

Has the Adelaide fringe festival gotten too big for its boots? by Jane Howard

Adelaide fringe brings more and more artists to the city each year – but as British comedian Alexis Dubus highlighted in a brutal Facebook post this week, how many are walking away happy?A…

SOURCE: The Guardian at 02:39PM
Wednesday, March 2, 2016

Forget the epic productions: the best bits of arts festivals are all about intimacy by Jane Howard

As Australia hits peak arts festival season, you’d do well to scour through programs for the shows that keep you talking into the nightIn festivals, it’s the large-scale shows that get t…

SOURCE: The Guardian at 08:19PM
Monday, February 29, 2016

The James Plays Trilogy review – high-stakes historical soap proves addictive by Jane Howard

Festival Theatre, Adelaide Festival CentreA trio of stories from Scottish royalty blend historical power struggles with contemporary dialogueThe history of Scottish nobility, as told through…

SOURCE: The Guardian at 09:45PM
Tuesday, February 23, 2016

Plexus review – body morphs with sculpture in astonishing stage illusions by Jane Howard

Heath Ledger Theatre, Perth international arts festivalFrench theatre director Aurélien Bory manipulates light and space in this warping and at times overindulgent star vehicle for Japanese…

SOURCE: The Guardian at 01:24AM
Sunday, February 21, 2016

Claire Cunningham's Guide Gods review – disability and religion meet in dance by Jane Howard

Perth festival, St George’s CathedralThe Scottish dancer’s work asks: if disability is considered a test or punishment from God, what does that mean for disabled people?Claire Cunningham…

SOURCE: The Guardian at 09:00PM
Tuesday, June 16, 2015

Adelaide cabaret festival 2015 review – hits, misses and pure emotion by Jane Howard

A dark and powerful performance from Meow Meow, an insider look at the musical theatre industry but a disappointing first outing for My Vagabond BoatMeow Meow comes on to the stage laborious…

SOURCE: The Guardian at 01:46AM
Thursday, June 4, 2015

Adelaide cabaret festival 2015: eight top must-see shows by Jane Howard

Between the divas, the miniature horse and a man in a bear head, there’s plenty of glitter, fun and champagne to be had, with or without Dame EdnaBarry Humphries on curating his first Adel…

SOURCE: The Guardian at 03:31AM
Monday, April 27, 2015

Madame: The Story of Joseph Farrugia review – an Adelaide legend celebrated by Jane Howard

Burnside Ballroom, AdelaideTorque Show’s dance theatre work takes one of the city’s most colourful characters and highlights the complex art of his adult entertainment Continue reading...

SOURCE: The Guardian at 01:46AM
Sunday, March 8, 2015

Fake It ’Til You Make It review – fringe love story about male depression by Jane Howard

Royal Croquet Club, Adelaide Fringe festivalKimmings and partner Tim Grayburn have made a darkly funny, beautifully painful show which takes as much care of its audience as its subject matte…

SOURCE: The Guardian at 11:15PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime