All stories by Jane Howard on BroadwayStars

Sunday, March 8, 2015

Fake It ’Til You Make It review – fringe love story about male depression by Jane Howard

Royal Croquet Club, Adelaide Fringe festivalKimmings and partner Tim Grayburn have made a darkly funny, beautifully painful show which takes as much care of its audience as its subject matte…

SOURCE: The Guardian at 11:15PM
Saturday, March 7, 2015

La Merda review – a swelling scream of self-love and self-loathing by Jane Howard

Space theatre, Adelaide festivalSilvia Gallerano is utterly compelling in this one hour stream of consciousness about a woman who unapologetically takes up space in the world Continue readin…

SOURCE: The Guardian at 12:12AM
Sunday, March 1, 2015

Azimut review - Moroccan acrobatics speak darker truths by Jane Howard

Adelaide Festival theatre, Adelaide festivalAurélien Bory and the artists of Le Groupe Acrobatique de Tanger dance with illusion and politics in this intense showcase of circus skill Conti…

SOURCE: The Guardian at 01:41AM
Sunday, February 15, 2015

Adelaide fringe 2015: eight shows to push your buttons by Jane Howard

From late night fringe Shakespeare where the actors get progressively drunker throughout the performance to Umit Bali, former illegal immigrant turned stand-up, here are the shows you won’…

SOURCE: The Guardian at 09:13PM
Wednesday, February 11, 2015

Adelaide fringe 2015: five key venues by Jane Howard

On the eve of the fringe we round up five festival hotspots, from the evergreen Garden of Earthly Delights to part-club, part-installation Surrender Continue reading...

SOURCE: The Guardian at 07:50PM
Thursday, February 5, 2015

James Joyce's Ulysses retold over 10 hours in the theatre? Sign me up by Jane Howard

With a new version of the James Joyce classic in development, epically long theatre is back on the menu again – are you in for the long haul? Continue reading...

SOURCE: The Guardian at 12:56AM
Tuesday, November 18, 2014

Othello review – a powerful and sickening parable of modern man by Jane Howard

Dunstan Playhouse, AdelaideNescha Jelk rips away from the familliar story of racism and jealousy, using Shakespeare’s script to explore a masculinity that thrusts violence among men – an…

SOURCE: The Guardian at 07:08PM
Monday, October 27, 2014

Quiet Faith review Christian Australia in its infinite variety by Jane Howard

Waterside, Port Adelaide While the press focuses on conservative politics and religion, David Williams amplifies a variety of Christian voices in this subtly devised verbatim show Continue r…

SOURCE: The Guardian at 02:36AM
Tuesday, October 7, 2014

Crack theatre festival review rough and ready for a wider audience by Jane Howard

This is Not Art, Newcastle, NSWThis festival of new performance in a gutted department store offered audiences a taster of new talent along with their toasties Continue reading...

SOURCE: The Guardian at 01:11AM
Sunday, July 6, 2014

Cinderella review: Australian Ballet's sublime ridiculousness by Jane Howard

Adelaide Festival TheatreGiant legs, bunny-hops and a fist pump bring out the surreal hilarity in the fairytale but the dancers are never outshone There is little about Alexei Ratmanskys Ci…

SOURCE: The Guardian at 10:38PM
Wednesday, June 4, 2014

Dangerous Liaisons review grand fun that's all too fleeting by Jane Howard

Lawler Studio, Neon festival, MelbourneMelbourne's leading independent theatre festival stages a high glitz and high camp adaptation of Dangerous Liaisons In 2013, Neon took Melbourne's thea…

SOURCE: The Guardian at 02:15AM
Wednesday, May 28, 2014

Jesikah review  a vivid portrait of adolescent trauma by Jane Howard

Dunstan Playhouse, AdelaideA play about bullying comes across like a stage version of Mean Girls, and will resonate strongly with its young audienceJesikah (Kate Cheel) and Denise (Elizabeth…

SOURCE: The Guardian at 02:56AM
Friday, May 9, 2014

White Face review: dance exploration of Indigenous identity by Jane Howard

Next Wave festival, Footscray Community Arts Centre, MelbourneThough plagued by technical issues, this powerful piece brings a new voice to dance Carly Sheppard stands under a spotlight. Sh…

SOURCE: The Guardian at 01:46AM
Thursday, May 8, 2014

Hex review: the Aids crisis revisited through dance by Jane Howard

Next Wave festival, fourtyfivedownstairs, MelbourneHex is a powerful work that looks at the Aids crisis from a generation away, and explores its legacy and impactJames Welsby was born the sa…

SOURCE: The Guardian at 02:19AM
Monday, May 5, 2014

The Club 3.0 review: theatre troupe tries to get audience to fight each other by Jane Howard

Next Wave festival, Arts House, MelbourneA Belgian company's attempt to create a real-life fight club causes more embarrassment than insurrectionary fervour They tell us the whole story: Bel…

SOURCE: The Guardian at 03:18AM

Maximum review: two performers push themselves to exhaustion by Jane Howard

Next Wave festival, Arts House, MelbourneA dancer and a bodybuilder run in circles around a stage in a show about the pleasure and pain of physical exertionDancer Natalie Abbott and bodybuil…

SOURCE: The Guardian at 01:57AM

SEETHrough review: unfocused portrayal of masculinity in crisis by Jane Howard

Next Wave festival, Malthouse Theatre, MelbourneFluctuating between poetry, drama and physical theatre, this play needs to show rather than tellIn a small Australian town, young men Sean (Co…

SOURCE: The Guardian at 01:42AM
Friday, May 2, 2014

Madonna Arms review feminist sci-fi parable misfires by Jane Howard

Next Wave festival, Arts House, MelbourneSet in a stylised version of the future, this show may be loud and fast, but its overall meaning is confused Madonna Arms, from theatre company Im Tr…

SOURCE: The Guardian at 12:15AM
Thursday, May 1, 2014

Wael Zuaiter: Unknown review  compelling story of an assassination by Jane Howard

Next Wave festival, Theatre Works, MelbourneTold by a radio producer taking the stage for the first time, the story of the Palestinian translator linked to the Munich massacre is gripping, e…

SOURCE: The Guardian at 01:02AM
Thursday, March 13, 2014

Rime of the Ancient Mariner review – 'a punk cabaret retelling' by Jane Howard

Adelaide festival: Her Majesty’s TheatreThis work combining snippets of Coleridge’s text with songs from The Tiger Lillies and film from Mark Holthusen is less than the sum of its partsJ…

SOURCE: The Guardian at 12:32AM
Wednesday, March 12, 2014

Jane Howard’s Adelaide fringe diary: Love-Song-Circus, Asking For It, Birdman by Jane Howard

From love in a dark, sad time to a contemporary take on sex in this final instalment of our fringe diary for 2014. Plus: how an audience can make a show so much more special Jane Howard

SOURCE: The Guardian at 02:28AM
Tuesday, March 11, 2014

FOMO: The Fear of Missing Out review – a nightmarish dissection of a life by Jane Howard

Humorous take on a particularly strange group of staff, guests and callers at a community radio productionJane Howard

SOURCE: The Guardian at 02:44AM

Jane Howard’s Adelaide Fringe diary: Swamp Juice, Edge!, Bound for Glory by Jane Howard

A genuinely quite extraordinary puppet show; Stella gets confronting; and the lads are just unfunnyJane Howard

SOURCE: The Guardian at 01:02AM
Monday, March 10, 2014

Jane Howard's Adelaide Fringe diary: They Saw a Thylacine, Storytellers' Club on the Popeye by Jane Howard

We bump into Festival Freak, watch two women and a Tasmanian tiger, and listen to stories on a Torrens cruiseJane Howard

SOURCE: The Guardian at 01:29AM
Sunday, March 9, 2014

You Wanna Talk About It review – the mad world of breaking news by Jane Howard

Adelaide Fringe festival: The German ClubThe audience gets its chance to connect with events of the day in this show that delivers with humour and warmthJane Howard

SOURCE: The Guardian at 09:21PM
Saturday, March 8, 2014

Jane Howard’s Adelaide Fringe diary: Carousel & Clothesline, Fright or Flight, and more Street Theatre festival by Jane Howard

A Canadian circus show that’s just kidding around; blindfolded women with washing gloves on their feet; and a magician for drunksJane Howard

SOURCE: The Guardian at 11:31PM

Bitch Boxer review – one-woman show delivers emotional punch by Jane Howard

A female boxer fights for her place in the Olympics in this fearless one-woman show that lands plenty of emotional punchesJane Howard

SOURCE: The Guardian at 01:35AM

Jane Howard's Adelaide Fringe diary: Street Theatre festival, A Special Day, Kraken by Jane Howard

Aerial stunts take over the streets; an Italian classic gets a theatrical makeover; and 45 minutes of uproarious clowningJane Howard

SOURCE: The Guardian at 01:21AM
Friday, March 7, 2014

Adelaide Fringe 2014: Jane Howard’s diary – Friday March 7 by Jane Howard

Swinging a mallet at the Croquet Club; hula hoops and paper umbrellas – and, to finish the night, strip-skippingJane Howard

SOURCE: The Guardian at 01:46AM
Thursday, March 6, 2014

Adelaide Fringe festival 2014: 10 shows not to miss by Jane Howard

Floating storytelling, a one-lady rape comedy and Spiegeltent glitz – you’re sure to find something you like at the FringeJane Howard

SOURCE: The Guardian at 11:53PM
Wednesday, February 26, 2014

Pam Ann: 'I only know three straight people: mum, dad and my brother' by Jane Howard

As she gets set to play her ninth Mardi Gras, Australian comic Caroline Reid tells Jane Howard about camp, being offensive – and having to compete with GrindrJane Howard

SOURCE: The Guardian at 02:22AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime