All stories by Ian Foster on BroadwayStars

Sunday, April 5, 2020

‘Trying to capture just a spark of that charge that comes with live theatre’: ONE MAN, TWO GUVNORS – National Theatre (Online review) by Ian Foster

National Theatre at Home is a huge success. The type of scheme that only large institutions can hope to really pull off but even so, managing the kind of appointment-to-view occasion that wa…

Linked From mytheatremates.com at 01:00PM
Friday, April 3, 2020

ALBUM REVIEW: #ZoologicalSociety by Ian Foster

New musical #ZoologicalSociety, written by Vikki Stone and Kate Mulgrew, gets a well-timed concept album release.

Linked From mytheatremates.com at 05:00AM
Wednesday, March 4, 2020

‘Big misjudgement. Huge’: PRETTY WOMAN THE MUSICAL – West End by Ian Foster

Aimie Atkinson is good but deserves far better than Pretty Woman: the Musical, the blatant cash grab at the Piccadilly Theatre.

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Tuesday, March 3, 2020

‘A refreshing change to the norm’: MACBETH – Greenwich Theatre by Ian Foster

Lazarus Theatre’s ensemble-based take on Macbeth at Greenwich Theatre proves thrilling in its stylish directorial vision.

Linked From mytheatremates.com at 07:00AM
Thursday, February 27, 2020

‘Might be in need of a miracle’: THE PRINCE OF EGYPT – West End by Ian Foster

In The Prince Of Egypt highly committed cast does their best to ride out inconsistent production choices to deliver work that fills the Dominion well.

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Tuesday, February 25, 2020

‘Properly entertaining & endlessly watchable’: The Extraordinary Time-Travelling Adventures of Baron Munchausen – Vault Festival by Ian Foster

I go and see The Extraordinary Time-Travelling Adventures of Baron Munchausen at the VAULT Festival and end up playing a tree with killer leaves.

Linked From mytheatremates.com at 09:00AM
Wednesday, February 19, 2020

‘Its vibrant energy is thrilling to behold’: POET IN DA CORNER – Royal Court Theatre & Touring by Ian Foster

As rap and spoken word emerge as the primary storytelling modes in Poet in da Corner, along with some evocative dancing, there’s a compelling sense of the potential of what theatre can be.

Linked From mytheatremates.com at 09:00AM
Monday, February 10, 2020

‘An intriguing start to Bloomer’s tenure’: I WOKE UP FEELING ELECTRIC – Hope Theatre by Ian Foster

Jack Robson’s I Woke Up Feeling Electric asks some morally and technologically challenging questions at the Hope Theatre.

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Friday, February 7, 2020

‘A truly astonishing piece of acting’: DEATH OF ENGLAND – National Theatre by Ian Foster

In Death of England, Rafe Spall delivers the performance of a lifetime in this punchy monologue by Clint Dyer and Roy Williams at the National Theatre.

Linked From mytheatremates.com at 07:00AM
Thursday, February 6, 2020

‘It’s hilarious but also moving’: AFTER(S) – White Bear Theatre by Ian Foster

The perils of midweek drinking writ large – After(s) examines what it means to be in your mid-twenties today at the White Bear Theatre in Kennington.

Linked From mytheatremates.com at 07:00AM
Wednesday, February 5, 2020

‘You’ll find it hard not to be won over’: THE MISDAVENTURES OF DAVID & SAM – Vault Festival by Ian Foster

The Misadventures of David and Sam proves a good-natured and light-hearted piece of fun family theatre at the VAULT Festival.

Linked From mytheatremates.com at 07:00AM
Thursday, January 30, 2020

‘Its power is unmistakeable’: THE SUGAR SYNDROME – Orange Tree Theatre by Ian Foster

A fine revival of Lucy Prebble’s first play The Sugar Syndrome features a strong debut performance from Jessica Rhodes at the Orange Tree Theatre.

Linked From mytheatremates.com at 05:00AM
Wednesday, January 29, 2020

Twenty shows to look out for at the VAULT Festival 2020 by Ian Foster

Insofar as it is humanly possible for any one person to know everything that is happening at the VAULT Festival this year, I present a handful of my recommendations for 2020.

Linked From mytheatremates.com at 07:00AM
Sunday, January 26, 2020

‘A triumphant tragicomedy’: UNCLE VANYA – West End by Ian Foster

Conor McPherson’s adaptation of Uncle Vanya featuring Toby Jones and Richard Armitage at the Harold Pinter Theatre is so good you can forgive the “wanging on”.

Linked From mytheatremates.com at 07:00AM
Saturday, January 25, 2020

‘A historical epic that demands to be heard’: THE WELKIN – National Theatre by Ian Foster

Lucy Kirkwood returns to the National Theatre with The Welkin, starring a brilliant ensemble led by Maxine Peake.

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Thursday, January 23, 2020

‘Delicate but delicious’: YOU STUPID DARKNESS! – Southwark Playhouse by Ian Foster

With its focus on the small things, Sam Steiner’s play You Stupid Darkness! is a delicate but delicious thing at the Southwark Playhouse.

Linked From mytheatremates.com at 07:00AM
Sunday, January 19, 2020

‘Fascinating drama’: THE STORY / HELA – Touring by Ian Foster

The Other Room’s The Story and Hela make a delightful and daring double bill of Welsh drama at Theatre503.

Linked From mytheatremates.com at 09:00AM
Friday, January 17, 2020

‘Bold & striking’: THE PROCESS – Bunker Theatre by Ian Foster

BAZ Productions’ The Process proves bold and striking in its use of BSL and spoken English, if a little flawed too, now running at the Bunker Theatre.

Linked From mytheatremates.com at 07:00AM
Thursday, January 16, 2020

‘Playful & intermittently powerful’: TOM BROWN’S SCHOOL DAYS – Union Theatre by Ian Foster

A musical adaptation of Tom Brown’s School Days at the Union Theatre has some moments, and performances, to treasure.

Linked From mytheatremates.com at 09:00AM
Sunday, January 12, 2020

‘At the cutting edge of the zeitgeist’: SIX THE MUSICAL – Touring by Ian Foster

As well as providing a welcome opportunity for performers to really cut loose, Six also – sadly – remains at the cutting edge of the zeitgeist.

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Saturday, January 11, 2020

‘Toys interestingly with ideas of representation’: ANTIGONE – New Diorama Theatre by Ian Foster

Holy What’s Antigone at the New Diorama shifts the focus of Sophocles’ play onto two young sisters to powerful effect.

Linked From mytheatremates.com at 09:00AM
Sunday, January 5, 2020

Broadway Album Reviews: The New Yorkers, Kiss Me, Kate! & Beetlejuice by Ian Foster

Ought To Be Clowns tackles a trio of Broadway cast recordings in the shape of Cole Porter’s The New Yorkers, Kiss Me, Kate! and Beetlejuice.

Linked From mytheatremates.com at 09:00AM
Saturday, January 4, 2020

Ought To Be Clowns’ 10 favourite shows of 2019 by Ian Foster

Ought To Be Clowns barely saw 250 shows this year, quiet by his standards. And as is the way of these things, here’s a rundown of some of the productions that moved me most…

Linked From mytheatremates.com at 11:00AM
Thursday, January 2, 2020

20 shows to look forward to in 2020 by Ian Foster

Looking ahead to some of 2020’s exciting shows, most with an emphasis away from the West End and instead focusing at the London Fringe and across the UK.

Linked From mytheatremates.com at 07:00AM
Monday, December 30, 2019

10 of Ought To Be Clowns’ top moments of the decade by Ian Foster

Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be dif…

Linked From mytheatremates.com at 11:00AM
Sunday, December 22, 2019

‘There’s just a whole lot of arrestingly good fun to be had here’: CURTAINS – West End by Ian Foster

A Kander & Ebb premiere in the West End you say? Curtains makes its bow at the Wyndham’s Theatre and I had an arrestingly good time with it.

Linked From mytheatremates.com at 07:00AM
Friday, December 20, 2019

‘Riding a wave of sweet-sharp emotion’: AMELIE THE MUSICAL – The Other Palace by Ian Foster

Not too much more to say about Amélie the Musical, now in London at The Other Palace, other than book now for un moment merveilleux.

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Thursday, December 19, 2019

‘Smartly self-aware, free adaptation’: TEENAGE DICK – Donmar Warehouse by Ian Foster

Teenage Dick at the Donmar Warehouse does extremely well in dealing with disability but I think we’re kidding ourselves if we’re yet in a place where this would happen organically.

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Wednesday, December 18, 2019

‘Challenging but exhilarating reworking’: THREE SISTERS – National Theatre by Ian Foster

Inua Ellams’ relocation of Chekhov’s Three Sisters to the Biafran Civil War proves devastatingly effective at the National Theatre.

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Friday, December 13, 2019

‘Bleak & powerful’: A KIND OF PEOPLE – Royal Court Theatre by Ian Foster

Not much festive cheer around at the Royal Court, but plenty of grimly insightful writing in Gurpreet Kaur Bhatti’s A Kind of People.

Linked From mytheatremates.com at 07:00AM
Friday, December 6, 2019

‘Ria Jones’ Mama Rose is an undeniably forceful presence’: GYPSY – Manchester by Ian Foster

Because nothing says Merry Christmas like a stage mum going off the rails! Gypsy offers a different festive treat at Manchester’s Royal Exchange.

Linked From mytheatremates.com at 09:00AM

All that Chat

2019-2020 BROADWAY SEASON
Oct 06: Slave Play
Feb 01: The Minutes
TBA: Blue