All stories by Frank Scheck on BroadwayStars

Friday, March 2, 2012

Review: Carrie by Frank Scheck

The original musical version of Carrie was a notorious flop upon its 1988 Broadway premiere--it closed after five performances at a loss of millions of dollars, nearly destroyed the reputati…

SOURCE: Scheck on the Arts at 03:01AM
Wednesday, February 29, 2012

Review: Assistance by Frank Scheck

Tyrannical bosses should be more careful about mistreating their employees. Their victims may very well develop into talented playwrights who will later skewer them in viciously funny fashio…

SOURCE: Scheck on the Arts at 06:08AM
Monday, February 27, 2012

She’s a not-so-little orphan angry by Frank Scheck

Its lurid title notwithstanding, “I Killed My Mother” is neither campy comedy nor a theatrical take on film noir. Instead, Andras Visky’s new play — a portrait of a young woman’s h…

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Goes above & ‘Beyond’ by Frank Scheck

The Irish Rep has done it again. Having ably resuscitated, Eugene O’Neill’s “The Hairy Ape” and “The Emperor Jones,” it’s now revived “Beyond the Horizon” — a drama that …

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Friday, February 24, 2012

Review: Galileo by Frank Scheck

With partisan politics injecting itself into scientific debate with dismaying frequency these days, Bertolt Brecht’s Galileo has a disturbing modern resonance. While the Classic Stage …

SOURCE: Scheck on the Arts at 07:03AM
Thursday, February 23, 2012

Review: Early Plays by Frank Scheck

Although the stage seems bare for The Wooster Group’s production of Eugene O’Neill’s Early Plays, it actually contains an awful lot of baggage. The troupe is well known for…

SOURCE: Scheck on the Arts at 06:20AM

Where’s Waldo? At the fuse box by Frank Scheck

Imagine a “Honeymooners” episode in which Ed Norton channels the spirit of Ralph Waldo Emerson, and you’ve got the gist of “Call Me Waldo.” In Rob Ackerman’s whimsical new comedy…

SOURCE: The New York Post Subscription at 12:42AM
Monday, February 20, 2012

Mind reader’s show ESP-ecially enjoyable by Frank Scheck

One thing’s guaranteed about an evening with Marc Salem — he’ll mess with your head. The renowned mentalist does it again in his latest show, “Mind Over Manhattan,” which will leav…

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‘License’ to thrill by Frank Scheck

It’s hard to imagine that a crackling drama could revolve around a poet laureate’s career. But Jack Canfora’s “Poetic License” manages to render a tale of artistic ambition and hid…

SOURCE: The New York Post Subscription at 12:47AM
Friday, February 17, 2012

Review: Blood Knot by Frank Scheck

It may be heretical to say, but seeing Athol Fugard’s landmark 1961 drama Blood Knot again, even in a superbly realized revival such as the one being presented by the Signature Theatre…

SOURCE: Scheck on the Arts at 06:18AM
Thursday, February 16, 2012

Shatner's World: We Just Live In It: Theater Review by Frank Scheck

Frank Scheck William Shatner takes audiences on a witty journey through his acting career in his one-man Broadway performance.read more

SOURCE: The Hollywood Reporter at 08:00PM

A ‘Map’ for the birds by Frank Scheck

When the narrator of “A Map of Virtue” turned out to be a bird statue, the play stopped working for me. Sadly, that was in the first few minutes.This latest effort, presented by the play…

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Love story, with tattoo, leaves its mark by Frank Scheck

As delicate as a cherry blossom, “Tokio Confidential” transports us to 19th-century Japan. This lovely chamber musical about a Civil War widow whose life’s transformed by a tattoo arti…

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Wednesday, February 15, 2012

Love and death, and family, in olden times by Frank Scheck

Love proves lethal in John Ford’s 1629 revenge drama “The Broken Heart.” Theatre for a New Audience’s stylish rendition of this difficult and rarely performed play captures all of it…

SOURCE: The New York Post Subscription at 12:32AM
Monday, February 13, 2012

Lacking ‘Drive’ by Frank Scheck

Norbert Leo Butz has always brought a certain strangeness to his roles, whether a buffoonish con artist in “Dirty Rotten Scoundrels” or an obsessive FBI agent in “Catch Me If You Can.�…

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Sunday, February 12, 2012

Overstuffed ‘Whales’ not a day at the beach by Frank Scheck

When Rinde Eckert’s “Moby-Dick”-themed “And God Created Great Whales” premiered in 2000, it racked up rave reviews and many awards, and went on to several revivals. Well, call me I…

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Friday, February 10, 2012

‘Merrily,’ it gets Encores! by Frank Scheck

Revivals of “Merrily We Roll Along” are a lot like the musical itself: Just as its characters get younger and more idealistic with each scene, there’s a perpetual hope of going back in…

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Thursday, February 9, 2012

Misconceived staging not worth Chek-ing out by Frank Scheck

An offhand reference to wild ducks is the closest you get to Chekhov’s brilliance in “Chekhovek,” an ill-advised adaptation of the Russian master’s short stories. Like “The Sneeze,…

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‘Therapy’ should be couched by Frank Scheck

Try as you might, you won’t find a directing credit in the program for “Psycho Therapy.” Watching it, you won’t find any evidence of a director, either. Frank Strausser’s alleged c…

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Tuesday, February 7, 2012

Drama a Marvell to behold by Frank Scheck

Memo to theater companies specializing in the classics: Take a cue from Marvell Rep. The troupe’s second season doesn’t have a Shakespeare, Chekhov or Shaw in the bunch — just six cont…

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Friday, February 3, 2012

Review: Look Back in Anger by Frank Scheck

It’s ironic that John Osborne’s classic drama Look Back in Anger is now as much of a period piece as the “well-made plays” it was attempting to usurp. This work--whic…

SOURCE: Scheck on the Arts at 07:00AM
Wednesday, February 1, 2012

Fine writing does not apply here by Frank Scheck

In light of the recent Vassar early-admissions snafu, already wary parents of students applying to college should avoid “Inadmissible.” Not that anyone else should rush to see this play …

SOURCE: The New York Post Subscription at 10:27PM
Tuesday, January 31, 2012

Review: Russian Transport by Frank Scheck

Beware sexy Russian men bearing gifts. That seems to be the primary message of Russian Transport, the new play by Erika Sheffer being given its world premiere by the New Group. This uneasy b…

SOURCE: Scheck on the Arts at 05:09AM
Friday, January 27, 2012

Review: Wit by Frank Scheck

Margaret Edson has just written one play in her life, the brilliant Wit, now receiving its Broadway premiere a mere seventeen years after it was first produced and went on to win nearly ever…

SOURCE: Scheck on the Arts at 06:58AM
Wednesday, January 25, 2012

Review: Petula Clark at Feinstein's at Loews Regency by Frank Scheck

The British songstress long-awaited return to the New York nightclub scene proved to be a truly triumphant evening.

SOURCE: TheaterMania at 10:00AM
Tuesday, January 24, 2012

‘Claywoman’ half-film, half-live & half-baked by Frank Scheck

In “The Mystery of Claywoman,” we meet a 500-million-year-old extraterrestrial who’s become a cult-like figure. She’s a fascinating character — too bad we don’t get to see more o…

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Monday, January 23, 2012

Ghost story’s a vision but not clear by Frank Scheck

Though “Stopped Bridge of Dreams” is based on 17thcentury Japanese writings, its style couldn’t be more contemporary. Written, directed and designed by MacArthur “Genius” Award win…

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Sunday, January 22, 2012

He’ll charm your pants off by Frank Scheck

You can tell that George Bernard Shaw was still a young man when he wrote “The Philanderer.” This infrequently performed comedy has a breezy playfulness, unlike the playwright’s more h…

SOURCE: The New York Post Subscription at 11:21PM
Saturday, January 21, 2012

Poor ‘Instinct’ stinks by Frank Scheck

The four scientists in “Instinct” spend most of the play’s 85-minute running time debating parenthood, religion and sexual identity. Oh, and they’re also trying to halt an epidemic k…

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Off-kilter ‘Earth’ lacking in gravity by Frank Scheck

A Midwestern mother and her businesswoman daughter travel to a small American city. Their purpose? To identify the body of a family member who committed suicide.Hilarity ensues.If that sound…

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Thursday, January 19, 2012

Review: Richard III by Frank Scheck

Reunited with his American Beauty director, Sam Mendes, Kevin Spacey pulls out all the stops with his devilishly entertaining turn in the title role of the Bridge Project’s production …

SOURCE: Scheck on the Arts at 05:58AM

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