All stories by Frank Scheck on BroadwayStars

Friday, April 13, 2012

Review: Evita by Frank Scheck

“Tasteful” is not a word that springs to mind when thinking about Eva Peron, and it shouldn’t when it comes to Andrew Lloyd Webber and Tim Rice’s musical Evita either…

SOURCE: Scheck on the Arts at 06:14AM
Thursday, April 12, 2012

Review: Magic/Bird by Frank Scheck

If you’re going to write a play about two legendary sports figures it would help if more than one of them was interesting. Such is the dilemma of Eric Simonson’s second attempt t…

SOURCE: Scheck on the Arts at 06:54AM
Wednesday, April 11, 2012

Review: Clint Holmes: This Thing Called Love by Frank Scheck

The singer brilliantly juxtaposes and combines the work of Cole Porter and Paul Simon in his wonderful new show at the Cafe Carlyle.

SOURCE: TheaterMania at 10:00AM
Friday, April 6, 2012

All’s Will, ends well by Frank Scheck

If this whole showbiz thing doesn’t work out, Simon Callow would make a great professor. The British performer, best known here for such films as “Four Weddings and a Funeral,” just br…

SOURCE: The New York Post Subscription at 11:49PM
Thursday, April 5, 2012

Finely tuned ‘Strad’ by Frank Scheck

One of the two characters in “The Morini Strad” is a violin restorer who loves what he does. Watching him painstakingly repair a damaged Stradivarius is to see a true craftsman at work. …

SOURCE: The New York Post Subscription at 12:19AM

Icelandic love story frozen by whimsy by Frank Scheck

At one point during “Out of Iceland,” Lea DeLaria, playing a male troll named Thor, steps onstage in a swan outfit and belts out “Bali Hai” in Icelandic. And that’s one of the even…

SOURCE: The New York Post Subscription at 12:14AM
Tuesday, April 3, 2012

Review: End of the Rainbow by Frank Scheck

It may be time to let Judy Garland rest in peace. The beloved entertainer has been a never-ending subject of fascination since her untimely death. Since then, she’s been portrayed on s…

SOURCE: Scheck on the Arts at 04:14AM
Monday, April 2, 2012

Review: Gore Vidal's The Best Man by Frank Scheck

You may be wondering why Gore Vidal’s politically-themed drama The Best Man needed another revival a mere twelve years after its last Broadway outing. The better question is why hasn&#…

SOURCE: Scheck on the Arts at 04:37AM

Even in death, Michael Jackson’s a thriller by Frank Scheck

There’s a surreal quality to Cirque du Soleil’s “Michael Jackson: The Immortal World Tour,” which played this weekend at Newark’s Prudential Center, and it’s not just because its…

SOURCE: The New York Post Subscription at 12:47AM
Friday, March 30, 2012

Review: Newsies by Frank Scheck

It’s a hard knock life for the newsboys in Newsies, the stage adaptation of the flop 1992 Disney musical film that has become a cult favorite. When the ragtag group of orphans and runa…

SOURCE: Scheck on the Arts at 06:47AM
Thursday, March 29, 2012

Review: Now.Hear.This by Frank Scheck

Those impish wags from [title of show] are back to their meta-theatrical tricks in their new, similarly whimsically titled new musical. Starring Hunter Bell, Susan Blackwell, Heidi Blickenst…

SOURCE: Scheck on the Arts at 05:54AM
Wednesday, March 28, 2012

Review: Regrets by Frank Scheck

Rising British playwright Matt Charman reveals a fascination with the darker aspects of ‘50s era American society in Regrets, now receiving its world premiere from the Manhattan Theatr…

SOURCE: Scheck on the Arts at 05:52AM
Tuesday, March 27, 2012

Soft-soaping a real horror story by Frank Scheck

Holocaust deniers are a reprehensible lot. But they can be transfixing. That’s the uncomfortable message one takes away from “The Soap Myth,” presented by the National Jewish Theater.…

SOURCE: The New York Post Subscription at 12:36AM
Monday, March 26, 2012

Review: 'Tis Pity She's a Whore by Frank Scheck

The last time I checked, incest between a brother and sister was still considered relatively abhorrent.   So it naturally comes as a surprise that the Cheek by Jowl production of John …

SOURCE: Scheck on the Arts at 06:11AM
Sunday, March 25, 2012

Simon’s ‘Lost’ proves quite a find by Frank Scheck

When Neil Simon’s “Lost in Yonkers” opened back in 1991, all three of its leads — Mercedes Ruehl, Irene Worth and Kevin Spacey — won Tony Awards. Now it’s the children’s hour.…

SOURCE: The New York Post Subscription at 11:40PM
Friday, March 23, 2012

Review: Jesus Christ Superstar by Frank Scheck

Jesus Christ Superstar, which began its life as a concept album, has always been more fun to listen to than actually watch. But the new Broadway revival--imported from the Stratford Shakespe…

SOURCE: Scheck on the Arts at 06:41AM
Wednesday, March 21, 2012

A fine job singing of unemployment by Frank Scheck

The spirit of Woody Guthrie is alive and well in the East Village, thanks to Ethan Lipton’s “No Place To Go,” a “musical ode to the unemployed.” Stylistically, the 41-year-old hew…

SOURCE: The New York Post Subscription at 10:35PM

Review: Nellie McKay: Silent Spring - It's Not Nice to Fool Mother Nature by Frank Scheck

This tribute to environmentalist Rachel Carson at Feinstein's at Loews Regency doesn't do justice to its subject matter.

SOURCE: TheaterMania at 10:00AM
Tuesday, March 20, 2012

You’ll swoon over ‘Moon’ by Frank Scheck

It took no small amount of guts for the Pearl Theatre Company to mount “A Moon for the Misbegotten.” This final masterpiece by Eugene O’Neill hasn’t exactly been underexposed here. B…

SOURCE: The New York Post Subscription at 12:29AM
Saturday, March 17, 2012

‘Lucky’ is just ducky by Frank Scheck

HEY , kids — remember that fairy tale by Hans Christian somebody, “Ugly Duckling,” about a duck that turns into a beautiful swan? Now you can see it live! It has music and dancing and …

SOURCE: The New York Post Subscription at 12:46AM
Friday, March 16, 2012

Review: Death of a Salesman by Frank Scheck

Whenever there’s a new revival of Death of a Salesman people marvel at the fact that it seems so newly relevant. But it’s not that society is changing but rather that Arthur Mill…

SOURCE: Scheck on the Arts at 04:10AM
Thursday, March 15, 2012

Pardon me, waiter, there’s soup in this play by Frank Scheck

‘Teresa’s Ecstasy,” by the wonderfully named Spanish American playwright and actress Begonya Plaza, tries to combine the spiritual with the earthly in its story of a woman’s quest fo…

SOURCE: The New York Post Subscription at 12:46AM
Wednesday, March 14, 2012

When puppets go bad, hilariously & wickedly by Frank Scheck

There’s a scene in “Hand to God” in which two teenagers tenderly and quietly discuss their feelings for one another . . . all the while desperately trying to ignore the hand puppets th…

SOURCE: The New York Post Subscription at 12:30AM
Tuesday, March 13, 2012

‘Flight’ never quite takes off by Frank Scheck

There’s nothing more annoying than to be stuck at the theater while someone chatters away incessantly on his cellphone. It’s even worse when he’s onstage. That’s the case with “F…

SOURCE: The New York Post Subscription at 12:31AM
Sunday, March 11, 2012

It’s got killer music by Frank Scheck

You’ll never hear Beethoven’s erotically charged piece of music the same way after seeing “The Kreutzer Sonata.” Adapted by Nancy Harris from Leo Tolstoy’s 1889 novella — so pro…

SOURCE: The New York Post Subscription at 11:17PM
Friday, March 9, 2012

Review: An Iliad by Frank Scheck

The simple act of storytelling is a time-honored theatrical tradition. But it can also a hackneyed one. Case in point: An Iliad, the new one-man show—well, technically two man, but mor…

SOURCE: Scheck on the Arts at 05:27AM
Wednesday, March 7, 2012

Review: The Lady From Dubuque by Frank Scheck

Not that I’m in any rush, but whenever death comes for me I hope it takes the form of the Lady from Dubuque.   As elegantly personified by Jane Alexander in the Signature Theatre…

SOURCE: Scheck on the Arts at 04:53AM
Monday, March 5, 2012

Pleasure mixed with Twain by Frank Scheck

Even Mark Twain would have liked “The Adventures of Tom Sawyer” now playing at the New Victory Theater: Not only is this child-friendly rendition faithful to the text and spirit of his w…

SOURCE: The New York Post Subscription at 10:57PM

Review: Tribes by Frank Scheck

On its surface, Tribes is concerned with a young deaf man’s sudden decision to embrace sign language rather than rely on lip-reading. But that description doesn’t do justice to N…

SOURCE: Scheck on the Arts at 08:25AM
Sunday, March 4, 2012

Moving ‘Alice’ is a wonderland by Frank Scheck

The women address us from the stage, speaking in soft, halting tones, their eyes darting nervously. They’re clearly not comfortable being there. But when they look directly at each other,…

SOURCE: The New York Post Subscription at 10:39PM
Friday, March 2, 2012

Review: Carrie by Frank Scheck

The original musical version of Carrie was a notorious flop upon its 1988 Broadway premiere--it closed after five performances at a loss of millions of dollars, nearly destroyed the reputati…

SOURCE: Scheck on the Arts at 03:01AM

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