All stories by Elisabeth Vincentelli on BroadwayStars

Wednesday, September 19, 2012

Real-life death-row drama will set you free by Elisabeth Vincentelli

‘the Exonerated” is about a very exclusive club no one would ever want to join: those who made it out of death row alive. Jessica Blank and Erik Jensen’s play tells the real stories of…

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Broken dreams, dream play by Elisabeth Vincentelli

‘Detroit” is deceptively small in scope. You could say it’s about neighborly relations. But Lisa D’Amour’s dark comedy — which opened last night at Playwrights Horizons, after a…

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Monday, September 17, 2012

‘Einstein’ remains genius by Elisabeth Vincentelli

There’s nothing to understand in “Einstein on the Beach,” nothing to “get.” And as the revival of this 1976 masterpiece shows, that’s OK. As conceived by composer Philip Glass, …

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Drunks & stunts enliven fest by Elisabeth Vincentelli

In just a few years, the French Alliance’s Crossing the Line Festival (fiaf.org/ctl) has become a fall staple. Focusing mostly on French and American artists, this interdisciplinary fest d…

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Thursday, September 13, 2012

‘Moon’ shines by Elisabeth Vincentelli

‘i could be arrested for theft, fraud and murder, and it’s not even 4 o’clock.” This isn’t a hardened criminal talking, but a frazzled mother and home-care attendant named Loretta…

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Wednesday, September 12, 2012

Stay tuned by Elisabeth Vincentelli

Anticipation always runs high in September. Yay, a new season! Tons of new shows to look forward to! But while there are promising offerings this year, we may have to dig a little deeper to …

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Tuesday, September 11, 2012

This ‘Broome’ won’t sweep you off your feet by Elisabeth Vincentelli

It’s tough going for a comedy like “Mary Broome,” which revolves around a spectacularly unsympathetic lead character. It’s not Mary herself, by the way — because this 1911 play rea…

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New Chaplin biomusical is unsound by Elisabeth Vincentelli

It’s not a great sign when you leave a musical thinking more about the visuals than the songs — which is exactly what happens at Broadway’s new “Chaplin.” The show about the silent…

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Sunday, September 9, 2012

‘Train Driver’ leaves station OK, but finally derails by Elisabeth Vincentelli

It’s been a good year for the South African playwright Athol Fugard, what with the Broadway revival of “The Road to Mecca” and the Signature company dedicating a whole season to his wo…

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Thursday, September 6, 2012

Latest edition of ‘Forbidden’ not as fruitful by Elisabeth Vincentelli

When Broadway goes wrong — and sometimes when it goes right — it’s a gaudy, tacky, self-important moving target. And for 30 years, Gerard Alessandrini has been taking shots at it in hi…

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Thursday, August 30, 2012

The potty’s over for B’way by Barbara Hoffman and Elisabeth Vincentelli

There was a small revolution recently at the Shubert Theatre, during the waning days of “Memphis.” Nearly 15 minutes into intermission, several women on the long, slow-moving line into t…

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Tuesday, August 14, 2012

Tension mounts as ‘Blind’ leads the sublime by Elisabeth Vincentelli

Nothing much happens in Horton Foote’s plays, yet you leave feeling satisfyingly full. He may skimp on the whiz-bang action, but Foote manages to say a lot about his characters — and you…

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Sunday, August 12, 2012

Lean, mean killer king by Elisabeth Vincentelli

The Public Theater’s new “Richard III” — Shakespeare’s most violent tragedy — has been streamlined to the max. Edited down to 90 minutes, it has no set and few props. But directo…

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Thursday, August 9, 2012

Woods a fine fairy-tale setting by Elisabeth Vincentelli

For its outdoor program’s 50th- anniversary season, the Public Theater put the park back into Shakespeare in the Park. In June, we were treated to a lovely production of “As You Like It…

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Short plays are fast and ‘Furies’ by Elisabeth Vincentelli

Just because a play is brief doesn’t mean it has to fit a mold. The three entries in “Summer Shorts Series B” show the many shapes and forms a miniature can take — but then, they’r…

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‘Adolf’ is locked & loaded by Elisabeth Vincentelli

‘Bullet for Adolf” has all the markings of a cult show — it could be theater’s answer to a midnight movie. Directed and co-written by Woody Harrelson, this new off-Broadway play is o…

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Wednesday, August 8, 2012

My grandma, myself by Elisabeth Vincentelli

True to its title, “My Mind Is Like an Open Meadow” meanders gently. It’s not so much a play as an impressionistic travelogue back in time. Though this is a solo piece, writer-performe…

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Sunday, August 5, 2012

Fringe benefits: A cheat sheet by Elisabeth Vincentelli and Barbara Hoffman

Titillating titles, madcap musicals and Shakespeare, either straight up (another “Twelfth Night”) or twisted (“Pulp Shakespeare,” a mash-up of the Bard and Quentin Tarantino): Yes, t…

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Friday, August 3, 2012

A pain in the ash by Elisabeth Vincentelli

Provocation isn’t easy. The guys from “South Park” and “The Book of Mormon” make it look that way, but it’s really not. Case in point: The new musical “The Last Smoker in Amer…

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From a Russian we love, a visual gem by Elisabeth Vincentelli

Mikhail Baryshnikov may be the star of “In Paris,” but there’s no dancing here, just a bit of mimed bullfighting — choreographed by American Ballet Theatre’s Alexei Ratmansky — a…

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Not so short, definitely less than sweet by Elisabeth Vincentelli

Every year, the “Summer Shorts” series introduces six new American one-act plays. While the three pieces in this season’s first batch are, by definition, brief, two are so slow that yo…

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Thursday, August 2, 2012

Not much bite in Tyson’s ‘Truth’ by Elisabeth Vincentelli

"Don’t worry,” Mike Tyson told us, “you’ll leave with two ears tonight, I promise.” Which is more than Evander Holyfield got, but at least he wasn’t in the audience Tuesday night…

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High in school spirit, but with a few tumbles by Elisabeth Vincentelli

Imagine a musical called “Twilight” that had generic vampires instead of Bella and Edward. That’s pretty much what happens with “Bring It On — The Musical,” which has little in c…

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Sunday, July 29, 2012

Revisiting Bette’s hot ‘Bath’ by Elisabeth Vincentelli

Ask anybody about great but gone music venues in New York, and they’ll go on and on about CBGB, the Fillmore East, Max’s Kansas City and the Savoy Ballroom. But the Continental Baths? T…

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Thursday, July 26, 2012

Fine cast revives this ole ‘Girl’ by Elisabeth Vincentelli

Don’t kick yourself if you’ve never heard of “New Girl in Town.” Only a regular at Marie’s Crisis or another show-tune piano bar would know this 1957 musical. Bob Merrill’s genia…

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Tuesday, July 24, 2012

Pol too rote for a vote by Elisabeth Vincentelli

A political campaign is great background for a play. And the vetting of a candidate is particularly juicy: After all, you’re dealing with someone’s potentially explosive past, and the te…

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Sunday, July 22, 2012

Spotlight on dark humor by Elisabeth Vincentelli

It’s not often that a Chekhov play is almost drowned by laughter. Yet that’s exactly what happens at the Sydney Theatre Company’s “Uncle Vanya,” which just opened at City Center a…

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Friday, July 20, 2012

Dull puppets merit sound of one ‘Hand’ clapping by Elisabeth Vincentelli

It hits you when the angel puppet with the Queen fixation starts warbling “We Will Rock You”: The Lincoln Center Festival brings us shows from all over the world for its annual showcase,…

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Grab your poncho: The gore does pour by Elisabeth Vincentelli

When in doubt, just throw stuff. It’s a tried-and-true approach, and “Re-Animator: The Musical” revels in it. The first four rows of the theater are covered in plastic. Seats aren’t…

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Tuesday, July 17, 2012

Ruff going for fine cast by Elisabeth Vincentelli

Here’s a new show that has a lot going for it, including a wonderful performance by star Lindsay Mendez and swift staging by Joe Mantello (“Wicked,” “Other Desert Cities”). But “…

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Sunday, July 15, 2012

Naughty your average Cole Porter revival by Elisabeth Vincentelli

Besides an ode to bodacious bosoms, Cole Porter’s “Nymph Errant” features white slavery, lesbianism and a heroine who desperately — and unsuccessfully — tries to get laid. Yet des…

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