A play based on Charles W. Chesnutt’s “Marrow of Tradition” shows the writer of “A Raisin in the Sun” attuned to the history of white violence.
SOURCE: The New York Times Subscription at 10:36AMLuis Alfaro, whose latest play is an adaptation of “Medea,” appreciates such “primal” points of origin: “They get to the essence: why we hurt each other, this inability to forgive.…
SOURCE: The New York Times Subscription at 05:54AMDaniel Pollack-Pelzner writes about the opening of the musical “Hamilton” in London in the era of Brexit and Donald Trump.
SOURCE: The New Yorker Subscription at 05:00AMDaniel Pollack-Pelzner writes about how Lin-Manuel Miranda’s American Revolution musical “Hamilton” will be received in London for its West End début.
SOURCE: The New Yorker Subscription at 09:00AMWhen the Yiddish writer Sholem Asch presented his play “God of Vengeance” at a Warsaw salon in 1906, his mentor, I. L. Peretz, told him to burn it. It’s a shtetl tragedy: a Jewish brot…
SOURCE: The New Yorker Subscription at 07:03AMA rap musical based on Shakespeare provides an unexpected look into the ideals of Donald Trump’s chief strategist.
SOURCE: The New York Times Subscription at 03:33PMIn October, the publisher Hogarth rolled out the first in its ambitious new line of Shakespeare plays retold by contemporary novelists. The pairings are promising: Margaret Atwood, a master …
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