All stories by Daniel Perks on BroadwayStars

Monday, December 5, 2016

News: StoneCrabs Theatre launches festival Kickstarter campaign by Daniel Perks

StoneCrabs Theatre has launched a Kickstarter campaign to raise funds for its 2017 Stomping Ground Festival.

SOURCE: mytheatremates.com at 12:00PM
Monday, November 28, 2016

TESTOSTERONE – New Diorama Theatre by Daniel Perks

Even though Kit now feels happier than ever before, he is still an outsider, desperate to be part of the gang. But then, when looking around the locker room, who isn’t seeking approval fro…

SOURCE: mytheatremates.com at 04:00AM
Friday, November 25, 2016

HOW TO DATE A FEMINIST – Arcola Theatre by Daniel Perks

Samantha Ellis isn’t a conventionally romantic writer; her 2014 book How To Be A Heroine rips apart those pre-conceived literary feminine icons and exposes them for who they really are.

SOURCE: mytheatremates.com at 07:00AM
Wednesday, November 23, 2016

KINKY BOOTS – West End by Daniel Perks

It takes seasoned performer Matt Henry (Olivier award winner, Best Actor In a Musical) as feisty drag queen Lola to kick Kinky Boots back into high gear. Ultimately this musical works best w…

SOURCE: mytheatremates.com at 09:00AM
Tuesday, November 22, 2016

I CALL MY BROTHERS – Gate Theatre by Daniel Perks

Sadeysa Greenaway-Bailey’s set is a brilliant white, harsh, flickering, fluorescent lighting occupied by glass cages and nowhere to hide. It resembles an otherworldly waiting room cum dete…

SOURCE: mytheatremates.com at 05:00PM
Tuesday, November 15, 2016

Review: I Call My Brothers, Gate Theatre by Daniel Perks

Sadeysa Greenaway-Bailey’s set is a brilliant white, harsh, flickering, fluorescent lighting occupied by glass cages and nowhere to hide. It resembles an otherworldly waiting room cum dete…

SOURCE: A Younger Theatre at 04:48PM
Saturday, November 12, 2016

Review: Quint-Essential, Sadler’s Wells by Daniel Perks

Despite its title, Quint-Essential is not a traditional set of ballet performances – the New English Ballet Theatre seeks to bring upcoming dancers and choreographers together and explore …

SOURCE: A Younger Theatre at 07:18AM
Tuesday, November 8, 2016

Review: Les Contes D’Hoffmann, The Royal Opera House by Daniel Perks

John Schlesinger’s production of Les Contes D’Hoffmann has achieved 173 performances at the Royal Opera House alone, even before counting this final revival by Daniel Dooner. The story o…

SOURCE: A Younger Theatre at 02:02PM
Monday, October 17, 2016

Review: One Night in Miami, Donmar Warehouse by Daniel Perks

Four of the most influential black American men in popular culture assemble in a single, drab motel room on the eve of a world about to irreversibly change forever. Whether fictional or not,…

SOURCE: A Younger Theatre at 09:58AM
Friday, October 14, 2016

Review: The Slave, Tristan Bates Theatre by Daniel Perks

Walker Vessels (Stanley J Browne) opens The Slave with a monologue that demonstrates timeless wisdom – a sage delivery written in a rhythmic verse bearing resemblance to many Shakespearea…

SOURCE: A Younger Theatre at 03:07AM
Sunday, September 18, 2016

Review: Dinner at the Twits, The Vaults Waterloo by Daniel Perks

2016 marks the 100-year anniversary of Roald Dahl’s birth. A writer with spirit, humanity and guts, his books have become a childhood staple for generations of youngsters looking to escape…

SOURCE: A Younger Theatre at 04:12PM
Monday, July 18, 2016

Review: Fall Out, Blue Elephant Theatre by Daniel Perks

Despite children learning it from a young age, tap has never quite had the platform as a style of dance that ballet has managed to achieve. It lacks the perceived grace and style of its big …

SOURCE: A Younger Theatre at 02:13AM
Sunday, July 10, 2016

Review: Titus Andronicus, The Rose Playhouse by Daniel Perks

Shakespeare400 has seen a breadth of work come to London in honour of the great Bard’s death; from churchyards to leading theatres, actors young and old have paid their tributes to the ple…

SOURCE: A Younger Theatre at 05:07PM
Wednesday, June 15, 2016

Review: British, The London Theatre by Daniel Perks

Immigration, patriotism and national pride are all supposedly under threat with the impending vote on the EU Referendum. Many of those campaigning for ‘Brexit’ preach that immigration ha…

SOURCE: A Younger Theatre at 04:50PM
Tuesday, May 31, 2016

Brighton Fringe Review: Code of Conduct, Sweet Waterfront by Daniel Perks

A warm orange spotlight is all that illuminates the actors as they sit upstage. A low, constant background hum from the live guitar is present from the start. Plucked strings, slides and per…

SOURCE: A Younger Theatre at 05:30PM

Brighton Fringe Review: Les Femmes Circus, Brighton Spiegeltent by Daniel Perks

In true 1950s style, the ladies in Les Femmes Circus come onto stage in polka-dot dresses, pinnies and red lipstick. Feather dusters in hand ready to clean, cook and perform their housewifel…

SOURCE: A Younger Theatre at 05:30PM
Thursday, May 26, 2016

Brighton Fringe Review: 1 in 3, Sweet Waterfront by Daniel Perks

It’s just nature; it’s just biology; yet it affects so many lives – 1 in 3, in fact. Jeff (David Keogh) and Jasmine (Alice Merivale) are two such individuals. They sit together sharing…

SOURCE: A Younger Theatre at 06:56PM
Wednesday, May 18, 2016

Brighton Fringe Review: Gods Are Fallen and All Safety Gone, Brighton Spiegeltent by Daniel Perks

Selma Dimitrijevic’s decision to cast male actors in female roles is certainly a bold decision. It’s not original, of course: Shakespearean female characters have been played by men for …

SOURCE: A Younger Theatre at 08:02PM

Brighton Fringe Review: The Half Life of Love, Rialto Theatre by Daniel Perks

The Half Life of Love conjures up images of a radioactive passion and a yearning that poisons the victim long after the initial source has vanished. Gail Louw’s play has much in common wit…

SOURCE: A Younger Theatre at 05:55PM

Brighton Fringe Review: Thorn, Sweet Dukebox by Daniel Perks

Paul (Thom Jordan) is a shy, unassuming young man with a story to tell; an injustice to put right. He stands on his soapbox and all but preaches to a congregation. Trust in God. Put your fai…

SOURCE: A Younger Theatre at 05:55PM
Sunday, May 15, 2016

Review: Wishbone, The Yard Theatre by Daniel Perks

Four women gently sway in synchronised formation. Fledglings all, they slowly test their bodies’ capability for movement, voice and comprehension. Gradually, under Laura Burns’ instructi…

SOURCE: A Younger Theatre at 02:08PM
Tuesday, May 10, 2016

Bright Fringe Review: Distortion, Sweet Waterfront by Daniel Perks

A play with real potential, Distortion could benefit from being a longer production. Being able to make its points in only 30-40 minutes is impressive, but doesn’t leave enough time to sat…

SOURCE: A Younger Theatre at 04:31PM
Tuesday, May 3, 2016

Review: Playground, The London Theatre by Daniel Perks

In a school playground, it isn’t always instantly obvious if children come from a variety of different backgrounds. Social class, cultural heritage, family situations are (in theory) all l…

SOURCE: A Younger Theatre at 05:05PM
Sunday, May 1, 2016

Review: Schism, Finborough Theatre by Daniel Perks

In twenty years the relationship between Katherine (Athena Stevens) and Harrison (Tim Beckmann) is planned, realised and eventually demolished. Not unlike the buildings that Harrison has alw…

SOURCE: A Younger Theatre at 05:13PM

Review: The Chairs, Stratford Circus by Daniel Perks

A dishevelled set; a plethora of chairs; an assortment of knick-knacks – Andrea Carr’s set certainly creates a dystopian impression. In this underwater submarine live an old couple (Tim …

SOURCE: A Younger Theatre at 05:13PM
Saturday, April 23, 2016

Review: My Story, My Music, My Monologue, St Saviour’s Church by Daniel Perks

There is a unique beauty in reading a script or watching a production and realising that the events that unfold can be attributed to a personal experience. Perhaps a scene seems as though it…

SOURCE: A Younger Theatre at 07:32PM
Tuesday, April 19, 2016

Review: Your Ever Loving, Theatre N16 by Daniel Perks

Despite being wrongfully convicted of the Guildford pub bombings in 1974, Paul Hill and the ‘Guildford Four’ spent over 15 years in prison. Martin McNamara’s script, based upon letters…

SOURCE: A Younger Theatre at 04:39PM
Sunday, April 10, 2016

Review: To Kill A Machine, King’s Head Theatre by Daniel Perks

On a black and white island sits Alan Turing (Gwydion Rhys), head in hands. Betray (Rick Yale), Friend (Francois Pandolfo) and Interrogator (Robert Harper) circle around him like sharks that…

SOURCE: A Younger Theatre at 06:56PM

Review: Russian Dolls, King’s Head Theatre by Daniel Perks

Kate Lock’s new play Russian Dolls is definitely full of pluck and gall – as a look at modern day, working class, council flat Britain, it certainly captures the zeitgeist of its period …

SOURCE: A Younger Theatre at 05:55PM
Sunday, April 3, 2016

Review: Idiots, Soho Theatre by Daniel Perks

According to writers/directors Will Cowell and Jonnie Bayfield, the waiting room for the afterlife looks a lot like a Victorian study, complete with dark wooden bookcases and old-fashioned f…

SOURCE: A Younger Theatre at 10:53AM
Saturday, March 26, 2016

Review: Raz, Trafalgar Studios by Daniel Perks

Friday night: the happiest part of every adult’s week. “Monday it’s back to grey”, exclaims Shane (James Cartwright), but on Friday the week is done and the freedom of the weeken…

SOURCE: A Younger Theatre at 02:33PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic