Sadeysa Greenaway-Bailey's set is a brilliant white, harsh, flickering, fluorescent lighting occupied by glass cages and nowhere to hide. It resembles an otherworldly waiting room cum detention centre, a place where Amor (Richard Sumitro) can re-enact poignant parts of his life and summon his friends, family and loved ones out of their cages at will.... Read more → The post Review: I Call My Brothers, Gate Th…
SOURCE: A Younger Theatre at 04:48PM on November 15, 2016