All stories by Charles McNulty on BroadwayStars

Friday, November 17, 2017

Tyne Daly valiantly swims the sea of sentimentality that is 'Chasing Mem'ries' by Charles McNulty

Is there a play-doctor in the house? A concerned onlooker would have reason to make this plea during “Chasing Mem’ries: A Different Kind of Musical.” Unfortunately, there’s not much …

SOURCE: Los Angeles Times at 02:05PM
Tuesday, November 14, 2017

Charles is king, Harry's in trouble and Kate's taking charge in Pasadena Playhouse's royal winner 'King Charles III' by Charles McNulty

“King Charles III,” British playwright Mike Bartlett’s “future history play” that was nominated for a Tony Award last year, begins with the funeral procession for Britain’s longe…

SOURCE: Los Angeles Times at 05:40PM
Monday, November 13, 2017

'Spamilton': Musical spoof lands its punches softly, and with a smile by Charles McNulty

If you can't beat 'em, parody 'em. Gerard Alessandrini, the man behind the popular “Forbidden Broadway” series, has made his theatrical career spoofing his musical theater betters. He’…

SOURCE: Los Angeles Times at 05:15PM
Friday, November 10, 2017

'Something Rotten!' delivers on fluffy, fizzy, frolicsome fun by Charles McNulty

Following in the audaciously silly footsteps of “The Book of Mormon” and “Spamalot,” “Something Rotten!” is a Broadway musical that sets out to pinion you with laughter. Punchlin…

SOURCE: Los Angeles Times at 03:45PM
Friday, October 27, 2017

Tyranny and resistance: Albert Camus' 1948 drama 'L’État de siège' carries new relevance by Charles McNulty

The theater excited Albert Camus’ communal instincts as a writer, but the stage wasn’t the ideal medium for his brand of political existentialism. “Caligula” is perhaps his most full…

SOURCE: Los Angeles Times at 05:10PM
Tuesday, October 24, 2017

'Gem of the Ocean' at South Coast Rep: August Wilson provides ritual healing in a devastating revival by Charles McNulty

“Gem of the Ocean” may not rank at the top of August Wilson’s plays, but anyone doubting the soul-shaking power of this drama should brave Orange County traffic to see this wrenching n…

SOURCE: Los Angeles Times at 04:05PM
Monday, October 23, 2017

'Bright Star' at the Ahmanson: Bluegrass, tears and a big, vacuous smile by Charles McNulty

As one theatergoer’s bliss is another theatergoer’s cornball, let’s accentuate the positive before delving into the negative of a show that reveals just how thin the line is between ho…

SOURCE: Los Angeles Times at 09:00AM
Friday, October 20, 2017

Carrie Coon, at the top of her game, returns to the stage where it all began by Charles McNulty

After acclaim for HBO's "The Leftovers" and an Emmy nomination for FX's "Fargo," Carrie Coon talks about returning to the stage to star in Amy Herzog's "Mary Jane" off-Broadway at New York T…

SOURCE: Los Angeles Times at 01:55PM
Monday, October 16, 2017

Joe Morton, 'Turn Me Loose' and the sly comic activism of Dick Gregory by Charles McNulty

Dick Gregory, the comedian and civil rights activist who died this year, played the role of the Shakespearean fool to white America, quipping subversive sentiments about race relations in a …

SOURCE: Los Angeles Times at 03:10PM
Thursday, October 12, 2017

'Springsteen on Broadway': A rock-star confessional with heart by Charles McNulty

Bravo, Bruce. The star of Broadway's fall season delivers a piece of theater that few will forget - two hours of longing, loss, quiet melancholy and reflection, all from the man who was born…

SOURCE: Los Angeles Times at 08:00PM
Tuesday, October 3, 2017

Deaf West and Pasadena Playhouse populate 'Our Town' with fresh faces by Charles McNulty

“Our Town” has become such a chestnut that it’s easy to forget just how innovative it was when the drama premiered in 1938. Thornton Wilder’s style, so thoroughly absorbed by the 20t…

SOURCE: Los Angeles Times at 08:50PM

The audience, under fire: Why survival of culture depends on protection from guns by Charles McNulty

The word “audience” comes from the Latin word “audientia,” meaning a hearing. People gather to listen, and an individual or group is given the opportunity to be heard. It is a basic …

SOURCE: Los Angeles Times at 01:00PM

An actor transcends age: John Douglas Thompson melts away the years to play Hamlet at A.C.T. by Charles McNulty

John Douglas Thompson, the British-born actor of Jamaican heritage who trained in America and is now a citizen here, has carved out a reputation as one of our leading classical actors. His O…

SOURCE: Los Angeles Times at 08:00AM
Monday, September 25, 2017

In 'Head of Passes,' a mother comes to terms with a storm, a secret and God by Charles McNulty

“Head of Passes,” Tarell Alvin McCraney’s play set where the land trails off into the sea in hurricane-prone Louisiana, has undergone quite a bit of tinkering since I saw it at Berkele…

SOURCE: Los Angeles Times at 07:00PM
Sunday, September 17, 2017

Paul Rudnick's 'Big Night': Comedy and crisis in the awards machine of Hollywood by Charles McNulty

In a posh Beverly Hills hotel suite overflowing with gift baskets, Michael, the central character of Paul Rudnick’s tentative new comedy, “Big Night,” is anxiously primping for what ma…

SOURCE: Los Angeles Times at 08:20PM
Friday, September 15, 2017

Comedy, and sex, in the cancer ward? 'A Funny Thing Happened' goes there with glee by Charles McNulty

Karla, a struggling stand-up comic, is furiously jotting in her notebook while trying out different versions of a new routine. “I’ve been single for so long, I’ve started having sex dr…

SOURCE: Los Angeles Times at 02:55PM
Friday, September 8, 2017

'Iphigenia in Aulis' at Getty Villa: Chasing the ever-elusive Euripides by Charles McNulty

The straightforward production of “Iphigenia in Aulis” that opened Wednesday at the Getty Villa’s outdoor Barbara and Lawrence Fleischman Theater might be retitled “Clytemnestra,” …

SOURCE: Los Angeles Times at 02:55PM
Saturday, August 19, 2017

Who is Hamlet? Three actors make their case by Charles McNulty

Who is Hamlet? This might seem like a strange question to ask about the most famous character in all literature, a figure incarnated by some of the most brilliant actors of the last four cen…

SOURCE: Los Angeles Times at 11:00AM
Thursday, August 17, 2017

'Hamilton' brings its tale of American idealism to L.A. at a moment when it's needed by Charles McNulty

More than two years after “Hamilton: An American Musical” had its world premiere at New York’s Public Theater, becoming the biggest theatrical sensation in at least a generation, it’…

SOURCE: Los Angeles Times at 07:35PM
Thursday, August 10, 2017

Lost on Broadway: Michael Moore's 'The Terms of My Surrender' is a well-meaning misfire by Charles McNulty

NEW YORK — Michael Moore looked like a fish out of water — or was it a deer in headlights? — at a preview of his Broadway show, “The Terms of My Surrender,” which had its official …

SOURCE: Los Angeles Times at 07:00PM

A 'Hamilton' backlash? Why none of that matters with this history-making tour by Charles McNulty

Jumping on bandwagons is my least favorite activity. Don’t force me to tell you all the must-see movies I’ve skipped (“Forrest Gump” is all you’ll get out of me), the No. 1 bestsel…

SOURCE: Los Angeles Times at 08:00AM
Tuesday, August 8, 2017

Barbara Cook, a Broadway singer who revealed the great American songbook in a new light by Charles McNulty

Barbara Cook’s career can be divided into two parts: her Broadway ingénue years, in which she enchanted audiences with her glittering soprano, and her cabaret years, in which she basicall…

SOURCE: Los Angeles Times at 05:40PM
Tuesday, August 1, 2017

Pasadena Playhouse's 'Shout Sister Shout!': Why a rock trailblazer fails to ignite as theater by Charles McNulty

Add “Shout Sister Shout!” to the growing list of musicals that would make a more potent impression as a straightforward revue. The show, which is having its world premiere at Pasadena Pl…

SOURCE: Los Angeles Times at 05:40PM
Monday, July 31, 2017

Sam Shepard, the cowboy playwright who rewrote the rules of the American stage by Charles McNulty

Eugene O’Neil brought gravitas to the American theater. Tennessee Williams allowed it to lyrically sing. Arthur Miller raised its political temperature. And Edward Albee infused it with an…

SOURCE: Los Angeles Times at 09:20PM
Friday, July 28, 2017

In Antaeus Theatre Company's 'As You Like It,' missed connections foil romantic comedy by Charles McNulty

“Sweet are the uses of adversity,” the exiled Duke Senior asserts from his campground in the Forest of Arden in “As You Like It.” For a drama critic attending a lackluster production…

SOURCE: Los Angeles Times at 08:00PM
Wednesday, July 19, 2017

London calling: 'Angels in America' as fresh as ever at the National Theatre by Charles McNulty

LONDON — For an American theatergoer in London this summer, there can be little doubt that the best new play of the year so far is Tony Kushner’s “Angels in America” at the National …

SOURCE: Los Angeles Times at 06:30PM
Friday, July 7, 2017

Love, trickery and the drama of uncertainty: It's 'Heisenberg' at the Taper by Charles McNulty

Since David Lean’s 1945 film “Brief Encounter,” no romantic has been able to look at a banal railway station as simply a commuter hub. Each connecting line poses new amorous possibilit…

SOURCE: Los Angeles Times at 08:55PM

Oh, the dreaded intermission: Long plays at a time when shorter is sweeter by Charles McNulty

Enter any theater and an usher will probably volunteer answers to the questions on everyone's mind: How many minutes is the show, and is there an intermission? Why the answers matter more th…

SOURCE: Los Angeles Times at 08:00AM
Thursday, June 29, 2017

What would a theater critic write to the creator of 'Letters From a Nut'? Well, let's start with ... by Charles McNulty

Dear Ted L. Nancy: Congratulations on the success of your series of “Letters From a Nut” books. I have to admit I never heard of them until I received an invitation to attend your show a…

SOURCE: Los Angeles Times at 06:20PM
Thursday, June 22, 2017

Shakespeare and the politics of our age: Trump, 'Julius Caesar' and now 'Richard II' by Charles McNulty

Shakespeare clearly lies outside the right-wing attack machine’s area of expertise. While Breitbart News and friends were busy waging a full-scale war against the New York Public Theater�…

SOURCE: Los Angeles Times at 09:00AM
Wednesday, June 21, 2017

Embracing the chill in Jimmy Buffett's 'Escape to Margaritaville' by Charles McNulty

'Escape to Margaritaville,' Jimmy Buffett, La Jolla Playhouse, Christopher Ashley

SOURCE: Los Angeles Times at 05:55PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre