All stories by Charles Isherwood on BroadwayStars

Wednesday, August 3, 2016

An Appraisal: James Houghton, a Daring Champion of the American Theater by Charles Isherwood

Mr. Houghton, who died Tuesday, founded a Signature Theater whose seasons have focused mostly on a single playwright — a radical, fruitful approach.

SOURCE: The New York Times Subscription at 06:42PM

Photography and Feminism: ‘Alice in Black and White’ at 59e59 Theaters by Charles Isherwood

This play explores Alice Austen’s early passion for the medium of photography and her long relationship with her lover, Gertrude Tate.

SOURCE: The New York Times Subscription at 01:01PM
Sunday, July 31, 2016

Review: Does ‘Cats’ Have Nine Lives on Broadway? Two, Certainly by Charles Isherwood

This revival of a former Broadway hit pays homage to the original production while infusing the feline creatures of the show with fresh star power.

SOURCE: The New York Times Subscription at 11:43PM
Thursday, July 28, 2016

Review: A Vonnegut Madman Tangled in Thickets of Dark Satire by Charles Isherwood

Encores! revives the 1979 musical “Kurt Vonnegut’s God Bless You, Mr. Rosewater,” a convoluted road trip that sends up capitalism.

SOURCE: The New York Times Subscription at 05:31PM
Wednesday, July 27, 2016

Review: In ‘Golem,’ the Device That Walks Like a Man by Charles Isherwood

This visually dazzling, mind-pinching production from the British company 1927 combines live performance, animation and music.

SOURCE: The New York Times Subscription at 05:22PM
Tuesday, July 26, 2016

Review: On the High Seas, Anything Goes in ‘The Pirates of Penzance’ by Charles Isherwood

This operetta, guided by the trademark silliness of Gilbert & Sullivan, takes the audience along for a buoyant trip on the high seas.

SOURCE: The New York Times Subscription at 05:32PM
Friday, July 22, 2016

Review: ‘The Merchant of Venice’ With Extra Fog, Moral and Atmospheric by Charles Isherwood

At the Lincoln Center Festival, Jonathan Pryce stars as Shylock in a production filled with scorn, violence and anti-Semitism.

SOURCE: The New York Times Subscription at 06:18PM
Thursday, July 21, 2016

Review: ‘Motown: The Musical’ Offers Easy Nostalgia and a Jolt of Racial Relevance by Charles Isherwood

This celebratory jukebox musical, with a book by Berry Gordy, who founded the Motown record label, has returned to Broadway for a limited run.

SOURCE: The New York Times Subscription at 06:34PM

Review: In Takarazuka’s ‘Chicago,’ the Midwest Looks a Lot Like Japan by Charles Isherwood

The celebrated all-female Japanese theater company Takarazuka performed as part of the Lincoln Center Festival.

SOURCE: The New York Times Subscription at 06:34PM
Tuesday, July 19, 2016

Review: A Restaged ‘Small Mouth Sounds’ Still Sparkles by Charles Isherwood

The play, much of which is silent, is just as intimate and lucid as its performances at Ars Nova last year.

SOURCE: The New York Times Subscription at 05:22PM
Thursday, July 14, 2016

Review: At Lincoln Center Festival, Timeless Japanese Noh Dramas by Charles Isherwood

Plays at the Rose Theater include “Okina,” a prayer for peace and long life, and “Hagoromo,” in which an angel loses her robe.

SOURCE: The New York Times Subscription at 05:34PM
Sunday, July 10, 2016

Review: Marisa Tomei, in Extremis, in ‘The Rose Tattoo’ by Charles Isherwood

At the Williamstown Theater Festival, one of Tennessee Williams’s less deluded heroines.

SOURCE: The New York Times Subscription at 06:01PM
Wednesday, June 22, 2016

Review: Friends Reunite for a Funeral, and Brutal Honesty, in ‘The Healing’ by Charles Isherwood

This drama by Samuel D. Hunter about friends gathering to mourn a suicide is presented by Theater Breaking Through Barriers.

SOURCE: The New York Times Subscription at 11:13PM
Sunday, June 19, 2016

Review: In ‘Out of the Mouths of Babes,’ Mourning a Departed Lothario by Charles Isherwood

Four women who have all been involved with the same man gather in his Paris apartment in this new play from Israel Horovitz.

SOURCE: The New York Times Subscription at 11:16PM
Tuesday, June 14, 2016

Review: In ‘Our Ladies of Perpetual Succour,’ Schoolgirls on the Prowl by Charles Isherwood

A musical comedy at the Yale Repertory Theater follows members of a Catholic school chorus arriving in Edinburgh to compete in a choral contest.

SOURCE: The New York Times Subscription at 03:33PM
Friday, June 10, 2016

‘Hamilton’ Costs Too Much? Here Are Some (Cheaper) Alternatives by Ben Brantley and Charles Isherwood

Our theater critics suggest other productions with plenty of heat and star power.

SOURCE: The New York Times Subscription at 06:33PM

The Week Ahead: ‘Oslo’ by J.T. Rogers Looks Behind Rabin and Arafat’s Handshake by Charles Isherwood

This play, at the Mitzi Newhouse Theater, examines the events that led up to the Oslo peace accords.

SOURCE: The New York Times Subscription at 01:22PM
Wednesday, June 8, 2016

Review: ‘Indian Summer,’ Toes in the Sand and Chemistry in the Air by Charles Isherwood

Two teenagers on a Rhode Island beach become attracted to each other despite an obvious obstacle in this comedic drama at Playwrights Horizon.

SOURCE: The New York Times Subscription at 11:06PM
Monday, June 6, 2016

Review: ‘An Act of God’ Is Back, With Sean Hayes by Charles Isherwood

God reprises his stage role as a gay white male sitcom star in “an hour and a half of comedy heaven” at the Booth Theater.

SOURCE: The New York Times Subscription at 11:01PM
Sunday, May 29, 2016

Review: ‘Cherchez La Femme’ Struggles to Find Its Groove by Charles Isherwood

Its talented cast performed with infectious gusto. But this musical featuring the work of Kid Creole and the Coconuts is overwritten with an awkward plot.

SOURCE: The New York Times Subscription at 06:01PM
Friday, May 27, 2016

Review: ‘Friend Art,’ at Too-Close Range, Could Be Neither by Charles Isherwood

The newest offering from Ms. Alvarez pulls its audience into the awkward places people in their 30s inhabit as they commit to careers and loves.

SOURCE: The New York Times Subscription at 08:09PM
Wednesday, May 25, 2016

Review: ‘Paramour’ Brings Cirque du Soleil to Broadway by Charles Isherwood

The show, at the Lyric Theater, features a story, set in old Hollywood, that adds the company’s usual circus acts to a traditional musical.

SOURCE: The New York Times Subscription at 11:02PM

Review: In ‘The Total Bent,’ a Father-Son Rift and a Sensational Score by Charles Isherwood

A preacher spars with his gay son in this fresh and funny if sometimes wayward musical filled with soulful music.

SOURCE: The New York Times Subscription at 11:02PM
Monday, May 23, 2016

Review: ‘Hadestown’ Reanimates a Well-Known Myth by Charles Isherwood

The classic story of Orpheus and Eurydice has been told for centuries, and now it has become a folk opera by the gifted songwriter Anaïs Mitchell.

SOURCE: The New York Times Subscription at 10:19PM
Thursday, May 19, 2016

Review: In ‘Turn Me Loose,’ Raw Jokes That Still Sear and Bite by Charles Isherwood

The play, which stars Joe Morton as the comedian and civil rights activist Dick Gregory, feels as vital as Mr. Gregory’s work did in the 1960s.

SOURCE: The New York Times Subscription at 10:25PM
Tuesday, May 17, 2016

Review: ‘Indecent’ Revisits a Play Colliding With Broadway Mores and More by Charles Isherwood

This powerful new drama by Paula Vogel sheds light on a time when history, Jewish culture and the depiction of lesbian love explosively intersected.

SOURCE: The New York Times Subscription at 10:19PM
Sunday, May 15, 2016

Theater Review: Review: ‘Daphne’s Dive,’ Where Everybody Knows You’re Broke by Charles Isherwood

Quiara Alegría Hudes’s ensemble drama, which opened at the Signature Theater on Sunday, sympathizes with Philadelphia waifs and strays.

SOURCE: The New York Times Subscription at 10:28PM
Friday, May 13, 2016

Review: ‘My Paris,’ a Portrait of Toulouse-Lautrec in Song and Dance by Charles Isherwood

Bobby Steggert portrays the French painter’s bohemian days and nights in the Montmartre section of Paris.

SOURCE: The New York Times Subscription at 06:24PM
Wednesday, May 11, 2016

The Week Ahead: Penelope Skinner’s ‘The Ruins of Civilization’ Looks to the Future by Charles Isherwood

A couple, played by Tim Daly and Rachael Holmes, are unsettled after one of them invites a guest to their home in this work, at City Center Stage II.

SOURCE: The New York Times Subscription at 08:11PM

The Tony Awards: Who Will Win (and Who Should) by Ben Brantley and Charles Isherwood

Ben Brantley and Charles Isherwood of The Times make their picks.

SOURCE: The New York Times Subscription at 07:12AM
Monday, May 9, 2016

Review: ‘Happy Days,’ an Unsettling Glimpse Into the Existential Abyss by Charles Isherwood

Dianne Wiest delivers a fearless performance in a play that examines the trap that human life can become, at Yale Repertory Theater.

SOURCE: The New York Times Subscription at 06:02PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic