All stories by Charles Isherwood on BroadwayStars

Sunday, October 30, 2016

Review: In ‘Coriolanus,’ a Politician for a Campaign Season by Charles Isherwood

Red Bull Theater’s impressive production of Shakespeare’s late tragedy doesn’t skimp on the election metaphors.

SOURCE: The New York Times Subscription at 10:48PM
Thursday, October 27, 2016

Review: ‘Falsettos,’ a Perfect Musical, an Imperfect Family by Charles Isherwood

This revival of William Finn and James Lapine’s show has so much vitality that it feels as fresh and startling as it did back in 1992.

SOURCE: The New York Times Subscription at 10:36PM
Wednesday, October 26, 2016

Review: Teenagers Grapple With Their Demons in ‘Wilderness’ by Charles Isherwood

Dig beneath the usual stories of broken marriages and adolescent angst, and we discover wells of darkness that seem to have no bottom.

SOURCE: The New York Times Subscription at 08:48PM

Kristin Chenoweth’s Many Lullabies for Broadway by Charles Isherwood

Ms. Chenoweth starts a series of concert performances at the Lunt-Fontanne Theater.

SOURCE: The New York Times Subscription at 01:38PM
Tuesday, October 25, 2016

Review: ‘Vietgone,’ a Refugee Tale With Laughs and Rap by Charles Isherwood

Qui Nguyen’s raucous comedy about Vietnamese refugees in America in 1975 smartly nails the dissonance of immigration.

SOURCE: The New York Times Subscription at 10:30PM
Monday, October 24, 2016

Review: In ‘A Life,’ Lonely and Looking to the Stars for Answers by Charles Isherwood

David Hyde Pierce stars in this bleak new play by Adam Bock, which swerves suddenly from the mundane to the shocking.

SOURCE: The New York Times Subscription at 10:22PM

Review: In ‘The Harvest,’ a Crisis of Feeling for Young Evangelicals by Charles Isherwood

This new play by Samuel D. Hunter centers on a group of 20-somethings who are exploring their problems as they prepare for a mission to the Middle East.

SOURCE: The New York Times Subscription at 10:22PM
Friday, October 21, 2016

Review: Baryshnikov Explores the Troubled Mind of a Dance Genius by Charles Isherwood

In “Letter to a Man,” based on the diaries of Vaslav Nijinsky, Mikhail Baryshnikov plays the early-20th-century ballet great who became schizophrenic.

SOURCE: The New York Times Subscription at 05:50PM
Tuesday, October 18, 2016

Review: ‘Sell/Buy/Date,’ Sarah Jones’s Futuristic Look at Sex Workers by Charles Isherwood

This absorbing solo show is an eerily timely offering by a gifted writer and performer.

SOURCE: The New York Times Subscription at 10:28PM
Thursday, October 13, 2016

Review: In ‘Career Suicide,’ Laughing When It Hurts by Charles Isherwood

Chris Gethard’s solo show grapples with his uncomfortable if often mordantly funny relationship to depression.

SOURCE: The New York Times Subscription at 10:42PM
Wednesday, October 12, 2016

Review: ‘The Dudleys’: Dad’s in Control. From Beyond the Grave. by Charles Isherwood

In Leegrid Stevens’s play, a dead, zombielike father plays on as his squabbling family surveys its present and re-enacts its past against a video-game background.

SOURCE: The New York Times Subscription at 05:34PM
Thursday, October 6, 2016

Review: ‘Holiday Inn’: It’s Beginning to Look a Lot Like a Recycled Movie by Charles Isherwood

An old chestnut, tweaked for the stage, resurrects Bing Crosby and company in an Irving Berlin musical.

SOURCE: The New York Times Subscription at 10:25PM
Sunday, October 2, 2016

Review: In Cirque du Soleil’s ‘Kurios,’ a Frisson of Novelty by Charles Isherwood

This spectacle combines the troupe’s familiar pinpoint precision with surprises and a dash of exoticism.

SOURCE: The New York Times Subscription at 05:45PM
Wednesday, September 28, 2016

Critic's Notebook: Tennessee Williams and Eugene O’Neill Side by Side, Under the Sun by Charles Isherwood

This year’s Provincetown Tennessee Williams Theater Festival featured works by Williams and Eugene O’Neill, including a searing “Desire Under the Elms.”

SOURCE: The New York Times Subscription at 03:55PM

‘Holiday Inn’ Arrives, and so Does an Early ‘White Christmas’ by Charles Isherwood

Roundabout presents a stage adaptation of the 1942 movie starring Bing Crosby. The film is best known for Irving Berlin’s “White Christmas.”

SOURCE: The New York Times Subscription at 01:32PM
Thursday, September 22, 2016

Review: In ‘The Undertaking,’ Considering the End With Some Laughter by Charles Isherwood

The thought-provoking new show from the Civilians is a collage of testimonials drawn from people with a particular point of view on, or relationship with, mortality.

SOURCE: The New York Times Subscription at 04:48PM
Wednesday, September 21, 2016

Critic's Notebook: Forget Twitter. I’d Rather Binge Theater. by Charles Isherwood

Our critic Charles Isherwood prizes epic theater. Here’s his take on two inspired long-form works coming to an end in New York at roughly the same time.

SOURCE: The New York Times Subscription at 06:42PM
Monday, September 19, 2016

Review: ‘Bathing in Moonlight’ Tests a Priest and Boundaries by Charles Isherwood

In this Nilo Cruz play, Father Monroe grapples with the intimate feelings he shares with a woman whose family attends his church.

SOURCE: The New York Times Subscription at 05:26PM
Thursday, September 15, 2016

Review: ‘Phaedra(s)’ Goes Psycho With Isabelle Huppert by Charles Isherwood

The avant-garde production, which borrows from several sources, includes a talking dog, scenes from Hitchcock and mind-numbing dialogue.

SOURCE: The New York Times Subscription at 05:54PM
Wednesday, September 14, 2016

Review: ‘Marie and Rosetta’ Ruminates on Gospel, R&B and Life by Charles Isherwood

This play from the Atlantic Theater Company tells how the singer Sister Rosetta Tharpe and a protégée, Marie Knight, met and established their act in 1940s Mississippi.

SOURCE: The New York Times Subscription at 10:51PM
Tuesday, September 13, 2016

Black Female Playwrights Want You to Face Facts. The Harsh Ones. by Charles Isherwood

Sarah Jones, Anna Deavere Smith and Lynn Nottage all have new works onstage this fall that grapple with the toughest issues in contemporary culture.

SOURCE: The New York Times Subscription at 08:08PM
Monday, September 12, 2016

Review: ‘Aubergine,’ a Stew of Regret and Impending Loss by Charles Isherwood

Julia Cho’s drama about family, food and mortality, at Playwrights Horizons, focuses on the invisible barriers that spring up between people.

SOURCE: The New York Times Subscription at 10:43PM
Saturday, September 10, 2016

Review: ‘Fiorello!,’ the Mayor Who Fought for the Little Guy by Charles Isherwood

This Tony-winning 1959 musical about New York’s colorful, corruption-fighting mayor gets an Off Broadway revival from the Berkshire Theater Group.

SOURCE: The New York Times Subscription at 12:45PM
Sunday, September 4, 2016

Review: ‘Twelfth Night,’ Anything Goes in Love and Shakespeare by Charles Isherwood

Professional and amateur actors and civic and cultural groups join in this contemporary musical adaptation from the Public Works program by the Public Theater.

SOURCE: The New York Times Subscription at 05:30PM
Wednesday, August 31, 2016

The Week Ahead: See ‘Hamilton’ (Sort Of) for Cheap by Charles Isherwood

With “Hamilton” still the toughest ticket in town, why not try the “Forbidden Broadway” spoof “Spamilton” at the Triad Theater.

SOURCE: The New York Times Subscription at 01:28PM
Thursday, August 25, 2016

Review: In ‘The Layover,’ Strangers on a Plane and Missed Connections by Charles Isherwood

Leslye Headland (“Bachelorette”) has written a dark drama about infidelity and its unforeseen consequences, now playing at Second Stage Theater.

SOURCE: The New York Times Subscription at 10:52PM
Tuesday, August 23, 2016

Review: ‘Broadway Bounty Hunter’ Stars Annie Golden as Herself by Charles Isherwood

This musical, at Barrington Stage Company, finds some goofy pleasures in the story of an actress who chases down criminals.

SOURCE: The New York Times Subscription at 06:04PM
Thursday, August 18, 2016

Review: Women’s Hard Choices, Cutting Deep at Williamstown Festival by Charles Isherwood

Two plays, Tom Holloway’s “And No More Shall We Part” and Wendy Wasserstein’s “An American Daughter,” close this theater festival’s season.

SOURCE: The New York Times Subscription at 05:49PM
Thursday, August 11, 2016

In Praise of Repertory Theater: Macbeth at the Matinee, Miller at Night by Charles Isherwood

The Oregon Shakespeare Festival and the Stratford and Shaw Festivals bring rewards to actors and audiences by showcasing a wide variety of shows.

SOURCE: The New York Times Subscription at 08:24AM
Friday, August 5, 2016

Review: In ‘Engagements,’ Meet Me in the Gazebo for Spite and Hauteur by Charles Isherwood

The playwright Lucy Teitler brings tangy wit and barbed portraiture to this tale of multiple engagement parties.

SOURCE: The New York Times Subscription at 05:45PM
Wednesday, August 3, 2016

An Appraisal: James Houghton, a Daring Champion of the American Theater by Charles Isherwood

Mr. Houghton, who died Tuesday, founded a Signature Theater whose seasons have focused mostly on a single playwright — a radical, fruitful approach.

SOURCE: The New York Times Subscription at 06:42PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic