All stories by Catherine Love on BroadwayStars

Friday, April 30, 2021

Money review – find a way out of capitalism’s moral maze by Catherine Love

Available onlineThis ingenious show featuring Mel Giedroyc casts its audience as board members of a charity and gives them a dilemma It’s a classic question: what would you be willing to o…

Linked From The Guardian at 08:33AM
Sunday, March 14, 2021

Oh Woman! review – much-needed tribute to six extraordinary women by Catherine Love

Available onlineWhile outrage against misogyny flares up once more, this collection of audio works by the Royal Exchange theatre celebrates marginalised and unsung female figures This year,…

Linked From The Guardian at 07:42AM
Wednesday, January 27, 2021

The Inquest review – tangled cold case enthrals amateur sleuths by Catherine Love

Available online Viewers collaborate to chase clues and solve a deadly mystery in the follow-up to last year’s Jury Duty Online adventure and puzzle games – the socially distanced cousin…

Linked From The Guardian at 06:12AM
Friday, October 9, 2020

Dr Blood’s Old Travelling Show review – clarity missing amid punk spirit and ingenuity by Catherine Love

Leeds PlayhouseImitating the dog reinvents medieval wagon theatre for the 21st century – but it’s more of an idea than a fully fleshed out story Credit to imitating the dog for looking a…

Linked From The Guardian at 09:18AM
Sunday, September 6, 2020

Three Kings review – Andrew Scott shines in fatherhood elegy by Catherine Love

Old Vic: In CameraThe Sherlock and Fleabag actor is transfixingly tender in Stephen Beresford’s skilful monologue, performed against an eerie, empty auditorium Three Kings is an unusually…

Linked From The Guardian at 09:48AM
Sunday, August 16, 2020

First Love review – park bench Beckett is witty and wonderful by Catherine Love

Rowntree Park, York This tangled monologue – delivered to a socially spaced audience with emphatic charm by Chris Hannon – is a diverting way to bring open-air theatre back to life First…

Linked From The Guardian at 07:54AM
Wednesday, August 12, 2020

For Quality Purposes review – dial in to the dislocation of lockdown by Catherine Love

Available onlineThis half-hour play about call-centre workers is an unsettlingly effective study of the isolation inflicted by coronavirus The best theatre and dance to watch online This new…

Linked From The Guardian at 08:32AM
Tuesday, July 7, 2020

Tim Crouch: 'Theatre will grow back stronger if we plant a different crop' by Catherine Love

As the writer and actor takes I, Cinna (the Poet) on to Zoom, he talks about how the pandemic may result in shaking up the structure of theatre for the better ‘I always fly the flag of li…

Linked From The Guardian at 03:54AM
Monday, June 22, 2020

Homemakers review – future dreams and present nightmares by Catherine Love

Available online Manchester’s Home stages a lockdown all-nighter exploring students’ dreams, alongside time-capsule plays about spiralling social media horrors and disrupted lives ‘We…

Linked From The Guardian at 12:03PM
Thursday, April 30, 2020

The Good Book review – a taut half-hour of dystopia by Catherine Love

Available onlineJames Phillips’s clash of near-future and Arthurian legend imagines patriotic nostalgia taken to extremes, if your nerves can take it Extra tension is, understandably, som…

Linked From The Guardian at 01:24PM
Friday, April 17, 2020

Stage presence: how drama schools adapted to the age of social distancing by Catherine Love

Reinventing courses that rely on physical contact is a challenge, but digital training could be the perfect curtain-raiser into theatre’s brave new world Like so much else in this current …

Linked From The Guardian at 07:54AM
Friday, March 27, 2020

Bubble review – online free-speech furore is perfect fit for lockdown era by Catherine Love

This experimental piece plays out in comment threads delivered direct to camera and raises important questions about theatre on the internet It’s an odd bit of coincidence that Kieran Hurl…

Linked From The Guardian at 07:18AM
Wednesday, March 11, 2020

Our Lady of Blundellsands review – it's like Ibsen turned up to 11 by Catherine Love

Everyman, LiverpoolJosie Lawrence stars in Jonathan Harvey’s story of the Domingo clan who have plenty of skeletons in their cupboards As messed up families go, the Domingos are off the ch…

Linked From The Guardian at 08:03AM
Tuesday, March 3, 2020

The Last Quiz Night on Earth review – audience competes as apocalypse beckons by Catherine Love

Hope Mill theatre, ManchesterAn asteroid is hurtling towards Earth in Alison Carr’s new play, where everyone takes part in a pub quiz The local boozer might not be a bad place to wait for …

Linked From The Guardian at 04:12PM
Sunday, March 1, 2020

Seeds review – racism drama is emotional but clunkily contrived by Catherine Love

Leeds PlayhouseWith echoes of the murder of Stephen Lawrence, Mel Pennant’s new play focuses on the mothers who are left behind Racism, as Mel Pennant’s new play explores, does not come …

Linked From The Guardian at 02:42PM
Wednesday, February 26, 2020

Oliver Twist for all the senses: Leeds makes Dickens fully accessible by Catherine Love

Deaf and disabled actors are bringing a fresh dimension to the much-loved tale in Leeds Playhouse’s new production. The creative team explain its ‘aesthetics of access’ Entering direct…

Linked From The Guardian at 09:42AM
Monday, February 17, 2020

The Ballad of Johnny Longstaff review – songs and solidarity against fascism by Catherine Love

Northern Stage, Newcastle upon TyneThe Young’uns bring the astonishing true story of a working-class hero who fought against Franco to rousing musical life Five years ago, the folk band th…

Linked From The Guardian at 04:03AM
Thursday, February 13, 2020

A Little Space review – thrilling whirl through a block of flats by Catherine Love

Home, ManchesterThe thin line between loneliness and connection is made manifest in Gecko and Mind the Gap’s surprising show It’s apt that Gecko’s new collaboration with Mind the Gap h…

Linked From The Guardian at 03:03PM
Wednesday, February 12, 2020

Wuthering Heights review – extreme lovers haunt a wild wasteland by Catherine Love

Royal Exchange, ManchesterAndrew Sheridan’s adaptation of Emily Brontë’s novel focuses on Cathy and Heathcliff’s morbid passions and has the feel of a ghost story There’s an inheren…

Linked From The Guardian at 07:24PM
Thursday, February 6, 2020

Vignettes review – slender slices of life by female playwrights by Catherine Love

Hope Mill theatre, ManchesterThis collection of short plays by women features vivid characters and bears the bruises of the patriarchy Vignettes is an apt title for HER Productions’ collec…

Linked From The Guardian at 08:54AM
Monday, February 3, 2020

Dr Korczak's Example review – Holocaust drama cracks under the weight of history by Catherine Love

Leeds PlayhouseDavid Greig’s play about a Warsaw orphanage shows glimpses of hope in the ghetto – but, inevitably, it falls short of capturing the horror of the Holocaust Philosopher The…

Linked From The Guardian at 03:42AM
Monday, December 16, 2019

Guys and Dolls review – thrills and chaos in the giddy, gambling Big Apple by Catherine Love

Sheffield CrucibleAgainst a spare backdrop, the cast generate energy, comedy and romance in spades in this revival of Frank Loesser’s New York musical In turbulent political times, how can…

Linked From The Guardian at 09:18AM
Thursday, December 12, 2019

Sleeping Beauty at York Theatre Royal – ‘slightly lacklustre’ by Catherine Love

This year marks a new era for the York Theatre Royal panto. Well, sort of. Beloved, long-running dame Berwick Kahler may have

Linked From The Stage Registration at 06:45AM
Friday, November 22, 2019

Hello and Goodbye review – Athol Fugard's dark reunion gets under the skin by Catherine Love

York Theatre Royal Fugard’s profound examination of a South African family ripped apart by a workplace accident is devastatingly brilliant Hello. Goodbye. These two small, unassuming words…

Linked From The Guardian at 07:06AM
Wednesday, November 13, 2019

My Mother Said I Never Should review – half-spoken truths of women and girls by Catherine Love

Studio theatre, SheffieldSign language adds new dimensions to Charlotte Keatley’s popular play about four generations of women So much in My Mother Said I Never Should is unsaid, or half s…

Linked From The Guardian at 08:36AM
Monday, November 11, 2019

One Under review – heartrendingly tender and enigmatic portrait of grief by Catherine Love

Leeds PlayhouseWinsome Pinnock’s 2005 play that has been reimagined to focus on mental health asks urgent questions but yields few answers When a man steps in front of a London Underground…

Linked From The Guardian at 03:12AM
Friday, November 1, 2019

Seagulls review – Chekhov musical makes Nina a singer-songwriter by Catherine Love

Bolton Library and MuseumBeth Hyland attempts to shift the male-and-his-muse gaze in her story about misogyny in the music industry Fiction and history are littered with male artists and the…

Linked From The Guardian at 03:33AM
Wednesday, October 16, 2019

Content warning: this festival is for 'generation snowflake' by Catherine Love

Handle With Care, a three-week festival at Camden People’s theatre, aims to contest perceptions about millennials’ entitlement, fragility and offence-taking Handle With Care, the title …

Linked From The Guardian at 08:48AM
Monday, September 30, 2019

The Boy Who Cried Wolf review at York Theatre Royal, York – ‘storytelling, singing and silliness’ by Catherine Love

Wolves may be in the title, but tutti frutti’s children’s show is all about the sheep. Its familiar story is told by

Linked From The Stage Registration at 08:59AM
Saturday, September 28, 2019

Under Three Moons review – interrogating the pressures of masculinity by Catherine Love

The Lowry, Salford Following two friends over three decades, Daniel Kanaber’s play spans friendship, mental health and emotionally pent-up men ‘Take care of yourself,” one character gr…

Linked From The Guardian at 09:06AM
Thursday, September 26, 2019

A View from the Bridge review at York Theatre Royal, York – ‘solid but unremarkable’ by Catherine Love

As the lights come up, a crate is lowered from above, like a shipment being unloaded in the Brooklyn docks. Beneath the

Linked From The Stage Registration at 04:27AM

All that Chat

Sep 14, 2021: Chicago - Ambassador Theatre