All stories by Catey Sullivan on BroadwayStars

Wednesday, November 6, 2019

Staff Pick: Best dance company by Catey Sullivan

Red Clay Dance Unlike musicians, dancers never put their instruments down. That's especially true of Red Clay Dance, where the intersection of art and activism f…

SOURCE: www.chicagoreader.com at 01:00PM

Staff Pick: Best off-Loop theater by Catey Sullivan

Court Theatre Under artistic director Charles Newell, Court Theatre is all over the place in the best possible way.…

SOURCE: www.chicagoreader.com at 01:00PM

The Suffrage Plays swaddles social commentary in satire by Catey Sullivan

Three one-acts from the fight for women's franchise provide a cutting history lesson with Artemisia. If nothing else, this trio of one-acts that explore the uphi…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, October 30, 2019

The Tru show by Catey Sullivan

A new musical about mental illness provided its creators a chance to confront their own struggles. Mental illness as woman: It's a trope that keeps on giving. Fr…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, October 23, 2019

A couple finds themselves in a creepy cabin in the woods in Grey House by Catey Sullivan

Levi Holloway's horror show for A Red Orchid Theatre gives a feminist makeover to a familiar genre. Onstage or -screen, the tropes of horror (teens in peril, dem…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, October 16, 2019

Comfortable Shoes stands and delivers by Catey Sullivan

Ida Cuttler's solo show for the Neo-Futurists considers the stories women tell to save their lives. Toward the end of her rambunctious and profound one-woman sho…

SOURCE: www.chicagoreader.com at 07:00AM

Language of Angels fails to take flight by Catey Sullivan

Three Crows tries to breathe life into a play bogged down in stereotypes. Think The Dukes of Hazzard meets Night of the Living Dead, but more reliant on stereoty…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, October 9, 2019

Strolling down Sunset Boulevard with Hollis Resnik by Catey Sullivan

The star of Porchight's revival talks about surviving the postingenue years. Since arriving in Chicago in 1980, Ohio native Hollis Resnik has embodied a pantheon…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, October 2, 2019

The Raveling is a theatrical spinning wheel by Catey Sullivan

Walkabout Theater's ensemble-created show suffers from too many unresolved threads. Imagine watching a class of preschoolers hopped up on cupcakes, acting out th…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, September 25, 2019

The King's Speech on stage doesn't improve upon the film. by Catey Sullivan

Chicago Shakespeare's production is pretty and witty, but lacks dramatic tension. The rise of Albert, Duke of York, from stammering puddle of self-doubt to globa…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, September 18, 2019

A Chinese American basketball player is lost in Tiananmen Square in The Great Leap by Catey Sullivan

Thirty years later, Lauren Yee's play depicts the events during the failed Chinese uprising with sympathy and surprising humor. In June, the Washington Post publ…

SOURCE: www.chicagoreader.com at 07:00AM

Cambridge women fight for their academic rights in Blue Stockings by Catey Sullivan

Jessica Swale's set-in-1896 drama feels depressingly contemporary in Promethean's production. Jessica Swale's 1896-set drama should come with a trigger warning. …

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, September 11, 2019

Loy Webb's plays creates a neon sign in the darkness by Catey Sullivan

In His Shadow, an aspiring football player confronts his brother's legacy and the price of protesting. Back in 2016 when she was still practicing law in Chicago,…

SOURCE: www.chicagoreader.com at 07:00PM

At the Wake of a Dead Drag Queen offers a history lesson on intersectional oppression—with lip synching by Catey Sullivan

Terry Guest's two-character play for Story Theatre delivers an emotional knockout. When you think of the staggering levels of violence that members of the LGBTQI…

SOURCE: www.chicagoreader.com at 05:00PM
Wednesday, September 4, 2019

Women designers make it work onstage by Catey Sullivan

Productions this fall in Chicago suggest their numbers are growing, but women in theatrical design still struggle for jobs and recognition. Roughly 15 or so year…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, August 28, 2019

(Non)Fiction fails to convince us of its premise by Catey Sullivan

Jillian Leff's world premiere for Right Brain Project offers a fantasy version of the publishing world. Playwright Jillian Leff's tale of a rookie novelist whose…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, August 21, 2019

All Quiet on the Western Front brings diversity and relevance in Red Tape's production by Catey Sullivan

Matt Foss's adaptation of Erich Maria Remarque's World War I classic is both powerful and frustrating. Red Tape Theatre's take on Erich Maria Remarque's 1929 cla…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, August 14, 2019

Diamond Lil & the Pansy Craze resurrects a famous Chicago nightclub by Catey Sullivan

A jukebox musical provides a stirring history lesson about gay life in the 1930s. Long before the Viagra Triangle took root in the Gold Coast, 909 Rush Street wa…

SOURCE: www.chicagoreader.com at 07:00AM

Peacebook Festival turns four by Catey Sullivan

Collaboraction's annual anthology of short plays about peace, love, and understanding kicks off its season on the south side. Eviction and art. As a grade-school…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, August 7, 2019

Take a Gander at Come From Away by Catey Sullivan

A touring musical about the town that hosted the world after 9/11 brings the love. From the iconic image of the lone "falling man" to the gut-punch visual of wal…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, July 31, 2019

You Can’t Fake the Funk is super freaky fun by Catey Sullivan

Black Ensemble Theater’s celebration of the history of funk dazzles with defiant joy. Now onstage at Black Ensemble Theater: a hard-charging, gotta-dance, groo…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, July 17, 2019

The second coming of True West by Catey Sullivan

Jon Michael Hill and Namir Smallwood breathe fire into Steppenwolf’s revival. If you've been banging around the Chicago theatrosphere longer than 25 seconds, y…

SOURCE: www.chicagoreader.com at 07:00AM

Wolf Play leads the pack by Catey Sullivan

An adoptee seeks comfort and safety in lupine identity in Hansol Jung's latest. Never doubt the emotional layers possible from an expertly crafted, exquisitely m…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, July 10, 2019

Get up and Go-Go to Kokandy’s Head Over Heels by Catey Sullivan

A binary-busting love story weds a 16th-century romance and the music of the Go-Go’s. When the Go-Go's debuted the irresistibly catchy titular song in 1984, MT…

SOURCE: www.chicagoreader.com at 07:00AM

The Music Man offers a musical conundrum at the Goodman by Catey Sullivan

Mary Zimmerman’s production sings, though the gender politics creak. You can say this for director Mary Zimmerman's staging of Meredith Willson's multiple Tony…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, June 26, 2019

Hedwig and the Angry Inch, up close and personal at Theo Ubique by Catey Sullivan

In the title role, Will Lidke is a nova of charisma. It hasn't always been blindingly obvious that Hedwig and the Angry Inch is a riff on Plato's "Symposium." Bu…

SOURCE: www.chicagoreader.com at 07:00AM
Thursday, June 20, 2019

With First Read 2019, the Syndicate hoped to transcend boundaries by Catey Sullivan

The theater company presented readings of three new one-acts by trans playwrights. You don't have to look further than this year's Tony Awards to see why we nee…

SOURCE: www.chicagoreader.com at 03:09PM
Wednesday, June 19, 2019

Maybe a Big Mouth Billy Bass would liven up The River by Catey Sullivan

But all we've got is a murky early effort from Tony winner Jez Butterworth. Playwright Jez Butterworth won the 2019 Best Play Tony Award for The Ferryman, but it…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, June 5, 2019

Queen of the Mist somehow manages to make the story of the woman who went over Niagara Falls in a barrel “tedious, monotonous, repetitive, and not f by Catey Sullivan

Firebrand’s production can’t rise over the limits of the script. Michael John LaChiusa's musical Queen of the Mist contains a second-act song that critiques …

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, May 22, 2019

Four Chords and a Gun reduces the Ramones from punks to adolescent brats by Catey Sullivan

Hey! Ho! Don't go! John Ross Bowie's 90-minute drama purports to be about the creation of the Ramones' album End of the Century, but it's actually about a quarte…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, May 8, 2019

The Children vividly imagines the worst-case scenario after an environmental disaster. by Catey Sullivan

Playwright Lucy Kirkwood's devastated world is nightmarishly familiar. It's comforting to regard the premise of Lucy Kirkwood's eco-thriller with a smug sense of…

SOURCE: www.chicagoreader.com at 12:00PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards