Cameron Kelsall didn't plan to write a 2017 Best-of theater list, but considering the proliferation of excellent new work by local playwrights, he couldn't help himself.
SOURCE: Broad Street Review at 07:44PMBroadway powerhouses Marin Mazzie and Jason Danieley bring their intimate cabaret to Princeton’s McCarter Theatre. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 04:32PMAs black women in the United States reclaim their time and refuse to be silenced, ‘The Color Purple’ feels more relevant than ever. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 02:27PMSeveral strong performances cannot overcome City Theater Company’s muddled interpretation of ‘Sunday in the Park with George.' Cameron Kelsall reviews.
SOURCE: Broad Street Review at 07:30PMCurio Theatre Company presents an astonishingly fresh take on Beth Henley’s ‘Crimes of the Heart.' Cameron Kelsall reviews.
SOURCE: Broad Street Review at 06:46PMCurtis Opera Theatre offers a chilly take on Tchaikovsky’s ‘Eugene Onegin.' Cameron Kelsall reviews.
SOURCE: Broad Street Review at 08:27PMBruce Graham uses ‘The Craftsman’ to confront his critics, but the result is more screed than storytelling. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 07:06PMHammonton, New Jersey's Eagle Theatre revises ‘The Fantasticks,’ with diminishing returns. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 02:59PMCameron Kelsall reviews Theresa Rebeck’s trenchant workplace comedy. The post Review: What We’re Up Against at WP Theater (McGinn/Cazale) appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 12:03AMBristol Riverside Theatre's production of Ronald Harwood’s classical music comedy ‘Quartet’ plays painfully out of tune. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 01:31PMFederico García Lorca becomes an afterthought in the Wilma’s unfocused ‘Blood Wedding.' Cameron Kelsall reviews.
SOURCE: Broad Street Review at 12:45PMRipe Time’s convoluted take on Haruki Murakami's short story 'Sleep' shows the perils of adaptation. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 05:04PMAct II Playhouse’s revival of Michael Hollinger's ‘Red Herring’ will win you over hook, line, and sinker. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 03:32PMCameron Kelsall reviews Zoe Kazan's futuristic domestic drama. The post Review: After the Blast at Claire Tow Theater at Lincoln Center appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 06:03PMCameron Kelsall reviews Keen Company's revival of Steven Dietz's response to the HIV/AIDS epidemic. The post Review: Lonely Planet at Clurman Theatre (at Theatre Row) appeared first on Exeun…
SOURCE: exeuntmagazine.com at 06:03PMAt long last, MJ Kaufman's "no review" world premiere 'Destiny Estimate' gets its review; Cameron Kelsall is glad he had the opportunity to weigh in.
SOURCE: Broad Street Review at 10:39AMHedgerow Theatre’s take on Noël Coward’s supernatural comedy 'Blithe Spirit' remains earthbound. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 08:20PMLisa Kron skillfully explores her father’s past in a funny and poignant solo play at Theatre Horizon. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 01:49PMBristol Riverside Theatre spells success with its production of ‘The 25th Annual Putman County Spelling Bee.' Cameron Kelsall reviews.
SOURCE: Broad Street Review at 11:12PMMedia Theater's maddeningly inconsistent ‘Carousel’ can be chiefly characterized by what it lacks. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 09:18PMPhiladelphia playwright George Kelly once dominated Broadway. A rare revival of his 1924 comedy ‘The Show-Off’ suggests why. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 11:48AMCameron Kelsall calls bullshit at the hell Max Posner reserves for an over-burdened son. The post Review: The Treasurer at Playwrights Horizons appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 05:09PMMore often than not, the Walnut Street Theater's production of ‘Souvenir’ turns Florence Foster Jenkins into an object of ridicule. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 09:34PMAt Act II Playhouse, Tony Braithwaite offers a sterile paean to life behind the curtain. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 04:32PMJon Robin Baitz’s attempt at a theatrical dark night of the soul merely scratches the surface of the fractious American family. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 10:39AMBucks County Playhouse’s refreshingly traditional production of 'Guys and Dolls' doesn’t rock the boat. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 09:39PMDominique Morisseau takes on the school-to-prison paradigm in her newest play. Cameron Kelsall reviews. The post Review: Pipeline at Lincoln Center – Mitzi E. Newhouse Theater appeare…
SOURCE: exeuntmagazine.com at 12:57PMAlex Keiper advocates for the next generation of Philadelphia performers in an intelligent, wide-ranging, gender non-conforming cabaret. Cameron Kelsall reviews.
SOURCE: Broad Street Review at 05:17PMThe Chicago Sun-Times' chief theater critic, Hedy Weiss, sets off another firestorm after a Steppenwolf review. Philly critic Cameron Kelsall considers.
SOURCE: Broad Street Review at 04:18PMKen Ludwig's serviceable but toothless stage adaptation of Murder on the Orient Express at Princeton's McCarter Theatre Company owes more to Sidney Lumet than Agatha Christie.
SOURCE: TalkinBroadway at 12:33PMNew Jersey Repertory Company, in the shore town of Long Branch, has admirably bucked this trend for close to twenty years, focusing almost exclusively on world premieres. Many of the works t…
SOURCE: TalkinBroadway at 08:01AM