All stories by Bob Ashby on BroadwayStars

Wednesday, August 1, 2018

Review: ‘The Story of the Gun’ at Woolly Mammoth by Bob Ashby

“All you have to do is move your little finger, move your little finger, and you can change the world.” That line from Stephen Sondheim’s Assassins could well serve as an epigraph for …

SOURCE: DC Metro Theater Arts at 09:32PM
Friday, July 20, 2018

Review: ‘The Pirates of Penzance’ by The Hypocrites at Olney Theatre Center by Bob Ashby

Once upon a time, Gilbert and Sullivan staging was – there is no other word for it – stodgy. The D’Oyly Carte opera company dominated G&S performance from the late 19th century unt…

SOURCE: DC Metro Theater Arts at 09:37PM
Monday, July 16, 2018

2018 Capital Fringe Review: ‘The Lives Left Behind’ by Bob Ashby

In The Lives Left Behind, the Silver Finch Arts Collective presents four short, one-act, chamber operas, each by a different composer and librettist. The instrumental music for all four piec…

SOURCE: DC Metro Theater Arts at 10:11AM

2018 Capital Fringe Review: ‘Aphrodite’s Refugees’ by Bob Ashby

Monica Dionysiou gives audiences a bravura hour of solo storytelling in her Aphrodite’s Refugees, which is based on the experiences of her family during the warfare that consumed Cyprus in…

SOURCE: DC Metro Theater Arts at 09:28AM
Saturday, July 14, 2018

2018 Capital Fringe Review: ‘1 2 3: a play about abandonment and ballroom dancing’ by Bob Ashby

What becomes of the children of famous (or notorious) people later in their lives is fertile ground for fiction as well as documentary storytellers. One of the best of the genre is E.L. Doct…

SOURCE: DC Metro Theater Arts at 10:20PM
Tuesday, July 10, 2018

Review: ‘Guerrilla Theater Works 3: A New Nation’ by Convergence Theatre by Bob Ashby

Sunday morning, before I drove from my home in Western Maryland to see Convergence Theatre’s production of A New Nation, I noted the following in a letter to the editor of my local newspap…

SOURCE: DC Metro Theater Arts at 01:19PM
Monday, July 9, 2018

2018 Capital Fringe Review: ‘America’s Wives’ by Bob Ashby

A main point of Michelle Alexander’s The New Jim Crow is that the oppression of people of color in the U.S. cannot be explained as a matter of mean-spirited bigots lashing out at African-A…

SOURCE: DC Metro Theater Arts at 10:09AM
Sunday, July 8, 2018

2018 Capital Fringe Review: ‘Andromeda Breaks’ by Bob Ashby

Andromeda Breaks, written by Stephen Spotswood and directed by Nick Martin, takes the initial form of a police interrogation. At the outset, Andromeda (Billie Krishawn) sits handcuffed to a …

SOURCE: DC Metro Theater Arts at 12:04PM

Review: ‘Secrets of the Universe (And Other Songs)’ at the Hub Theatre by Bob Ashby

Secrets of the Universe (And Other Songs), a new play by Marc Acito having its world premiere at the Hub Theatre in Fairfax, explores the friendship between two 20th century greats in very d…

SOURCE: DC Metro Theater Arts at 10:20AM
Sunday, June 24, 2018

Review: ‘On the Town’ at Olney Theatre Center by Bob Ashby

D.C.–area audiences are notorious for their too-free-and-easy awarding of standing ovations. But last night’s prolonged, enthusiastic, standing, whooping, hollering, response to Olney Th…

SOURCE: DC Metro Theater Arts at 03:43PM
Friday, June 8, 2018

Review: ‘How to Succeed in Business Without Really Trying’ at the Kennedy Center by Bob Ashby

The Kennedy Center advertises its Broadway Center Stage series as presenting shows in a “semi-staged concert format.” For Frank Loesser’s 1961 satire of mid-20th century New York corpo…

SOURCE: DC Metro Theater Arts at 03:53PM
Sunday, May 27, 2018

Review: ‘Bad Jews’ at NextStop Theatre by Bob Ashby

What must their mothers have been like? Certainly, cousins Daphna and Liam (Sophie Schulman and Noah Schaefer), the antagonists in Joshua Harmon’s Bad Jews, now playing at Herndon’s Next…

SOURCE: DC Metro Theater Arts at 12:51PM
Saturday, May 26, 2018

Review: ‘A View from the Bridge’ at Maryland Ensemble Theatre by Bob Ashby

The 1950s Brooklyn waterfront setting of Arthur Miller’s A View from the Bridge has long since disappeared. The container revolution, beginning in the 1970s, ended forever the traditional …

SOURCE: DC Metro Theater Arts at 08:57PM
Sunday, May 13, 2018

Review: ‘Meet Me in St. Louis’ at Other Voices Theatre by Bob Ashby

World’s Fairs – those gaudy showcases of civic and national pride, corporate promotion, new technology, consumerism, over-the-top temporary architecture, sideshow entertainment, and an o…

SOURCE: DC Metro Theater Arts at 04:43PM
Saturday, May 12, 2018

Review: ‘Gypsy’ at the Cumberland Theatre by Bob Ashby

The original full title of the show now playing at the Cumberland Theatre was Gypsy: A Musical Fable. Emphasize that final word. Gypsy Rose Lee was none too particular about the facts of he…

SOURCE: DC Metro Theater Arts at 08:54PM
Monday, April 23, 2018

Review: ‘The Crucible’ at Olney Theatre Center by Bob Ashby

Fanaticism grows in a society fractured along fault lines of political and religious authority, property, status, gender, generational change, and belief, creating a fertile climate for pers…

SOURCE: DC Metro Theater Arts at 10:21AM
Sunday, April 15, 2018

Review: ‘Fly By Night’ at 1st Stage by Bob Ashby

Recipe for a vexing evening of musical theater: combine cuteness, sweetness, quirkiness, clever and funny dialogue, and a sprinkling of amusing and melodic songs. Add a heavy dose of sentime…

SOURCE: DC Metro Theater Arts at 08:07PM
Saturday, April 14, 2018

Review: ‘Sweeney Todd’ by The Arlington Players by Bob Ashby

Stephen Sondheim himself felt some uncertainty in categorizing Sweeney Todd, the 1979 show that many regard as the masterpiece of his long and spectacular career. In his annotated book of ly…

SOURCE: DC Metro Theater Arts at 04:03PM
Wednesday, April 11, 2018

Review: ‘The Front Page’ by Providence Players by Bob Ashby

There are few perfect things in life, let alone in theater. But Providence Players’ The Front Page comes darn close. Every aspect of the production is first-rate. The newspaper world creat…

SOURCE: DC Metro Theater Arts at 02:17PM
Tuesday, April 10, 2018

Review: ‘Roz and Ray’ at Theater J by Bob Ashby

Fierce. No word short of that can fairly describe the characters’ commitment to their consuming passions, and the actors’ commitment to their roles, in Theater J’s harrowing production…

SOURCE: DC Metro Theater Arts at 09:28PM
Saturday, April 7, 2018

Review: ‘Rapture, Blister, Burn’ at Maryland Ensemble Theatre by Bob Ashby

There are potholes in the road not taken. So discover many of the characters in Gina Gionfriddo’s Rapture, Blister, Burn, now being presented by the Maryland Ensemble Theater (MET) in Fred…

SOURCE: DC Metro Theater Arts at 03:08PM
Sunday, March 11, 2018

Review: ‘Death by Design’ at Aldersgate Church Community Theater by Bob Ashby

“There is nothing whatever beneath my exterior.” So proclaims a character in Death by Design, now playing at the Aldersgate Church Community Theater (ACCT) in Alexandria. How right he is…

SOURCE: DC Metro Theater Arts at 08:15PM
Saturday, March 10, 2018

Review: ‘Jesus Christ Superstar’ at Other Voices Theatre by Bob Ashby

Frederick’s Other Voices Theatre puts a very large cast and a complex technical scheme to excellent use in its production of the 1971 Andrew Lloyd Webber/Tim Rice rock operetta Jesus Chris…

SOURCE: DC Metro Theater Arts at 03:36PM
Sunday, March 4, 2018

Review: ‘Fool for Love’ at the Cumberland Theatre by Bob Ashby

The theme of a man and a woman who can’t live without each other and can’t live with each other is as old as theater. Often enough it has been played for comedy, as in the couples in Noe…

SOURCE: DC Metro Theater Arts at 09:02PM

Review: ‘Avenue Q’ at Workhouse Arts Center by Bob Ashby

The audience for Workhouse Theater’s production of Avenue Q (music and lyrics by Robert Lopez and Jeff Mark, book by Jeff Whitty), loved every minute. And what’s not to love? The 2003 To…

SOURCE: DC Metro Theater Arts at 02:46PM
Friday, March 2, 2018

Review: ‘Of Mice and Men’ at Maryland Entertainment Group by Bob Ashby

An apt subtitle for Of Mice and Men, adapted from the 1937 novella by John Steinbeck, might be “the futility of hope.” In the small, corrosively lonely, universe of a California ranch du…

SOURCE: DC Metro Theater Arts at 10:48AM
Monday, February 26, 2018

Review: ‘The Audience’ at Little Theatre of Alexandria by Bob Ashby

Attention Anglophiles: If you loved The Queen, and if you avidly follow The Crown on Netflix, then by all means, join the audience for The Audience at the Little Theatre of Alexandria (LTA).…

SOURCE: DC Metro Theater Arts at 01:04PM
Wednesday, August 12, 2015

Victorian Lyric Opera Company The Pirates of Penzance by Bob Ashby

The current Victorian Lyric Opera Company (VLOC) production in Rockville is a very lively effort both the musical and staging aspects of which succeed delightfully.

SOURCE: washingtondc.showbizradio.com at 08:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic