All stories by Bob Ashby on BroadwayStars

Monday, February 18, 2019

Review: ‘Thunder Knocking on the Door’ at Creative Cauldron by Bob Ashby

Thunder, in this case, is one Marvell Thunder, a supernatural, shape-shifting, competitive trickster who has surrendered a good bit of his humanity to act as the spirit of the blues. Played …

SOURCE: DC Metro Theater Arts at 02:33PM
Thursday, February 14, 2019

Review: ‘Richard the Third’ at Shakespeare Theatre Company by Bob Ashby

Did ever a villain so enjoy his murderously evil ways as Shakespeare’s Richard III? In the Shakespeare Theatre’s production, Matthew Rauch’s Richard teaches a master class in duplicity…

SOURCE: DC Metro Theater Arts at 02:19PM
Monday, February 4, 2019

Review: ‘Perfect Arrangement’ at the Greenbelt Arts Center by Bob Ashby

The title of Topher Payne’s play is, of course, ironic. Set during the early 1950s “Lavender Scare,” a purge of gay and lesbian Federal employees coinciding with the Red Scare of that …

SOURCE: DC Metro Theater Arts at 01:37PM
Thursday, January 31, 2019

Review: “Ain’t Misbehavin'” at Signature Theatre by Bob Ashby

Outside, the Polar Vortex reigned. Inside, the jazz was hot and smoky and funny and sexy. Ain’t Misbehavin’, celebrating the work of Fats Waller, brought his music and the feel of his l…

SOURCE: DC Metro Theater Arts at 08:50PM
Saturday, January 26, 2019

Review: ‘The Mystery of Love and Sex’ at the Iron Crow Theatre by Bob Ashby

Human beings are mysterious creatures: how deeply can we know even those closest to us, or ourselves? What’s the cost of knowing? In Bathsheba Doran’s 2015 play, The Mystery of Love and …

SOURCE: DC Metro Theater Arts at 07:55PM
Saturday, January 19, 2019

Review: ‘Jerusalem’ at Fells Point Corner Theatre by Bob Ashby

People staying when they need to go; people going when they long to stay. People hanging on to bits of myth and legend, or a bit of land, in the face of overwhelming forces of economic logic…

SOURCE: DC Metro Theater Arts at 08:46PM
Wednesday, December 26, 2018

Review: ‘Measure for Measure’ at Green Globe Theatre by Bob Ashby

There is some uncanny and rather dismaying contemporary resonance in Shakespeare’s Measure for Measure, now playing at Baltimore’s Green Globe Theatre. The virginal Isabella (Grace O’K…

SOURCE: DC Metro Theater Arts at 09:33AM
Sunday, December 16, 2018

Review: ‘Blithe Spirit’ at Spotlighters Theatre by Bob Ashby

British comedies considerably older than Noel Coward’s 1941 Blithe Spirit enjoy frequent, high-spiritedly successful revivals. Think The Importance of Being Earnest or Charley’s Aunt (a…

SOURCE: DC Metro Theater Arts at 08:05PM

Review: ‘The Rocky Horror Show’ by Iron Crow Theatre by Bob Ashby

When the pre-show features an audience participation orgasm contest, can things possibly get any wilder? Yes indeed, as Iron Crow Theatre’s Rocky Horror Show readily proves. Rocky has alwa…

SOURCE: DC Metro Theater Arts at 02:15PM
Friday, December 14, 2018

Review: ‘Striking 12’ by Free Range Humans at BlackRock Center for the Arts by Bob Ashby

Striking 12 is a striking exception to the mandatory Christmas sappiness occupying most entertainment venues this time of year. It’s set at holiday time, but the holiday in question is New…

SOURCE: DC Metro Theater Arts at 02:43PM
Monday, December 3, 2018

Review: ‘How to Keep an Alien’ at Solas Nua by Bob Ashby

Love is unique. It is an intense bond of emotion, desire, and care between two people, deeply special to one another, that for them cannot be duplicated anywhere on Earth. Bureaucracy must r…

SOURCE: DC Metro Theater Arts at 09:49PM
Saturday, December 1, 2018

Review: ‘Charley’s Aunt’ at Fells Point Corner Theatre by Bob Ashby

At 126 years old and still going strong, Charley’s Aunt by Brandon Thomas has lost none of its power to tickle an audience’s funny bone. Fells Point Corner Theatre’s production keeps…

SOURCE: DC Metro Theater Arts at 08:59PM
Wednesday, November 28, 2018

Review: ‘Silver Bells’ at The Way Off Broadway Dinner Theatre by Bob Ashby

For people seeking holiday entertainment in the Frederick area who might seek an alternative to A Christmas Carol, or The Nutcracker, or It’s a Wonderful Life, or one of the endless cavalc…

SOURCE: DC Metro Theater Arts at 02:32PM
Monday, November 19, 2018

Review: ‘Running on Glass’ at Venus Theatre by Bob Ashby

Cynthia Cooper’s Running on Glass, playing at Laurel’s Venus Theatre, celebrates six pioneering female athletes, all of whom had to overcome barriers not only of gender but of race, clas…

SOURCE: DC Metro Theater Arts at 10:32PM
Thursday, November 15, 2018

Review: ‘Anything Goes’ at Arena Stage by Bob Ashby

“De-Lovely” doesn’t even begin to cover it. Arena Stage’s production Anything Goes is as close to musical theater heaven as you can get. Cole Porter’s classic melodies and innuendo…

SOURCE: DC Metro Theater Arts at 08:29PM
Sunday, November 4, 2018

Review: ‘The Toxic Avenger’ at Greenbelt Arts Center by Bob Ashby

The small, low-ceilinged theater at the Greenbelt Arts Center, with intimate seating arrangements and limited space for sets, is a natural habitat for The Toxic Avenger, a quintessential sma…

SOURCE: DC Metro Theater Arts at 09:58PM
Monday, October 29, 2018

Review: ‘A Chaste Maid in Cheapside’ by The Baltimore Shakespeare Factory by Bob Ashby

Moved by an impulse analogous to the original instruments movement in early music, Baltimore Shakespeare Factory (BSF) is dedicated to mounting the Bard’s plays and those of his contempora…

SOURCE: DC Metro Theater Arts at 10:43AM
Thursday, October 25, 2018

Review: ‘Illyria, or What You Will’ by Avant Bard by Bob Ashby

Illyria is fabulous, darlings. The clothes are to die for. The décor is out of its 1980s mind. The music is as eclectic as it is electric. And plot elements and characters drawn from Twelft…

SOURCE: DC Metro Theater Arts at 05:16PM
Tuesday, October 23, 2018

Review: ‘Henry V’ by Faction of Fools by Bob Ashby

A current exhibit at the Folger Shakespeare Library explores Winston Churchill’s admiration for Shakespeare, above all the World War II-era patriotic inspiration of Laurence Olivier’s fi…

SOURCE: DC Metro Theater Arts at 10:14PM
Friday, October 19, 2018

Review: ‘Chocolate Covered Ants’ by Restoration Stage at THEARC by Bob Ashby

Hurt people hurt people: a cliché, yes, but one that helps understand many of the characters in Steven A. Butler, Jr.’s Chocolate Covered Ants, revived in Restoration Stage’s gorgeous n…

SOURCE: DC Metro Theater Arts at 07:54PM
Tuesday, October 16, 2018

Review: ‘The Fall’ at Studio Theatre by Bob Ashby

The passionate purity, the incandescence of engaged young people whose hearts are touched with fire, contending against oppressive institutions burns bright in the 2015 South Africa depicted…

SOURCE: DC Metro Theater Arts at 02:41PM
Sunday, October 14, 2018

Review: ‘The Addams Family’ by Silhouette Stages by Bob Ashby

It’s all together ooky, The Addams Family. That’s a good thing, of course. Save for one chronic, annoying flaw, Silhouette Stages’ production of the show is a comic delight, well sung …

SOURCE: DC Metro Theater Arts at 11:21AM
Monday, October 8, 2018

Review: ‘Street Scene’ by Virginia Opera by Bob Ashby

Kurt Weill’s varied score, Langston Hughes’ eloquent lyrics, a powerful book by playwright Elmer Rice, and a quality ensemble cast combine in Virginia Opera’s production of Street Scen…

SOURCE: DC Metro Theater Arts at 02:40PM
Saturday, September 29, 2018

Review: ‘Heisenberg’ at Signature Theatre by Bob Ashby

Simon Stephens’ Heisenberg, now playing at Signature Theatre, begins with two souls in hiding. Georgie Burns (Rachel Zampelli) hides whatever pains and losses she has suffered behind her f…

SOURCE: DC Metro Theater Arts at 10:29AM
Saturday, September 22, 2018

Review: ‘Cabaret’ by the Fredericktowne Players by Bob Ashby

The Emcee is worth the price of admission, and then some. In The Fredericktowne Players’ production of the Kander/Ebb hit, Cabaret, Lenore Mionette Florez is spectacular as the impresario…

SOURCE: DC Metro Theater Arts at 07:58PM
Sunday, September 9, 2018

Review: ‘Hand to God’ at Maryland Ensemble Theatre by Bob Ashby

So what sort of play is Hand to God? Dysfunctional family drama? Teen coping with angst saga? Angry satire on a particular style of Christianity? Scenario for a horror movie?  Raunchy sex …

SOURCE: DC Metro Theater Arts at 04:01PM
Saturday, September 8, 2018

Review: ‘South Pacific’ at Olney Theater Center by Bob Ashby

No one is from there. They come from France, Vietnam, Cleveland, Philadelphia, Little Rock, and a host of unnamed American cities. Espiritu Santo, the main island setting of Rodgers and Hamm…

SOURCE: DC Metro Theater Arts at 10:35AM
Thursday, August 23, 2018

Review: ‘Passion’ at Signature Theatre by Bob Ashby

Stephen Sondheim’s Passion, now playing at Signature Theatre, has two of the greatest songs in the composer’s brilliant portfolio – “I Wish I Could Forget You” and “Loving You”…

SOURCE: DC Metro Theater Arts at 01:49PM
Tuesday, August 14, 2018

Review: ‘Melancholy Play: A Contemporary Farce’ at Constellation Theatre Company by Bob Ashby

In Jonathan Dahm Robertson’s set for Constellation Theatre Company’s production of Sarah Ruhl’s Melancholy Play: A Contemporary Farce, a collection of two-dimensional doors is depicted…

SOURCE: DC Metro Theater Arts at 10:18PM
Sunday, August 5, 2018

Review: ‘Chicago’ at Other Voices Theatre by Bob Ashby

Chicago, now running at Other Voices Theatre in Frederick, has a long and winding history. In 1924, Chicago reporter Maurine Watkins covered the sensational trials of Belva Gaertner and Beu…

SOURCE: DC Metro Theater Arts at 08:15PM
Wednesday, August 1, 2018

Review: ‘The Story of the Gun’ at Woolly Mammoth by Bob Ashby

“All you have to do is move your little finger, move your little finger, and you can change the world.” That line from Stephen Sondheim’s Assassins could well serve as an epigraph for …

SOURCE: DC Metro Theater Arts at 09:32PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic