All stories by Beatrix Swanson Scott on BroadwayStars

Thursday, August 31, 2017

Review: Mae Martin: Dope, Laughing Horse at City Cafe by Beatrix Swanson Scott

Mae Martin’s show is called Dope for, I think, two reasons. One, she talks a lot about drugs, and two, she sometimes likes to give a teenager-y, attention-seeking vibe, the vibe of someone…

SOURCE: A Younger Theatre at 03:36PM

Review: The Durham Review: Laugh Actually, Underbelly Cowgate by Beatrix Swanson Scott

The Durham Revue’s show is called Laugh Actually. The university sketch comedy group are quick to tell us that their act has nothing to do with Love Actually. This isn’t strictly true, a…

SOURCE: A Younger Theatre at 03:36PM
Tuesday, August 29, 2017

Review: Ed Night: Anthem for Doomed Youth, Pleasance Courtyard by Beatrix Swanson Scott

Ed Night is something else. He’s not in his late twenties, he’s not from a cushy background and he doesn’t dress in button-up shirts (at least, not on the night I attended his show), a…

SOURCE: A Younger Theatre at 05:24AM
Monday, August 28, 2017

Review: An Act of Kindness, C Cubed by Beatrix Swanson Scott

An Act of Kindness by new London theatre company Rascal Theatre takes place at a London bus stop. This is where Leila and Martin meet. Leila, a waitress, takes the bus to work here every day…

SOURCE: A Younger Theatre at 08:18AM

Review: Lists for the End of the World, Summerhall by Beatrix Swanson Scott

Lists for the End of the World by fanSHEN theatre company sounds, on paper, deceptively simple. The production’s creators have compiled hundreds of crowdsourced lists and during the show, …

SOURCE: A Younger Theatre at 07:06AM
Sunday, August 27, 2017

Review: Séance, Summerhall by Beatrix Swanson Scott

One thing most of the Fringe’s audience probably have in common is that they have never had a desire to spend 15 minutes in the pitch-black darkness inside a shipping container. And yet Su…

SOURCE: A Younger Theatre at 07:04PM

Review: Dickens for Dinner, C Venues by Beatrix Swanson Scott

Dickens for Dinner is probably one of the funniest, silliest Fringe shows for grown-ups out there (though it’s appropriate for children as well). In what seems like the result of a bizarre…

SOURCE: A Younger Theatre at 05:48PM
Saturday, August 26, 2017

Review: Testosterone, Pleasance Courtyard by Beatrix Swanson Scott

Wiry, tattooed and dressed like a boxer, a short, slim man appears onstage and begins to sing the Jungle Book’s ‘I Wanna Be Like You’ into a warped mirror: ‘You see it’s true/ an a…

SOURCE: A Younger Theatre at 08:06AM

Review: Shakespeare for Breakfast, C Venues by Beatrix Swanson Scott

Shakespeare for Breakfast is a long-standing Fringe tradition. If you manage to drag yourself out of bed in time to get to this 10am show, you are rewarded with complimentary coffee (or oran…

SOURCE: A Younger Theatre at 08:06AM
Friday, August 25, 2017

Review: Creatives, Pleasance Courtyard by Beatrix Swanson Scott

Creatives, a “darkly comic pop opera”, sounds intriguing at first – the book is co- authored by Irvine Welsh of Trainspotting fame and the music is by award-winning composer La…

SOURCE: A Younger Theatre at 07:24AM

Review: Lord Dismiss Us, theSpace at Surgeon’s Hall by Beatrix Swanson Scott

If, like me, you are a fan of all things vaguely History Boys, you too will be attracted by Lord Dismiss Us, a hilarious yet touching portrait of life in a boys’ public school in a ver…

SOURCE: A Younger Theatre at 07:24AM
Thursday, August 24, 2017

Review: A Super Happy Story (About Feeling Super Sad), Pleasance Courtyard by Beatrix Swanson Scott

Going into my second mental health musical at this Fringe, I was slightly less apprehensive. And there turned out to be no reason for apprehension at all. Putting on a feel-good show about d…

SOURCE: A Younger Theatre at 08:42AM

Reviews: Rhys James: Wiseboy, Pleasance Courtyard by Beatrix Swanson Scott

Rhys James’s show is called Wiseboy, a title that perfectly suits his assured delivery and hint of swagger. His clever observational comedy, which centres mainly around his childhood, his …

SOURCE: A Younger Theatre at 08:42AM

Review: Stop: The Musical, C South by Beatrix Swanson Scott

  Stop, the Oxford University Drama Society’s national touring show, was created by students with help from French musical theatre composer and producer Claude-Michel Schönberg, know…

SOURCE: A Younger Theatre at 06:33AM

Review: The Improverts, Bedlam Theatre by Beatrix Swanson Scott

The Improverts, an Edinburgh University improv troupe, are the Fringe’s longest-running improv comedy act. Every night of the Fringe at half past midnight, they perform an audience-led sho…

SOURCE: A Younger Theatre at 06:33AM
Sunday, August 20, 2017

Review: The Cambridge Footlights International Tour: Dream Sequence, Pleasance Dome by Beatrix Swanson Scott

The Cambridge Footlights might be Britain’s most famous sketch comedy troupe. The university society claim such alumni as Stephen Fry and Sue Perkins and are a regular presence at the Frin…

SOURCE: A Younger Theatre at 08:24AM

Review: Sleepwalkers, theSpace on the Mile by Beatrix Swanson Scott

Sleepwalkers takes place simultaneously in Berlin before the outbreak of World War II and in a sinister post-Brexit Britain which has reached warzone conditions. At the heart of this play, w…

SOURCE: A Younger Theatre at 08:24AM

Review: The Marriage of Kim K, C Venues by Beatrix Swanson Scott

The Marriage of Kim K (the title is a play – pun intended – on The Marriage of Figaro) marries reality TV with classic opera and explores how people overcome differences in relationships…

SOURCE: A Younger Theatre at 06:33AM

Review: Wishing on a Stopgap, theSpace on the Mile by Beatrix Swanson Scott

In Wishing on a Stopgap, a retired teacher, spending his days giving away his paperback collection to ‘anyone without a kindle’, begins to examine his many past relationships and wonder …

SOURCE: A Younger Theatre at 06:33AM

Review: Hotter, Paradise in Augustines by Beatrix Swanson Scott

Hotter, a two-hander devised and performed by Mary Higgins and Ell Potter, is a kaleidoscope of song, dance, verbatim theatre, sketch comedy and heartfelt monologues. It explores women’…

SOURCE: A Younger Theatre at 06:33AM
Saturday, August 19, 2017

Review: All The King’s Men, C Venues by Beatrix Swanson Scott

This is the 7th year that collegiate a capella group All The King’s Men have performed at the Fringe. After almost winning the first BCC ‘Pitch Battle’, they return this year with even…

SOURCE: A Younger Theatre at 07:33AM

Review: Into the Woods, Assembly Hall by Beatrix Swanson Scott

Stephen Sondheim’s musicals are never easy to put on. His music is difficult – it doesn’t often provide memorable showstopper numbers and can quickly go obviously wrong if not performe…

SOURCE: A Younger Theatre at 07:33AM

Review: The Improv Musical, C Venues by Beatrix Swanson Scott

The Improv Musical just does what it says on the cover – the audience give suggestions, and a troupe of University of Warwick students improvise a wholly original musical on the spot. They…

SOURCE: A Younger Theatre at 07:33AM

Review: From the Ground Up, Assembly Roxy by Beatrix Swanson Scott

From the Ground Up is an interactive show developed by the Almeida Theatre Young Company. It is an unusual, exciting but slightly disconcerting experience which involves the audience being a…

SOURCE: A Younger Theatre at 07:33AM
Wednesday, August 16, 2017

Review: Submission, C Royale by Beatrix Swanson Scott

Sameer is Muslim and queer. This is the premise of this short two-hander written by Shafeeq Shahjahan and produced by Liver and Lung Productions. The themes in this play are without a doubt …

SOURCE: A Younger Theatre at 06:18PM
Tuesday, April 25, 2017

Review: The Philanthropist, Trafalgar Studios by Beatrix Swanson Scott

In Christopher Hampton’s The Philanthropist, quiet, anagram-loving philology professor Phillip invites other academics to a party in his Oxbridge college-style home. A series of arguments …

SOURCE: A Younger Theatre at 05:24AM
Friday, April 14, 2017

Review: 42nd Street, Theatre Royal Drury Lane by Beatrix Swanson Scott

A very jovial Jae Alexander raises his conducting baton, and everybody is buzzing for the show to begin. As the cheerful overture comes to an end, the curtain raises a fraction to reveal a c…

SOURCE: A Younger Theatre at 06:18AM
Thursday, March 16, 2017

Review: The Very Perry Show, Hope Theatre by Beatrix Swanson Scott

Some people collect stamps, or garden gnomes. But Kate Perry, as she tells us at the beginning of her show, collects people. Through a series of monologues, she is going to introduce us to s…

SOURCE: A Younger Theatre at 07:42AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards