Monday, November 19, 2018
Wednesday, November 14, 2018
Hansol Jung’s industriously imaginative play uses visions of winged flight to explore the loneliness of two ambivalent lovers in Seoul.
SOURCE: The New York Times Subscription at 10:48PMJohn Doyle’s inventive revival of Brecht’s 1941 satire about Adolf Hitler is more impressive for theatrical ingenuity than topicality.
SOURCE: The New York Times Subscription at 10:48PMSunday, November 11, 2018
This one-man show, about the anxieties of impending fatherhood, makes a seductive case for seeing a comedian live in the age of Netflix.
SOURCE: The New York Times Subscription at 10:48PMIn Oliver Butler’s revival, Will Eno’s reputation-making monologue of masochistic bleakness suddenly feels a lot less shocking.
SOURCE: The New York Times Subscription at 10:48PMMr. Sanders, a veteran of four decades of stage and screen work, is giving the performance of his career in his first appearance in Chekhov.
SOURCE: The New York Times Subscription at 05:06PMThursday, November 8, 2018
The one-ton, 20-foot marionette is impressive, but the $35 million musical he stars in doesn’t even succeed as camp.
SOURCE: The New York Times Subscription at 10:48PMWednesday, November 7, 2018
Patricia Ione Lloyd’s macabre domestic comedy suggests that for African-Americans, every day is a potential horror movie in the making.
SOURCE: The New York Times Subscription at 10:18PMSunday, November 4, 2018
Garry Hines’s very funny interpretation of Samuel Beckett’s best-known work finds the kinetic cartoon humor in existential futility.
SOURCE: The New York Times Subscription at 10:24PMThursday, November 1, 2018
In this brisk and entertaining revival of Harvey Fierstein’s Tony-winning play, Michael Urie and Mercedes Ruehl are mesmerizingly larger than life.
SOURCE: The New York Times Subscription at 10:48PMTuesday, October 30, 2018
Ngozi Anyanwu’s tender new play, directed by Awoye Timpo at the Vineyard Theater, considers the nature of memory in the aftermath of a tragedy.
SOURCE: The New York Times Subscription at 10:05PMThursday, October 25, 2018
This impeccably acted revival presents Kenneth Lonergan’s poignant comic drama about dementia as a memory play in more ways than one.
SOURCE: The New York Times Subscription at 10:18PMTuesday, October 23, 2018
Jaclyn Backhaus’s cheerfully instructive play follows a young Punjabi-American woman, a descendant of a notorious pirate, who opens a bar in Wisconsin.
SOURCE: The New York Times Subscription at 10:18PMSunday, October 21, 2018
Jez Butterworth’s great, sprawling drama of rural Northern Ireland during the Troubles bares a culture’s contradictions through riveting storytelling.
SOURCE: The New York Times Subscription at 10:06PMWednesday, October 17, 2018
In Jane Anderson’s satisfyingly old-fashioned play about Joan of Arc’s mom, Ms. Close shows the stuff of which great stage stars are made.
SOURCE: The New York Times Subscription at 10:48PMTuesday, October 16, 2018
Portraying a celebrated art historian with two resentful sons, Ms. Channing finds the anguished heart in a didactic comic drama.
SOURCE: The New York Times Subscription at 10:18PMDavid Greenspan’s tone poem of a play, at the Bushwick Starr, considers time, death, family and the ways in which we recall our dead.
SOURCE: The New York Times Subscription at 02:18PMThis strident satire from the filmmaker behind “Happiness” and “Wiener-Dog” is perfectly staged — and all too obvious.
SOURCE: The New York Times Subscription at 02:18PMTuesday, October 9, 2018
This bill of short comedies, early and late, allows fans of Gurney to chart the evolution of theater’s foremost chronicler of a waning caste.
SOURCE: The New York Times Subscription at 09:48AMSunday, October 7, 2018
A stripped-down, communal version of the 1943 musical reveals a great complex work of theater, with chili and cornbread included.
SOURCE: The New York Times Subscription at 07:54PMWednesday, October 3, 2018
Bill Irwin blurs the lines between clown and dramatic actor in an insightful anatomy of the works of Samuel Beckett.
SOURCE: The New York Times Subscription at 10:42PMIn this multimedia performance piece, Angelica Page delivers a portrait of a poet for whom being “nobody” was anything but a pleasure.
SOURCE: The New York Times Subscription at 12:48PMMonday, October 1, 2018
Conor McPherson’s bleak tale of a Minnesota boardinghouse in the Great Depression finds a luminous transcendence in the Dylan song book.
SOURCE: The New York Times Subscription at 10:18PMIn the baggy, emotionally fraught play, Heidi Schreck considers her ever-changing relationship with a seminal document.
SOURCE: The New York Times Subscription at 01:48PMThursday, September 27, 2018
Richard Bean’s comedy about a wayward attempt to fix a snooker match tickles its audiences into contentment.
SOURCE: The New York Times Subscription at 10:18PMWednesday, September 26, 2018
This congested revival, directed by Austin Pendleton, features a mismatched cast of four and some classic Williams dialogue.
SOURCE: The New York Times Subscription at 10:36AMSunday, September 23, 2018
Stefano Massini’s poetically cadenced portrait of the life and death of the Russian journalist Anna Politkovskaya lets facts speak for themselves.
SOURCE: The New York Times Subscription at 10:48PMIn a piece she describes as “sort of a play,” the poet and singer journeys through her past, with a little help from her children.
SOURCE: The New York Times Subscription at 01:48PMMonday, September 17, 2018
Mikel Murfi’s virtuoso performance about the life and death of a redoubtable woman is a many-tongued wonder of Irish storytelling.
SOURCE: The New York Times Subscription at 07:24PMSunday, September 16, 2018
Richard Nelson’s emotionally transparent interpretation of a Chekhov masterwork, starring a brilliant Jay O. Sanders, makes us hear a classic anew.
SOURCE: The New York Times Subscription at 11:18PMFriday, September 14, 2018
This combination of a classical tragedy and a contemporary discussion group finds a mirror for Ferguson, Mo., in ancient Thebes.
SOURCE: The New York Times Subscription at 04:48PM 
