All stories by Alexis Soloski on BroadwayStars

Friday, May 2, 2014

Theater Review: ‘The Box,’ at Irondale Center, Depicts Prison Life by Alexis Soloski

Employing myth and hip-hop, Marcus Gardley’s “The Box: A Black Comedy” looks at the life of the incarcerated.

SOURCE: The New York Times Subscription at 05:26PM
Wednesday, April 30, 2014

Theater Review: Elizabeth A. Davis Stars in ‘Four Last Things’ by Alexis Soloski

In “Four Last Things,” by Lisa Tierney-Keogh, a young woman feels trapped on a farm in Ireland.

SOURCE: The New York Times Subscription at 03:25PM
Tuesday, April 29, 2014

Theater Review: O’Neill’s Stage Directions, Turned Into a Play by Alexis Soloski

O’Neill wasn’t known for his comedies, but the New York Neo-Futurists can play his work for laughs in “The Complete & Condensed Stage Directions of Eugene O’Neill, Volume 2.”

SOURCE: The New York Times Subscription at 05:50PM

Alternative Tonys: the awards we'd like to see handed out by Alexis Soloski

It's Tony nomination time, but from egg-eating to bowlers and transvestites, here are this year's true Broadway achievementsIts the close of another Broadway season, which means we have anot…

SOURCE: The Guardian at 07:00AM
Thursday, April 24, 2014

Theater Review: ‘Address Unknown,’ a Drama in Letters, at Gould Hall by Alexis Soloski

“Address Unknown” is a stage adaptation of a book about two German friends who exchange letters in the early days of Hitler’s reign.

SOURCE: The New York Times Subscription at 06:02PM
Wednesday, April 23, 2014

Theater Review: ‘Holy Land’ Examines Dehumanizing Effects of Armed Conflict by Alexis Soloski

At first, “Holy Land” suggests how ordinary people might make sense of life under the duress of armed conflict, but then the story becomes buried in symbolism and violence.

SOURCE: The New York Times Subscription at 05:27PM

Hedwig and the Angry Inch review Neil Patrick Harris wigs out by Alexis Soloski

Belasco theatre, New YorkThe Doogie Howser star dons kinky boots for a revival of the libidinous musical about an East German 'girly boy' rocker In pictures: Hedwig's journey from fringe hit…

SOURCE: The Guardian at 05:00PM

Snapshot | Amber Gray: Amber Gray on ‘An Octoroon,’ at Soho Rep by Alexis Soloski

A conversation with Amber Gray about terrifying musicals, biracial identity and playing a difficult scene.

SOURCE: The New York Times Subscription at 01:45PM
Tuesday, April 22, 2014

Hedwig and the Angry Inch review Neil Patrick Harris wigs out by Alexis Soloski

Belasco theatre, New YorkThe Doogie Howser star dons kinky boots for a revival of the libidinous musical about an East German 'girly boy' rockerPlays based on philosophical symposia don't co…

SOURCE: The Guardian at 05:00PM
Monday, April 21, 2014

Theater Review: In ‘The World Is Round,’ Girl Decides to Climb Mountain by Alexis Soloski

Gertrude Stein’s “The World Is Round,” a 1930s children’s book about a girl named Rose, is brought to life by the Ripe Time ensemble at the Brooklyn Academy of Music.

SOURCE: The New York Times Subscription at 10:00PM

Theater Review: ‘The Mysteries’ Retells the Bible at the Flea Theater by Alexis Soloski

“The Mysteries,” a five-and-a-half hour event at the Flea Theater, uses dozens of actors and writers to condense and perform the Bible.

SOURCE: The New York Times Subscription at 05:16PM
Friday, April 18, 2014

Theater Review: ‘Our God’s Brother,’ by the Future Pope John Paul II by Alexis Soloski

“Our God’s Brother,” a 1949 play written by Karol Wojtyla, who became Pope John Paul II, is being revived at the Theater of the Church of Notre Dame.

SOURCE: The New York Times Subscription at 06:24PM
Thursday, April 17, 2014

Theater Review: ‘The Mystery of Irma Vep’ Plays the Lucille Lortel Theater by Alexis Soloski

Charles Ludlam’s two-actor gothic farce, “The Mystery of Irma Vep: A Penny Dreadful,” is back in a production from Red Bull Theater, directed by one of the play’s original stars.

SOURCE: The New York Times Subscription at 10:00PM

Catherine Trieschmann and Eric Coble on the Writing Life by Alexis Soloski

A conversation with the playwrights Catherine Trieschmann and Eric Coble.

SOURCE: The New York Times Subscription at 01:04PM
Friday, April 11, 2014

Theater Review: A Dizzyingly Visual ‘Orlando,’ at Montclair State by Alexis Soloski

“Orlando,” a monologue at the Alexander Kasser Theater based on Virginia Woolf’s 1928 fantasy, is set to music and features striking visual projections.

SOURCE: The New York Times Subscription at 05:48PM

Bullets Over Broadway review Woody Allen musical opens with a bang by Alexis Soloski

St James theatre, New YorkThis stage adaptation, starring Zach Braff, brings brassy thrusts, American songbook standards and a horde of chorus girls to Woody Allen's comic caper How Woody Al…

SOURCE: The Guardian at 11:25AM
Thursday, April 10, 2014

Sophie Okonedo on Broadway: 'We try out different things every night' by Alexis Soloski

In A Raisin in the Sun, her New York theatre debut, the Hotel Rwanda star likes to keep Denzel Washington guessing neither of them knows what the other will do next, she says A Raisin in th…

SOURCE: The Guardian at 03:00AM
Sunday, April 6, 2014

Theater Review: ‘Greed: A Musical for Our Times’ Satirizes Materialism by Alexis Soloski

“Greed: A Musical for Our Times,” a revue by Michael Roberts, offers 19 songs about avaricious bankers and crooked chief executives.

SOURCE: The New York Times Subscription at 03:19PM
Tuesday, April 1, 2014

Theater Review: ‘Chang in a Void Moon’ at Incubator Arts Project by Alexis Soloski

John Jesurun’s absurdist serial about a businessman’s efforts to bilk a wealthy family is back with a new episode after nine years.    

SOURCE: The New York Times Subscription at 06:05PM
Tuesday, March 25, 2014

Theater Review: ‘Fast Company,’ Carla Ching’s Tale of Grift by Alexis Soloski

“Fast Company” features familial dysfunction topped off with con artistry.    

SOURCE: The New York Times Subscription at 06:06PM
Friday, March 14, 2014

Rocky the musical punches above its weight on Broadway by Alexis Soloski

We give our verdict in a first-look review of Sylvester Stallone's classic boxing tale adapted for stage• Forget Rocky: the Sylvester Stallone movies that deserve to be musicalsBoxing is a…

SOURCE: The Guardian at 09:01AM
Thursday, February 20, 2014

The Bridges of Madison County: the Broadway musical – review by Alexis Soloski

Schoenfeld theatre, New YorkKelli O'Hara and Steven Pasquale sing splendidly in this Broadway musical adaptation of Robert James Waller's novel, but they're let down by the chaste choreograp…

SOURCE: The Guardian at 10:45PM
Wednesday, February 19, 2014

Spring Preview: Will Eno’s ‘The Open House’ and ‘The Realistic Joneses’ by Alexis Soloski

The playwright Will Eno has two new plays coming to Manhattan: “The Realistic Joneses,” on Broadway, and “The Open House.”    

SOURCE: The New York Times Subscription at 12:35PM
Thursday, February 6, 2014

Carrie Cracknell Adds a 21st-Century Flavor to Ibsen by Alexis Soloski

The British director Carrie Cracknell brings a version of “A Doll’s House” to the Brooklyn Academy of Music that has a 21st-century sensibility while it retains its 19th-century settin…

SOURCE: The New York Times Subscription at 08:00AM
Monday, February 3, 2014

Philip Seymour Hoffman: a vital stage actor who directed plays of chaotic grace by Alexis Soloski

On stage, Philip Seymour Hoffman excelled playing characters driven by desire. As a theatre director, he pushed his actors towards abandonAlthough best known for his Oscar-nominated turns in…

SOURCE: The Guardian at 05:02AM
Tuesday, January 7, 2014

‘The Surrender,’ Adapted From Toni Bentley’s Erotic Memoir by Alexis Soloski

The writer Toni Bentley and the actress Laura Campbell discuss preparations for a solo show based on “The Surrender,” Ms. Bentley’s erotic memoir.    

SOURCE: The New York Times Subscription at 05:13PM
Sunday, January 5, 2014

Jay Scheib Stages ‘Platonov, or The Disinherited’ by Alexis Soloski

The director and multimedia-theater pioneer Jay Scheib creates a live cinematic adaptation of Chekhov’s unfinished play.    

SOURCE: The New York Times Subscription at 05:18PM
Thursday, January 2, 2014

January Stages: In Your Seat but on Your Toes by Steven McElroy, Roslyn Sulcas, Alexis Soloski and Eric Grode

True aficionados of inventive theater know exactly where they need to be every January: far Off Broadway.    

SOURCE: The New York Times Subscription at 06:10PM
Monday, December 9, 2013

Holiday Arts Guide: Inside Mullingar - Page 1 - Theater - New York - Village Voice by Alexis Soloski

Stage heavy Brían F. O'Byrne confronts a "slight" romantic comedy

SOURCE: Village Voice at 04:11PM
Wednesday, November 27, 2013

Snapshot: Virgil Gadson and Julius Chisolm in ‘After Midnight’ by Alexis Soloski

Virgil Gadson and Julius Chisolm discuss their dance routine for the jazz revue “After Midnight” on Broadway.    

SOURCE: The New York Times Subscription at 11:44AM
Friday, November 8, 2013

Playing the ‘Crazy Women’ by Alexis Soloski

Anne-Marie Duff talks about taking on the burning Lady Macbeth.    

SOURCE: The New York Times Subscription at 10:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic