All stories by Alexis Soloski on BroadwayStars

Wednesday, November 12, 2014

Lost Lake review: emotional, intelligent  but lacking in thrills by Alexis Soloski

City Center, New YorkThe stage is set for a thriller, but David Auburns play, while accurate in its portrayal of human relationships, never delivers a knockout blow Continue reading...

SOURCE: The Guardian at 10:58AM
Sunday, November 9, 2014

Theater Review: Nikkole Salter’s ‘Carnaval’ Explores Black Masculinity by Alexis Soloski

In Nikkole Salter’s “Carnaval,” three men travel to Rio de Janeiro, in an exploration of black masculinity and friendship.

SOURCE: The New York Times Subscription at 03:40PM
Thursday, November 6, 2014

‘Side Show’ Twins, Emily Padgett and Erin Davie, Connect by Alexis Soloski

Emily Padgett and Erin Davie star as the performers Daisy and Violet Hilton, conjoined twins, in the Broadway revival of the musical “Side Show.”

SOURCE: The New York Times Subscription at 12:07PM
Wednesday, November 5, 2014

Theater Review: ‘Lift,’ by Walter Mosley, From Crossroads Theater Company by Alexis Soloski

Two African-American executives, caught in an elevator during a building crisis, discuss matters of class and sex as well their own threatened physical safety.

SOURCE: The New York Times Subscription at 05:49PM
Tuesday, November 4, 2014

Theater Review: Genet Interpreted Anew in ‘The Maids’ The Maids’ by Alexis Soloski

Genet’s “The Maids” is reconceived with a little help from the professionals — professional housekeepers, that is — at Abrons Arts Center.

SOURCE: The New York Times Subscription at 01:22PM
Monday, November 3, 2014

Theater Review: ‘Buzz,’ a New Play by Benjamin Kunkel by Alexis Soloski

Benjamin Kunkel’s “Buzz” follows a playwright and his girlfriend in their South Brooklyn apartment.

SOURCE: The New York Times Subscription at 05:18PM
Friday, October 31, 2014

Theater Review: ‘October in the Chair and Other Fragile Things’ by Alexis Soloski

Old Sound Room, a company built by recent Yale School of Drama grads, has adapted spooky yarns plucked from Neil Gaiman’s “Fragile Things.”

SOURCE: The New York Times Subscription at 07:19PM

The Real Thing review Ewan McGregor and Maggie Gyllenhaal impress but romance misses the mark by Alexis Soloski

American Airlines theatre, New YorkThe shows stars give complex and endearing performances, but this is an emotionally distant revival of Tom Stoppards heart-wrenching play Continue reading.…

SOURCE: The Guardian at 05:39AM
Thursday, October 30, 2014

Theater Review: ‘The Dreary Coast,’ on the Banks of the Gowanus Canal by Alexis Soloski

In “The Dreary Coast,” an immersive theatrical work from Jeff Stark, Hades, king of the underworld, sits enthroned on the banks of the Gowanus Canal.

SOURCE: The New York Times Subscription at 05:38PM
Monday, October 27, 2014

The Last Ship review Sting musical takes inspiration from the shipyard by Alexis Soloski

Neil Simon Theatre, New YorkThe folk-inflected songs are full of vigour and Jimmy Nail proves distractingly charismatic in this industrial musical Continue reading...

SOURCE: The Guardian at 03:01AM

The Last Ship review – Sting musical takes inspiration from the shipyard by Alexis Soloski

Neil Simon Theatre, New YorkThe folk-inflected songs are full of vigour and Jimmy Nail proves distractingly charismatic in this industrial musicalAfter suffering 10 years of writer’s block…

SOURCE: The Guardian at 03:01AM
Friday, October 24, 2014

Disgraced review: a stirring Greek tragedy that'll put you off dinner parties for life by Alexis Soloski

Lyceum theatre, New YorkA posse of TV talent tackles a Pulitzer prize-winning drama that asks difficult questions of religion, assimilation and individuality Continue reading...

SOURCE: The Guardian at 04:18PM
Thursday, October 23, 2014

Theater Review: Godlight Theater's ‘Deliverance’ Brings the Backwoods to a Tiny Stage by Alexis Soloski

James Dickey’s 1970 novel, “Deliverance,” has been given the theatrical treatment by the Godlight Theater Company.

SOURCE: The New York Times Subscription at 03:06PM
Tuesday, October 21, 2014

Theater Review: ‘brownsville song (b-side for tray),’ at Lincoln Center by Alexis Soloski

Kimber Lee’s “brownsville song (b-side for tray),” at the Claire Tow Theater, explores a teenager’s death.

SOURCE: The New York Times Subscription at 11:55AM
Monday, October 20, 2014

Theater Review: In ‘Inner Voices,’ Two Solo Musicals About Illness by Alexis Soloski

“Inner Voices” consists of two solo musicals: one about an artist whose friend is dying of AIDS in the next room, and the other about a famous writer in the process of going blind.

SOURCE: The New York Times Subscription at 06:38PM
Friday, October 17, 2014

Theater Review: Mark Dendy’s ‘Labryinth,’ a Take on the Theseus Myth by Alexis Soloski

Mark Dendy, a Broadway choreographer, structures his autobiographical piece “Labryinth” around the myth of Theseus, combining confession with dance, video and songs.

SOURCE: The New York Times Subscription at 05:56PM
Friday, October 10, 2014

It's Only A Play review if only the writer were less self-absorbed by Alexis Soloski

Not even Nathan Lane and a slew of vulgar jokes can save this play about plays from Terrence McNallys sour scriptF Murray Abraham: I am afraid of nothing on stage Continue reading...

SOURCE: The Guardian at 01:40PM
Thursday, October 9, 2014

Theater Review: 'That Poor Dream,' an Update of 'Great Expectations' by Alexis Soloski

The Assembly’s “That Poor Dream” is an expressive, uneven update of Charles Dickens’s “Great Expectations.”

SOURCE: The New York Times Subscription at 06:05PM
Tuesday, October 7, 2014

Theater Review: ‘The Killing of Sister George,’ at the Beckett Theater by Alexis Soloski

“The Killing of Sister George,” a 1964 black comedy, features a radio actress whose personality is at odds with her sweet on-air character.

SOURCE: The New York Times Subscription at 10:00PM
Monday, October 6, 2014

The Curious Incident of the Dog in the Night-Time review no mystery to teen Sherlocks Broadway appeal by Alexis Soloski

Ethel Barrymore theatre, New YorkAlex Sharp delivers a star turn in an amped-up staging of Mark Haddons bestselling novel Continue reading...

SOURCE: The Guardian at 10:57AM
Thursday, October 2, 2014

Bushwick Starr, a Humble Space With Bold Works by Alexis Soloski

The Bushwick Starr, a dingy, elegant but strangely welcoming performance space in Brooklyn, has become a bright spot on the Off Off Broadway map.

SOURCE: The New York Times Subscription at 12:51PM
Wednesday, October 1, 2014

Theater Review: ‘Alan Smithee Directed This Play,’ by Big Dance Theater by Alexis Soloski

Films of different genres and eras run through “Alan Smithee Directed This Play: Triple Feature,” presented by Big Dance Theater at the Brooklyn Academy of Music.

SOURCE: The New York Times Subscription at 05:51PM
Monday, September 29, 2014

You Can't Take It With You: an ode to oddity returns to Broadway review by Alexis Soloski

Scott Elliss revival of the 1936 play, starring James Earl Jones, will melt the hardest hearts with its strange central family Continue reading...

SOURCE: The Guardian at 10:27AM
Thursday, September 25, 2014

Romola Garai Stars in Tom Stoppard’s ‘Indian Ink’ by Alexis Soloski

Self-effacing in person, Romola Garai, making her New York theater debut in Tom Stoppard’s “Indian Ink,” is drawn to strong-willed characters on the stage and screen.

SOURCE: The New York Times Subscription at 06:06PM
Tuesday, September 23, 2014

Theater Review: ‘A Sucker Emcee,’ a Rhyming Autobiography by Alexis Soloski

In “A Sucker Emcee,” Craig Grant, known as muMs, recounts his ups and downs in rhymed couplets while a D.J. plays hip-hop.

SOURCE: The New York Times Subscription at 10:00PM
Thursday, September 18, 2014

Theater Review: Joycean Character Comes Alive in ‘riverrun’ by Alexis Soloski

In “riverrun,” a solo show at the Brooklyn Academy of Music, Olwen Fouéré plays the character who personifies the River Liffey in “Finnegans Wake.”

SOURCE: The New York Times Subscription at 06:11PM

Bridget Everett's Rock Bottom: a wet and wild, hot mess of a show by Alexis Soloski

Everetts shtick is a little samey, but theres something deeply gratifying about a woman celebrating her appetite for sex and rocknroll Continue reading...

SOURCE: The Guardian at 12:22PM
Wednesday, September 17, 2014

Theater Review: ‘To the Bone,’ by Lisa Ramirez, About Immigrant Workers by Alexis Soloski

A houseful of immigrant women, three of whom work the same, numbing factory job, are at the center of “To the Bone,” a play by Lisa Ramirez at the Cherry Lane Theater.

SOURCE: The New York Times Subscription at 10:00PM
Tuesday, September 16, 2014

Theater Review: ‘Ndebele Funeral,’ Set in South Africa, at 59E59 Theaters by Alexis Soloski

In “Ndebele Funeral,” at 59E59 Theaters, a woman afflicted with AIDS prepares to die in a South Africa beset by bleak realities.

SOURCE: The New York Times Subscription at 10:00PM
Friday, September 12, 2014

This is Our Youth: an anthem for stewed adolescence  review by Alexis Soloski

Kenneth Lonergans breakout play revived with three young stars in a cruel to be kind portrayal of disillusioned youth Continue reading...

SOURCE: The Guardian at 06:45AM
Thursday, September 11, 2014

Mia Farrow and ‘Love Letters’ Cast Consider Correspondence by Alexis Soloski

The playwright and director and some of the actors in the coming revival of “Love Letters” answer questions about the lost art of the title.

SOURCE: The New York Times Subscription at 12:39PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic