All stories by Aleks.sierz on BroadwayStars

Wednesday, August 23, 2017

Loot, Park Theatre, review – dizzyingly enjoyable by Aleks.sierz

Anniversary revival of Joe Orton’s farce is a delight from start to finishFifty years ago this month, playwright Joe Orton was murdered by his lover Kenneth Halliwell. His debut play, Ente…

SOURCE: The Arts Desk at 06:33PM
Tuesday, August 22, 2017

Knives in Hens, Donmar Warehouse, review – Yaël Farber not symbolic enough by Aleks.sierz

The star director’s revival of a nineties classic is atmospheric but unconvincing Hark, is that the call of the earth I hear? In a frenetic urban world, the myth of rural simplicity exerts…

SOURCE: The Arts Desk at 05:42PM
Friday, August 18, 2017

Against, Almeida Theatre review - Ben Whishaw is a modern-day Jesus by Aleks.sierz

New American drama about God and violence is baggy, but often brilliantLuke is a Silicon Valley billionaire, a high-tech wizard. And he’s just had a message from God. And what does God say…

SOURCE: The Arts Desk at 07:36PM
Monday, August 14, 2017

The Majority, National Theatre, review – a minority interest by Aleks.sierz

New play about democracy is entertaining, but a bit too tricksy A new plague is sweeping British theatre: audience participation. Instead of just sitting back and enjoying the show, your vis…

SOURCE: The Arts Desk at 05:18PM
Thursday, August 3, 2017

Apologia, Trafalgar Studios, review – Stockard Channing shines bright as a 1960s radical by Aleks.sierz

Broadway legend Stockard Channing dominates this family dramaThe 1960s were “hilarious”, says one young character in this revival, starring Broadway icon Stockard Channing, of Alexi Kaye…

SOURCE: The Arts Desk at 07:33PM
Tuesday, July 11, 2017

Bodies, Royal Court, review – pregnant with meaning by Aleks.sierz

New drama about surrogacy is rich in metaphor and fraught with conflictSurrogacy is an emotionally fraught subject. The arrangement by which one woman gives birth to another’s baby challen…

SOURCE: The Arts Desk at 06:12PM
Tuesday, June 27, 2017

Ink, Almeida Theatre review - Sun rises while show sinks by Aleks.sierz

Rupert Murdoch saga by ‘This House’ playwright is too detailed and overblownThe recent general election result proves that the power of rightwing press has diminished considerably in the…

SOURCE: The Arts Desk at 08:04PM
Thursday, June 22, 2017

Terror, Lyric Hammersmith, review – more gimmick than drama by Aleks.sierz

Audience participation cannot save a trial that suffocates in abstractionCan the theatre be a courtroom? A good public place to debate morality and to arrive at profound decisions. You could…

SOURCE: The Arts Desk at 06:33PM
Tuesday, June 20, 2017

Hir, Bush Theatre, review – transgender home is sub-prime by Aleks.sierz

New American satire about families only rarely hits the markDonald Trump’s electoral success was, we have been told, fueled by the anger of the American working class. But how do you show …

SOURCE: The Arts Desk at 06:12PM
Sunday, June 11, 2017

Anatomy of a Suicide, Royal Court review - devastatingly brilliant by Aleks.sierz

Katie Mitchell returns with a powerful account of depression and despairDorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp; Acids stain …

SOURCE: The Arts Desk at 07:33PM
Wednesday, June 7, 2017

Barber Shop Chronicles, National Theatre, review - Inua Ellams’s new play is foot-stompingly pleasurable by Aleks.sierz

New play about fatherhood and masculinity has an enjoyably global reachThe strapline for this joyful show is: “One day; six cities; a thousand stories”. Allowing for hyperbole, this is j…

SOURCE: The Arts Desk at 07:18PM
Tuesday, June 6, 2017

Common, National Theatre review - Anne-Marie Duff fails to ignite by Aleks.sierz

Epic new play about the Enclosures gets bogged down in obscurityHistory is a tricky harlot. She is bought and sold, fought for and thrown over, seduced and betrayed – and always at the mer…

SOURCE: The Arts Desk at 06:48PM
Tuesday, May 30, 2017

Killology, Royal Court review – both disturbing and life-affirming by Aleks.sierz

Three monologues brilliantly summon up a punchy world of pain and violenceThe monologue is a terrific theatre form. Using this narrative device, you can cover huge amounts of storytelling te…

SOURCE: The Arts Desk at 06:24PM
Tuesday, May 23, 2017

Woyzeck, Old Vic review - John Boyega’s thrillingly powerful triumph by Aleks.sierz

Finn from Star Wars dominates a radical rewrite of Georg Büchner classicWelcome back John Boyega. Less than a decade ago, he was an unknown budding British stage actor, then he took off as …

SOURCE: The Arts Desk at 06:24PM
Tuesday, May 9, 2017

Salomé, National Theatre, review - Yaël Farber’s version is verbose and overblown by Aleks.sierz

New twist on the biblical story gets bogged down in a portentous production Is God female? It says a lot about Yaël Farber’s overblown new version of this biblical tale that, near the end…

SOURCE: The Arts Desk at 07:02PM
Wednesday, May 3, 2017

The Ferryman, Royal Court, review - ‘Jez Butterworth’s storytelling triumph’ by Aleks.sierz

New epic from the ‘Jerusalem’ playwright is a breathtaking experienceI hate the kind of hype that sells out a new play within minutes of tickets becoming available. I mean isn’t there …

SOURCE: The Arts Desk at 07:36PM
Saturday, April 29, 2017

The Treatment, Almeida Theatre, review - exhilarating Crimp never more relevant by Aleks.sierz

Colourful and vivid revival of Martin Crimp’s 1993 tale of New YorkPlaywright Martin Crimp’s 1993 satirical epic, The Treatment, is a fabulous work, but it’s rarely revived. Although m…

SOURCE: The Arts Desk at 03:12AM
Thursday, April 27, 2017

City of Glass, Lyric Hammersmith review - ‘thrilling and enthralling Paul Auster adaptation’ by Aleks.sierz

Masterpiece of 'New York Trilogy' is visually amazing and intellectually satisfying on stagePlaywright Duncan Macmillan has had a good couple of years. In 2015, his play People, Pl…

SOURCE: The Arts Desk at 04:03AM
Friday, April 21, 2017

Nuclear War, Royal Court review - ‘deeply felt and haunting’ by Aleks.sierz

New play about loss offers an unusually experimental and immersive experienceText can sometimes be a prison. At its best, post-war British theatre is a writer’s theatre, with the great pen…

SOURCE: The Arts Desk at 04:24PM
Wednesday, April 12, 2017

Guards at the Taj, Bush Theatre review - ‘powerful but ethically troubling’ by Aleks.sierz

New writing venue reopens with a play about another architectural marvelThe Bush is back! After a whole year of darkness, the West London new writing venue has reopened its doors following a…

SOURCE: The Arts Desk at 06:36PM
Thursday, April 6, 2017

Expensive Shit, Soho Theatre, review - 'strong but slender' by Aleks.sierz

A tale of two toilets: Edinburgh Fringe First winner comes to Soho TheatreIt’s hot. Real hot. And you’re dancing, just lost in music. You’re at the legendary Shrine nightclub in Lagos,…

SOURCE: The Arts Desk at 03:06AM
Tuesday, April 4, 2017

Consent, National Theatre, review - 'thrilling revenge drama' by Aleks.sierz

Anna Maxwell Martin stars in Nina Raine's compelling play about rape and justiceRape is such a serious social issue that it’s hardly surprising that several recent plays have tackled …

SOURCE: The Arts Desk at 07:18PM
Thursday, March 30, 2017

Don Juan in Soho, Wyndhams Theatre review - 'David Tennant is Marber-Molière playboy' by Aleks.sierz

David Tennant charms and excites in Patrick Marber’s energetic rewrite of Molière Updating the classics is not without its pitfalls. How can a modern audience, which has a completely diff…

SOURCE: The Arts Desk at 03:06AM
Thursday, March 23, 2017

The Kid Stays in the Picture, Royal Court, review – ‘sad, bad and sprawling’ by Aleks.sierz

Cut! Simon McBurney muddles the story of Hollywood mogul Robert EvansThe beauty of fiction is that its stories have both compelling shape and deep meaning – they are dramas where things fe…

SOURCE: The Arts Desk at 08:48PM
Monday, March 13, 2017

A Dark Night in Dalston, Park Theatre by Aleks.sierz

Michelle Collins stars in haunting account of belief and lonelinessMichelle Collins, actor and TV presenter, is so strongly associated with her roles in EastEnders and Coronation Street that…

SOURCE: The Arts Desk at 07:48PM
Friday, March 10, 2017

My Country; A Work in Progress, National Theatre by Aleks.sierz

The poet laureate’s verbatim play about Brexit sinks into banalityOh dear. The first explicit play about Brexit is being staged by the National Theatre in a production that has all the acr…

SOURCE: The Arts Desk at 06:54PM
Thursday, March 9, 2017

Limehouse, Donmar Warehouse by Aleks.sierz

Docudrama about the 1981 Labour Party split is a treat – for politics buffsPolitics is a serious business, but it’s also a spectator sport. Think of the duels in Prime Minister’s Quest…

SOURCE: The Arts Desk at 04:42AM
Monday, March 6, 2017

A Profoundly Affectionate, Passionate Devotion to Someone (–noun), Royal Court Theatre by Aleks.sierz

New play by debbie tucker green is too abstract for its own goodLove, we know, will tear us apart again. And again. And yet again. It will shred our nerves and rip through our guts; it will …

SOURCE: The Arts Desk at 05:36PM
Thursday, March 2, 2017

Ugly Lies the Bone, National Theatre by Aleks.sierz

American play about virtual reality therapy is a bit thinTheatre increasingly uses digital delights to enhance audience enjoyment. And you can easily see why. Visual effects that mimic the e…

SOURCE: The Arts Desk at 05:54PM
Tuesday, February 21, 2017

Low Level Panic, Orange Tree Theatre by Aleks.sierz

Neat revival of 1980s feminist comedy is more curiosity than classicThe 1980s were a great decade for British women playwrights. During those Thatcher-dominated years, Caryl Churchill produc…

SOURCE: The Arts Desk at 07:06PM
Friday, February 17, 2017

See Me Now, Young Vic by Aleks.sierz

Real sex workers take the stage for a brilliantly devised showSex workers come in all shapes and sizes. Everyone knows that. But why do they do it? Why does anyone take the risk of being int…

SOURCE: The Arts Desk at 06:03PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic