All stories by Aleks.sierz on BroadwayStars

Friday, January 18, 2019

The Unreturning, Theatre Royal Stratford East review - hymn to home by Aleks.sierz

Frantic Assembly's latest is a moving meditation on war and masculinity Nadia Fall is a good thing. Her appointment as the artistic director of this venue, with her first season having …

Linked From at 04:24AM
Monday, January 14, 2019

Approaching Empty, Kiln Theatre review - more mini cab than Uber by Aleks.sierz

New play about a cab office fails to find its accelerator pedalWrite what you know, says the adage, and that's exactly what playwright Ishy Din has done with his new play, Approaching Empty,…

Linked From at 06:42PM
Friday, December 14, 2018

The Convert, Young Vic review - Africa's electric cry for justice by Aleks.sierz

Thrilling revival of Danai Gurira's 2012 play about Chistianity and imperialismWow! First, the Black Panther team took cinema by storm; now, they have conquered theatre as well. Or, at …

Linked From at 07:32PM
Thursday, December 13, 2018

The Cane, Royal Court review - hey teacher, leave them kids alone by Aleks.sierz

Mark Ravenhill's comeback play is a brilliant account of the abuse of powerPlaywright Mark Ravenhill, who shot to fame in 1996 with his in-yer-face shocker Shopping and Fucking, has bee…

Linked From at 07:18PM
Wednesday, December 5, 2018

Hole, Royal Court review - anger is not quite enough by Aleks.sierz

Short new play from actor Ellie Kendrick is full of ferocity, but lacks originalityActor Ellie Kendrick is a familiar face on television, but it's only as a writer that she reveals the depth…

Linked From at 06:12PM
Friday, November 9, 2018

The Hoes, Hampstead Theatre review - sex and drink and grime by Aleks.sierz

Girls just wanna have fun in the sun - smart, funny but slender debut playBecause of the #MeToo movement, and the revival of feminist protest, the theme of sisterhood now has a much stronger…

Linked From at 06:33PM
Tuesday, November 6, 2018

White Teeth, Kiln Theatre review - tuneless hymn to Kilburn High Road by Aleks.sierz

Imaginative adaptation of Zadie Smith's 2000 classic let down by unnecessary musicYou can see why artistic director Indhu Rubasingham chose to stage this version of Zadie Smith's classi…

Linked From at 08:18PM
Thursday, November 1, 2018

Ear for Eye, Royal Court review - powerful and passionate anti-racism by Aleks.sierz

New epic compares the experience of black people in the US and the UKTwo countries; two histories. Being black in the US; being black in the UK. Compare and contrast. Which is exactly what d…

Linked From at 07:32PM
Wednesday, October 24, 2018

A Very Very Very Dark Matter, Bridge Theatre review - black comedy falls flat by Aleks.sierz

Martin McDonagh's latest is poorly written and lacking in imagination It's all in the title, isn't it? Martin McDonagh's surreal new play comes with a warning that not only screams its …

Linked From at 05:54PM
Wednesday, October 17, 2018

Stories, National Theatre review - comic conception capers by Aleks.sierz

Nina Raine's follow-up to her very big hit Consent is often funny but rarely deepIn 2017, playwright Nina Raine's Consent, an excellent National Theatre play about lawyers and rape vict…

Linked From at 06:48PM
Tuesday, October 9, 2018

I'm Not Running, National Theatre review - puzzling political drama by Aleks.sierz

David Hare’s latest is set in an alternative reality that is more 2008 than 2018Whatever you might think about Brexit, the dreaded B word, the current climate certainly seems to be reinvig…

Linked From at 07:18PM
Saturday, October 6, 2018

The Sweet Science of Bruising, Southwark Playhouse review - boxing clever by Aleks.sierz

Victorian pugilistic drama: thoroughly heartfelt, highly original and completely timelyThere are not that many plays about sport, but, whether you gamble on results or not, you can bet that …

Linked From at 05:04AM
Tuesday, October 2, 2018

Pack of Lies, Menier Chocolate Factory review - suburban spy story by Aleks.sierz

Cold War surveillance drama is interesting, but can't quite conceal its ageWe do love our spy stories, don't we? The idea of betrayal, both political and personal, seems to be a strong …

Linked From at 08:04PM
Tuesday, September 25, 2018

Poet in da Corner, Royal Court review - mind-blowing energy plus plus plus by Aleks.sierz

Semi-autobiographical coming of age story jumps to the sounds of grimeThere was once a time when grime music was very angry, and very threatening, but that seems a long time ago now. Today, …

Linked From at 06:32PM
Friday, September 14, 2018

An Adventure, Bush Theatre review - epic but flawed by Aleks.sierz

Deeply felt show about love, marriage and migration doesn’t quite work Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of London's most outs…

Linked From at 02:18PM
Wednesday, September 12, 2018

The Woods, Royal Court review - Lesley Sharp triumphs again by Aleks.sierz

Overwhelmingly powerful new play about motherhood and psychological collapse Blackout. Dark, the colour of childhood fear. Black, the colour of despair. Black. No light visible; no colours t…

Linked From at 07:04PM
Monday, September 10, 2018

Holy Shit, Kiln Theatre review - what's in a name? by Aleks.sierz

The old Tricycle Theatre is transformed with a name change and a great opening playHoly shit! After being closed for two long years, the old and battered Tricycle Theatre in Kilburn has been…

Linked From at 07:04PM
Thursday, August 9, 2018

Aristocrats, Donmar Warehouse review - fresh but uneven by Aleks.sierz

Anti-naturalistic revival of Brian Friel's elegiac tribute to the Catholic nobility is oddly unemotionalChekhovian is a rather over-used word when it comes to describing some of the lat…

Linked From at 07:04PM
Tuesday, August 7, 2018

Silk Road (How To Buy Drugs Online), Trafalgar Studios review - Geordie chancer comes of age by Aleks.sierz

New monologue about drug dealing on the Dark Web is well written if a bit slightThe Dark Web has an intriguing sound about it. Like something out of JRR Tolkein or JK Rowling, it suggests a …

Linked From at 05:32PM
Thursday, July 19, 2018

Allelujah!, Bridge Theatre review - hilarious but dark, darker, darkest by Aleks.sierz

Alan Bennett's black comedy is a howl against the privatization of deathThe NHS is us. For decades our national identity has been bandaged together with the idea, and reality, of a heal…

Linked From at 07:04PM
Friday, July 13, 2018

Alkaline, Park Theatre review - faith, friendship and failure by Aleks.sierz

Female friendship comedy drama is occasionally bright, but lacks plot and depth Britain is rightly proud of its record on multiculturalism, but whenever cross-cultural couples are shown on f…

Linked From at 06:42PM
Wednesday, July 4, 2018

Imperium, Gielgud Theatre review - eventful, very eventful, Roman epic by Aleks.sierz

The RSC’s adaptation of Robert Harris’s Cicero books reaches the West EndHistory repeats itself. This much we know. In the 1980s, under a Tory government obsessed with cuts, the big new …

Linked From at 07:48PM
Thursday, June 28, 2018

Genesis Inc, Hampstead Theatre review - Harry Enfield in ungodly mess by Aleks.sierz

Huge new play about the fertility industry is rather crudely conceived We are now pretty familiar with the idea that human reproduction (making babies) has been turned into big business, and…

Linked From at 06:48PM
Wednesday, June 27, 2018

One for Sorrow, Royal Court review - imploding family drama by Aleks.sierz

Smart and powerful new play about fear, terror and prejudice runs out of steamIt’s the stuff of nightmares. There’s a massive explosion, the sound of smashing glass, falling debris and p…

Linked From at 08:32PM
Monday, June 11, 2018

Monogamy, Park Theatre review - Janie Dee in dark family drama by Aleks.sierz

New comedy about a celebrity chef sometimes sizzles, but leaves a bad taste Forget about dark alleys, deserted parks and slippery slopes: the most dangerous place in the world is likely to b…

Linked From at 07:32PM
Tuesday, June 5, 2018

The Strange Death of John Doe, Hampstead Theatre review - ambitious but not entirely successful by Aleks.sierz

Sympathetic new play about a migrant's death is well staged, but imperfectly writtenRegular air travel is a hassle. All that queuing, all that security, all those hot halls, and then th…

Linked From at 08:04PM
Friday, June 1, 2018

Fatherland, Lyric Hammersmith review - loud and proud, shame about the content by Aleks.sierz

Frantic Assembly’s take on the crisis of masculinity is theatrically exciting but banalMasculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial subject f…

Linked From at 07:42PM
Tuesday, May 8, 2018

Nightfall, Bridge Theatre, review - moving but over-exposed by Aleks.sierz

Sad and intimate play about rural life gets a bit lost in this large theatrePlaywright Barney Norris is as prolific as he is talented. Barely out of his twenties, he has written a series of …

Linked From at 05:42PM
Wednesday, May 2, 2018

Mood Music, Old Vic review - riveting critique of the music biz by Aleks.sierz

Joe ‘Sunny Afternoon’ Penhall’s triumphant new play about the music industry really rocksPlaywright Joe Penhall and the music biz? Well, they have history. When he was writing the book…

Linked From at 06:54PM
Monday, April 30, 2018

Nine Night, National Theatre review - Jamaican family drama full of spirit by Aleks.sierz

New comedy about a West-Indian wake is lively, but a bit undercookedThe good news about so-called black drama on British stages is that it has broken out of its gangland violence ghetto and …

Linked From at 06:42PM
Thursday, April 26, 2018

Absolute Hell, National Theatre review - high gloss show saves over-rated classic by Aleks.sierz

Energetic revival of Rodney Ackland’s best play exposes many of its faults Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend goes like this: A…

Linked From at 02:54AM

All that Chat