All stories by Afshan D'souza-Lodhi on BroadwayStars

Thursday, August 30, 2018

Feature: Coral Messam: “We’re Bringing Rave Culture to the Theatre” by Afshan D'souza-Lodhi

At last year’s Notting Hill Carnival Star Wars Actor, John Boyega was accused of being inappropriate with the way he was dancing The post Feature: Coral Messam: “We’re Br…

SOURCE: A Younger Theatre at 10:42AM
Tuesday, August 28, 2018

Review: Edinburgh Fringe Festival, Freeman, Pleasance Courtyard by Afshan D'souza-Lodhi

★★★ We live in a world in which people of colour are underrepresented everywhere except in the criminal justice system. The post Review: Edinburgh Fringe Festival, Freeman, Pleasance C…

SOURCE: A Younger Theatre at 11:24AM

Review: Edinburgh Fringe Festival, The Extinction Event, Pleasance Courtyard by Afshan D'souza-Lodhi

★★★★★ I have always believed theatre to be a form of magic and magic shows to be a form of The post Review: Edinburgh Fringe Festival, The Extinction Event, Pleasance Courtyard app…

SOURCE: A Younger Theatre at 11:24AM
Sunday, August 26, 2018

Review: Edinburgh Fringe Festival, Sex Drugs and a Cup of Tea, Sweet Venues Novotel by Afshan D'souza-Lodhi

★★★★ Upon leaving university, we quickly forget the trials and tribulations we face while living in shared housing with other The post Review: Edinburgh Fringe Festival, Sex Drugs an…

SOURCE: A Younger Theatre at 08:42AM

Review: Edinburgh Fringe Festival, Delusion of Home, Summerhall by Afshan D'souza-Lodhi

★★★★½ The Taiwan Season at Summerhall brings us this Taiwanese masterpiece from the company Our Theatre. Delusion Of Home, directed The post Review: Edinburgh Fringe Festival, Delus…

SOURCE: A Younger Theatre at 07:42AM
Thursday, August 23, 2018

Review: Edinburgh Fringe Festival, Brexit, Pleasance Courtyard by Afshan D'souza-Lodhi

★★★ Most of the country is still confused about Brexit and this play doesn’t help with the matter at all. The post Review: Edinburgh Fringe Festival, Brexit, Pleasance Courtyard appe…

SOURCE: A Younger Theatre at 06:36AM
Wednesday, August 22, 2018

Review: Edinburgh Fringe Festival, WHITE, Pleasance Courtyard by Afshan D'souza-Lodhi

★★★★★ Mixed race identity is often described as being stuck between two worlds, a descriptor that lacks nuance. Koko Brown’s The post Review: Edinburgh Fringe Festival, WHITE, Pl…

SOURCE: A Younger Theatre at 12:04PM
Friday, August 17, 2018

Review: Marsistan, Sweet Venues Novotel by Afshan D'souza-Lodhi

★★★★ Marsistan (pronounced Mars-istan) is the reason I come to Edinburgh Fringe. This little gem, hidden away in a hotel, The post Review: Marsistan, Sweet Venues Novotel appeared fi…

SOURCE: A Younger Theatre at 10:12AM

Review: Edinburgh Fringe Festival, Addiction: The Untold Story, theSpace by Afshan D'souza-Lodhi

★ There will always be a few shows at the Edinburgh Fringe Festival that think they need to be avant-garde The post Review: Edinburgh Fringe Festival, Addiction: The Untold Story, theSpace…

SOURCE: A Younger Theatre at 05:48AM
Wednesday, August 15, 2018

Review: Edinburgh Fringe Festival, Man Down, Venue 13 by Afshan D'souza-Lodhi

★★★★ Controversial deaths seem to be a catalyst for riots, which in turn leads to difficult conversations about race the The post Review: Edinburgh Fringe Festival, Man Down, Venue 1…

SOURCE: A Younger Theatre at 05:24AM
Tuesday, August 14, 2018

Review: Edinburgh Fringe Festival, Trojan Horse, Summerhall by Afshan D'souza-Lodhi

★★★ Trojan Horse, directed by Matt Woodhead, leaves us wanting more. Underneath the classical sounds of the tabla merging into a The post Review: Edinburgh Fringe Festival, Trojan Hor…

SOURCE: A Younger Theatre at 07:48AM
Wednesday, February 7, 2018

Feature: Whatsapp Rising: When Brothers Believe in the Power of Technology by Afshan D'souza-Lodhi

The age of digital art is upon us. Theatres and arts organisations everywhere are trying to master the craft of carefully adapting their artistic practice to include the ever elusive ‘digi…

SOURCE: A Younger Theatre at 05:10AM
Thursday, December 28, 2017

All wrapped up: what theatre brought to 2017 by Afshan D'souza-Lodhi

This year has been eventful for British theatre. In recent months, people have been coming forward with allegations of sexual assault against directors and actors. National theatres and arts…

SOURCE: A Younger Theatre at 08:33AM
Monday, November 6, 2017

Feature: Pink Sari Revolution: a revolution in theatre as well as on stage by Afshan D'souza-Lodhi

In the aftermath of media coverage on the violence against women in India, comes a play about women rising up. Pink Sari Revolution, adapted for the stage by Purva Naresh and directed by Sub…

SOURCE: A Younger Theatre at 07:33AM
Wednesday, October 25, 2017

Feature: We need to talk about women playwrights of colour in theatre by Afshan D'souza-Lodhi

Let’s talk about women playwrights of colour in theatre. Recently there was public outrage over the lack of female playwrights in leading London Theatres and, rightly so. The numbers are s…

SOURCE: A Younger Theatre at 06:06AM
Friday, September 15, 2017

Review: Bin Laden, The One Man Show, C venues by Afshan D'souza-Lodhi

Bin Laden, The One Man Show begins by disarming us. We’ve come to a show about Bin Laden, and that’s what we expect. Everything that Knaive Theatre does, from the moment we step inside t…

SOURCE: A Younger Theatre at 06:06AM
Thursday, August 31, 2017

Review: Elixir, Underbelly Circus Hub by Afshan D'souza-Lodhi

The phrase “on the edge of your seat” was invented for shows just like this. I spent the majority of the piece either praying that nobody would fall and/or die on stage, and chee…

SOURCE: A Younger Theatre at 03:36PM

Review: Give Me Your Love, Summerhall by Afshan D'souza-Lodhi

Give Me Your Love is a show about a man suffering from PTSD, who tries a novel method of taking MDMA to help with his therapy. The concept of the show is rather interesting, with a set that …

SOURCE: A Younger Theatre at 03:36PM

Review: Polyphone, theSpace @ Jury’s Inn by Afshan D'souza-Lodhi

Ola Aralepo’s Polyphony was an incredibly engaging piece of storytelling. Dressed in a traditional Niergerian agbada, he greets us all and begins to tell us his story. Aralepo, a clinical …

SOURCE: A Younger Theatre at 03:36PM

Review: Kat Bond: Loo Roll, Pleasance Courtyard by Afshan D'souza-Lodhi

To be wholly honest with you, I’m not sure why I was expecting a show called Loo Roll to be about anything but loo roll. The comedy piece begins with Bond, or rather her alter ego, Pat,…

SOURCE: A Younger Theatre at 03:36PM

Review: Girls, Pleasance Courtyard by Afshan D'souza-Lodhi

Theresa Ikoko, winner of the Alfred Fagon and George Devine Award, presents the theatrical masterpiece that is Girls, alongside Talawa Theatre Company, HighTide and Soho Theatre productions…

SOURCE: A Younger Theatre at 02:33PM

Review: London Hughes: Superstar, C venues by Afshan D'souza-Lodhi

London Hughes Superstar (it’s just nobody’s realised it) is a witty, relatable show about race, boys and superstardom. Hughes, with perfect comedic timing, talks about how she couldn…

SOURCE: A Younger Theatre at 10:48AM

Review: Pike St, Roundabout at Summerhall by Afshan D'souza-Lodhi

Nilaja Sun’s one woman show Pike St. features just under a dozen different characters and she plays every single one of them; from the anti-immigration neighbour, to a little boy, to a sol…

SOURCE: A Younger Theatre at 10:48AM

Review: The Black That I Am, Upper Church at Summerhall by Afshan D'souza-Lodhi

Coming in at under an hour, The Black That I Am sought to look at black (specifically Jamaican) identities and the way in which different people exist and see the world. The set felt a littl…

SOURCE: A Younger Theatre at 10:48AM

Review: The Offering (Guru Dakshina), C venues by Afshan D'souza-Lodhi

Aditya Roy, with the help of Teamwork Arts India @70, showcases The Offering (Guru Dakshina) at Edinburgh. Roy, from Delhi, trained in multiple forms of martial arts which he pairs with danc…

SOURCE: A Younger Theatre at 10:48AM
Monday, August 28, 2017

Review: Love, Bombs and Apples, Summerhall by Afshan D'souza-Lodhi

Everything about this show exudes confidence. Asif Khan as an actor and Hassan Abdulrazzak as a writer know how to use mannerisms and words to play their audience. Khan took on 3 characters …

SOURCE: A Younger Theatre at 08:18AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards