All stories by Adam Foster on BroadwayStars

Saturday, November 1, 2014

Review: Coolatully, Finborough Theatre by Adam Foster

The post office in Coolatully is all boarded up. The local pub only stocks ready salted crisps and is struggling to break even. This used to be the sort of place you could leave your windows…

SOURCE: A Younger Theatre at 01:00PM
Friday, October 31, 2014

Review: Jonah and Otto, Park Theatre by Adam Foster

Robert Holman is a playwright rarely revived. The Park Theatre’s staging of his 2008 play Jonah and Otto will be the first of his works to be produced in London since Making Noise Quietly…

SOURCE: A Younger Theatre at 06:09PM
Friday, October 10, 2014

Feature: Vinay Patel – “a writer with his finger firmly on the pulse” by Adam Foster

Things are going well for Vinay Patel. After a succession of short plays his debut full-length play, True Brits, premiered at the Edinburgh Festival Fringe this summer. A relative newcomer t…

SOURCE: A Younger Theatre at 11:31AM
Wednesday, September 17, 2014

Review: Major Tom, Battersea Arts Centre by Adam Foster

Some years ago Victoria Melody and her husband Mike bought a plant. The logic being that if they could keep it alive they might one day go on to buy a dog. And then, eventually, a child -exc…

SOURCE: A Younger Theatre at 02:50PM
Sunday, September 14, 2014

Feature: Ria Parry – ever the pragmatist by Adam Foster

Ria Parry is in a reflective mood as she nears the end of rehearsals for Albion, the new play by Chris Thompson which opens at the Bush Theatre next week. “It’s funny when you look back …

SOURCE: A Younger Theatre at 06:10AM
Tuesday, September 9, 2014

Review: Land of our Fathers, Trafalgar Studios by Adam Foster

Alfred Hitchcock once said that the length of a film should be directly related to the endurance of the human bladder. At a little over two hours and thirty minutes, Chris Urch’s first…

SOURCE: A Younger Theatre at 02:32PM
Sunday, August 10, 2014

Edinburgh Review: Biding Time (Remix), Summerhall by Adam Foster

The need to distinguish between genres is simultaneously vital and irrelevant at the Edinburgh Fringe. Choosing whether an all-male, all-singing, all-dancing, promenade staging of The Wizard…

SOURCE: A Younger Theatre at 07:27AM

Edinburgh Review: Leaving Home Party, Summerhall by Adam Foster

There are two things you need to know about Catherine Ireton: one, she comes from Ireland; two, she has the most remarkable singing voice. Living in Limerick in 2005, Ireton got hit on in a …

SOURCE: A Younger Theatre at 07:02AM

Edinburgh Review: Show 6, Summerhall @ Roundabout by Adam Foster

Mark Ravenhill admired Sean Holmes’ Secret Theatre company so much that he wrote to him asking to be involved. He said yes and Show 6 is the result. When it first launched, advance informa…

SOURCE: A Younger Theatre at 06:53AM

Edinburgh Review: Confirmation, Northern Stage at King’s Hall by Adam Foster

Confirmation could just as well be called confrontation. Because that’s what it is and how it feels. Devised by Chris Thorpe in collaboration with Rachel Chavkin of Brooklyn-based ense…

SOURCE: A Younger Theatre at 06:23AM
Saturday, August 9, 2014

Edinburgh Review: A Journey Round My Skull, Summerhall by Adam Foster

This is no ordinary love story. On the way into Summerhall’s Red Lecture Theatre we are handed a pair of wireless headphones, arousing an anticipation of the auditory experience to come. W…

SOURCE: A Younger Theatre at 03:20PM

Edinburgh Review: I Do, Do I, Summerhall by Adam Foster

As we come into the Demonstration Room, Greg Sinclair has a box on his head. He has been instructed to do so by a group of children. The 11am performance slot at the Edinburgh Fringe is syno…

SOURCE: A Younger Theatre at 01:46PM
Friday, August 8, 2014

Edinburgh Review: Men in the Cities, Traverse by Adam Foster

On 22 May 2013, ITV News obtained footage of a man addressing a camera on a south London street. He makes a series of political statements before walking towards the body of Drummer Lee Rigb…

SOURCE: A Younger Theatre at 12:26PM

Edinburgh Review: Preview to a Number, Northern Stage at King’s Hall by Adam Foster

Geddes Loom is a band which got lost in the theatre section. In its debut piece, Prelude to a Number, it tries to make sense of the chaos of the universe. You certainly couldn’t accuse…

SOURCE: A Younger Theatre at 10:31AM

Edinburgh Review: Mental, Pleasance Pop-Up: The Bedroom by Adam Foster

Mental takes place in a bed in a residential building just outside the city centre. The walk back takes about 20 minutes. In the shadow of Arthur’s seat we cross a road by some traffic…

SOURCE: A Younger Theatre at 10:24AM

Edinburgh Review: Every Brilliant Thing, Summerhall @ Roundabout by Adam Foster

There are endless brilliant things about Every Brilliant Thing. The play sees writer Duncan Macmillan reunited with Paines Plough following their critically acclaimed collaboration on Lungs…

SOURCE: A Younger Theatre at 10:16AM
Thursday, August 7, 2014

Edinburgh Review: Travesti, Pleasance Dome by Adam Foster

Two years ago, Chris Goode and Company made a piece in which the words of children were spoken by a cast of adults. In Travesti, the new piece from Unbound Productions, something similar hap…

SOURCE: A Younger Theatre at 01:29PM

Edinburgh Review: Bottleneck, Underbelly, Bristo Square by Adam Foster

Bottleneck is a masterly demonstration of pulling-the-rug playwriting. Written by award-winning playwright Luke Barnes and produced by HighTide Festival Theatre, the play was one of the brea…

SOURCE: A Younger Theatre at 01:23PM

Edinburgh Review: The Hive, Pleasance Dome by Adam Foster

What are you reading this on? Your phone? A laptop? A tablet, maybe? In a world so reliant on technology, do you ever look at the screen in your hands and wonder what you’d be without it? …

SOURCE: A Younger Theatre at 01:15PM
Wednesday, August 6, 2014

Show 6, Summerhall @ Roundabout – a response by Adam Foster

speak in a parallel universe they try to words but the words exactly they just stop when they try to speak they just stop as you say yes they stop not so much stop as start start when it sta…

SOURCE: A Younger Theatre at 03:34PM

Edinburgh Review: Standby for Tape Back-Up, Summerhall by Adam Foster

“All of our brains are programmed to see patterns”, Ross Sutherland tells us in Standby for Tape Back-Up, “even when no patterns exist”. They say that after a break-up, it’s as if …

SOURCE: A Younger Theatre at 02:19PM

Edinburgh Review: The Hemline Index, Pleasance Courtyard by Adam Foster

Change is progression. That’s the assessment of The Hemline Index, which examines the extent to which women have changed in the last thirty years. The Hemline Index of the title, in case …

SOURCE: A Younger Theatre at 01:04PM

Edinburgh Review: Red Tap/ Blue Tiger, Assembly Roxy by Adam Foster

Have you ever wondered what happens after the lie-detector results are revealed on the Jeremy Kyle show and the participants are left to their own devices? In this nasty new play by Richard …

SOURCE: A Younger Theatre at 06:40AM
Tuesday, August 5, 2014

Edinburgh Review: The Moth of August, C nova by Adam Foster

Sat around a table littered with mugs of tea, discarded flyers and the Fringe programme, three performers while away another afternoon in their squalid Edinburgh flat. It’s a set-up you’…

SOURCE: A Younger Theatre at 02:59PM

Edinburgh Review: This Is Living, Bedlam Theatre by Adam Foster

If you were to stand opposite the person you loved most, knowingly for the last time, what would you say? That’s the impossible question at the centre of Liam Borrett’s stunning debut pl…

SOURCE: A Younger Theatre at 11:20AM

Edinburgh Review: Newton’s Cauldron, Paradise in The Vault by Adam Foster

Legend would have it that an apple once fell from a tree, hit someone’s head and helped them discover gravity. As in all such legends, this is almost certainly not true, but in Tim Fol…

SOURCE: A Younger Theatre at 11:16AM

Edinburgh Review: Freak, Assembly George Square Studios by Adam Foster

In an age of Tinder and teenage trips to Malia, attitudes to sexuality are more liberal than ever. Phoebe Waller-Bridge tackled the subject at last year’s Fringe with her award-winning Fle…

SOURCE: A Younger Theatre at 11:14AM

Edinburgh Review: The Horror! The Horror! – The Final Curtain, Bedlam Theatre by Adam Foster

The team behind 2012′s The Horror! The Horror! return with an appendage – and the final curtain of its title hangs like a guillotine over Alfred Brownlow’s variety troupe. Audience…

SOURCE: A Younger Theatre at 11:10AM
Monday, August 4, 2014

Edinburgh Review: Cirque Tsuki: Birthday, C nova by Adam Foster

Invited to write a wish on kite-shaped paper and hang it on a twinkling tree, the opening moments of Cirque Tsuki: Birthday hint at the sort of intimacy and interactivity that can make this …

SOURCE: A Younger Theatre at 05:15AM

Edinburgh Review: So It Goes, Underbelly Cowgate by Adam Foster

Sometimes it’s easier not to talk. That’s the logic of So It Goes, a wonderful piece of wordless storytelling by Le-Coq trained company On The Run. There are words of course, they just a…

SOURCE: A Younger Theatre at 04:50AM

Edinburgh Review: Sister, Summerhall by Adam Foster

“You can still be a feminist and like getting cum on your face,” says Amy Cade, a porn actress, escort and sex worker based in Berlin. Her sister, Rosana, is a shaven-headed lesbian. The…

SOURCE: A Younger Theatre at 04:32AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
TBA: Titanic